SDCC: Marvel: Spider-Man and His Amazing Friends Panel
As a tribute to Jonah Hex co-creator Tony DeZuniga, who passed away a year ago today, organizers of California’s Stockton-Con announced they’ve renamed their all-ages art competition the Tony DeZuniga Memorial Art Contest. A Philippines native, the artist lived in Stockton for much of the past decade.
“Naming the Art Contest after Tony is such a great honor,” DeZuniga’s wife Tina said in a statement. “I wish Tony could see the success of Stockton-Con. I myself was so surprised by last year’s attendance. The organizers worked so hard and people really traveled just to attend the event. I’m so proud and so honored to be part of this event.”
Museums | So what is the deal with the move of the Museum of Comic and Cartoon Art to the Society of Illustrators? They are being “transferred and acquired,” says MoCCA President Ellen Abramowitz, although the headline on this article says “rescued.” “After the transition, the Society of Illustrators will go on to be the sole overseer and manager of the holdings. ‘It’s in excellent hands,’ said Ms. Abramowitz.” [The Wall Street Journal]
Legal | Danny Bradbury takes a look at the financial and copyright aspects of online comics in an insightful article spurred by the recent dust-up between The Oatmeal and FunnyJunk. Among other things, he parses out how The Oatmeal creator Matthew Inman makes $500,000 a year from his comic, why Inman and other creators object to their work being published elsewhere without attribution (and why they sometimes don’t care), the legal protections they can use (and how they sometimes fail), and how sites like Pinterest avoid the problem. There’s also an explanation of why FunnyJunk attorney Charles Carreon is suing Inman et al. on his own behalf, rather than FunnyJunk’s: “Carreon has now effectively abandoned the threat of a FunnyJunk lawsuit, stating that he was misinformed by his client. His letter claimed that all the comics had been removed from FunnyJunk, but Inman pointed out dozens that were still there.” [The Guardian]