Hello and welcome to What Are You Reading? This week’s special guest is Simon Monk, an artist whose “Secret Identity” paintings we featured here on Robot 6 not too long ago. Monk is actually selling limited edition prints of his paintings on his website now, so go check them out.
To see what Simon and the Robot 6 crew have been reading, click below.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy on Wednesday based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on what we call our “Splurge” item.
If I had $15:
I’d start with Witchfinder: Lost and Gone Forever #1 ($2.99). I love weird western tales and can’t imagine a better creative team for one than the writers of BPRD and artist John Severin, who illustrated so many of Atlas’ classic westerns. Then I’d grab The Muppet Show, Volume 5: Muppet Mash ($9.99) because hey, Roger Langridge, Muppets and classic monsters.
If I had $30:
I’d add a couple of Big Two all-ages comics to the pile. If Marvel’s Super Hero Squad Spectacular #1 ($3.99) is half as fun as the show it’s based on, it’ll be worth taking home and reading to the boy. I’ll just have to keep ignoring the irritating, unnecessarily three-fingered character designs. I’m even more confident that we’ll enjoy DC’s Super Friends, Volume 4: Mystery in Space ($12.99) because we’ve been so delighted with the first three collections. David just turned nine and by way of celebration, he wanted to go back and re-read the Superman’s Birthday story from volume two.
The Cincinnati Enquirer’s Alex Shebar examines the visual links between the 76-year-old Cincinnati Union Terminal and the Hall of Justice from the 1970s Super Friends cartoon and, more recently, the Justice League of America comic.
“The resemblance is undeniable, from the massive arch to the carved pillars,” Shebar writes. “They are nearly identical, right down to the colossal fountain leading to the front entrance.”
Completed in March 1933, the art deco-style train station apparently made an impact on Joseph Barbera: When Super Friends background supervisor Al Gmuer submitted a headquarters design to Barbera and ABC executives, what was returned looked a lot like Union Terminal.
“In the long run, I hated that building,” Gmuer tells Shebar. “The way it’s designed, it was not easy to draw. I had nightmares about that damn building.”