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Blade of the Immortal, Hiroaki Samura’s samurai tale, reaches the end of its long run this week with the publication of Volume 31. Dark Horse began publishing the series in 1996, at a time when manga was not only flipped but chopped into single-issue comics. The world has changed a lot since then, and so has Blade. Samura spent almost 20 years writing and drawing the series, and his storytelling style evolved quite a bit over the years.
Samura’s superb art belies the startling violence of his story: Manji, a renegade samurai, cannot die because his body harbors bloodworms that heal every wound. To shake the curse of immortality, he must kill 1,000 evil men. This task gains focus when he teams with Rin, the daughter of a dojo master whose father was slain in front of her; she seeks not only to avenge his death but also to stop his killers from slaughtering the members of the other dojos to consolidate the power of their own school of fighting, Ittō-ryū. Samura fills the pages with baroque villains and and elaborate weapons of his own invention. The early volumes have a punk feel to them, but eventually he settles into a more traditional style.
Digital comics | Although the Marvel Unlimited and DC Comics apps work very differently, Noel Murray has similar complaints about both: Specific titles are difficult to find, and the damn things keep crashing: “Frankly, while some of the other major comics apps have better search functions — Dark Horse’s, for example — none of the big companies have created the digital comics retailing equivalent of an Amazon or iTunes.” [Hero Complex]
Publishing | Drawn & Quarterly has announced its fall lineup, which includes Peter Bagge’s biography Woman Rebel: The Margaret Sanger Story. [Drawn & Quarterly]