Stripped Archives - Robot 6 @ Comic Book Resources
Conventions | The Salt Lake Comic Con spinoff event FanXperience is shaping up for its April 17 debut with the addition of KidCon, a pavilion dedicated to younger attendees. “We don’t want the impression that we have KidCon there for everything else to become less kid-friendly,” says co-founder Dan Farr. “Although I would imagine 99 percent of the people that are coming are going to take their kids throughout the whole hall, it’s just to have an area where they can go and spend a little more time with their kids.” The inaugural Salt Lake Comic Con in September drew an estimated 80,000 attendees; organizers anticipate as many as 100,000 for FanX, which will have almost double the floor space. [Deseret News]
Legal | The judge was a no-show for what was supposed to be the announcement of the verdict in the trial of Algerian cartoonist Djamel Ghanem, who stands accused of “insulting the president of the republic” in a cartoon that was, bizarrely, never published. Ghanem’s lawyer says the verdict has been postponed; the cartoonist faces up to 18 months in prison and a fine of 30,000 dinars ($380 U.S>) if found guilty. [Global Post]
Calvin & Hobbes creator Bill Watterson has stayed out of the public eye since he ended the popular strip in 1995, but he’s back this week with a rare new piece of art: the poster for the documentary Stripped. It’s his first published cartoon in nearly two decades.
Watterson also did a rare audio interview for the film about comic strips that features interviews with more than 60 creators. Stripped is being made by webcomics creator Dave Kellett and filmmaker Frederick Schroeder, and it was Kellett who asked Watterson if he would make the poster. “Dave sent me a rough cut of the film and I dusted the cobwebs off my ink bottle,” Watterson told Michael Cavna of The Washington Post.
“Given the movie’s title and the fact that there are few things funnier than human nudity, the idea popped into my head largely intact,” the cartoonist said. “The film is a big valentine to comics, so I tried to do something really cartoon-y. I had thought of having it colored with off-registered printing dots like newspaper comics, but Dave asked if I’d paint it instead, and I think he made the right call.”
This is Watterson’s second publicly released work of art since 1995; in 2011 he created a painting of Richard Thompson’s character Petey Otterloop, which was sold for $13,000 at the benefit auction for Team Cul de Sac, which supports research into Parkinson’s disease.
An exhibit of original work by Watterson and Thompson will open in March at the Billy Ireland Cartoon Library & Museum at the Ohio State University in Columbus, Ohio.
Conventions | Complaints about comics conventions are apparently the same the world over, as a writer who attended the third annual Mumbai Film and Comic Convention (simply Mumbai Comic Con in its first year) this weekend notes, “Not to seem hypocritical, since we all tend to buy curios and the occasional t-shirt at Comicon every year, but when merchandising stalls (read: t-shirt shops) start outnumbering those which have an actual reason for being at a convention in the first place, we’ve got a problem.” According to DNA India, this year’s event saw the debut of the convention’s mascot, Wonder Bai (at right). [Think Digit]
Digital comics | Microsoft and the Indian publisher Amar Chitra Katha launched a comics app for Windows 8 at Mumbai Film and Comic Convention. “Children these days are drifting away from their Indian mythologies and stories, so this was our attempt to bring these value building stories on a platform familiar to them,” said Vineet Durani of Microsoft’s Windows Phone Business Group. [DNA India]
There are two remarkable things about Dave Kellett’s Kickstarter for his documentary Stripped. The first is that the pitch video includes a snippet of what Kellett claims is the first-ever audio interview with reclusive Calvin and Hobbes creator Bill Watterson. That alone is going to make this film a must-see for a lot of people.
The second is that this is a Kickstarter for a project that’s already fully funded. What Kellett is looking for with this second campaign is access to more licensed footage: