superheroes Archives - Page 3 of 11 - Robot 6 @ Comic Book Resources
I know I still get hammered via e-mail when I suggest something like, say, that there aren’t any superhero comics in any one of my year’s top ten, with a line of thinking that things should somehow be balanced between that particular form of expression and others. I kind of thought most fans were past this …
It wasn’t too many years ago that this definitely was an issue, at least for me. I thought of the stages in my comics life in terms of how much each involved superheroes. My childhood years were all about Harvey, Walt Disney and Looney Tunes until I discovered Marvel and DC and put away “childish things.” That lasted well into my 20s, until companies like Dark Horse and Vertigo opened the gate to other genres.
The New York Daily News casts a spotlight on Ray Felix, the small-press publisher who’s challenging the joint claim of DC Comics and Marvel to the “super hero” trademark, and comes away with some interesting details:
- The two publishers have prevented at least 35 people from using “super hero,” or some variation, since they were granted the mark in 1980 for toys and in 1981 for comic books. (You may remember that in 2004 GeekPunk changed the name of its series Super Hero Happy Hour to Hero Happy Hour following objections by DC and Marvel.)
- Although Felix admits he’s unlikely to win his case before the Trademark Trial and Appeal Board, a lawyer specializing in intellectual property tells the newspaper that Marvel and DC’s joint ownership “violates the basic tenet of trademark law.” “A trademark stands for a single source of origin, not two possible sources of origin,” Ron Coleman argues. “If the public understands that the word ‘superhero’ could come from A or B, then by definition that’s a word and not a trademark.”
- Even if the appeal board were to find in Felix’s favor, it would only mean he can retain his registration for his series A World Without Superheroes. Revocation of Marvel and DC’s trademark would require a costly civil lawsuit.
Felix’s dispute with the comics giants dates back to September 2010, when he received a cease-and-desist letter after registering a trademark for his series. Following more a year and a half of exchanges between Felix and the companies’ attorneys, DC Comics and Marvel Characters Inc. in March 2012 filed a formal opposition with the Trademark Trial and Appeal Board.
This awesome-looking comics-themed Macbook keyboard skin has been doing the rounds on design blogs, but I saw it on HiConsumption. For an atrocious, eyes-on-the-keyboard, six-fingers-in-a-claw, typist such as myself, it’d be a nightmare. But it does look fantastic. It’s from Killer Duck Decals, and is available from its Etsy store.
The accompanying blurb shows them to be very witty people, indeed: “Zorro instead of Zatanna because I didn’t want to deal with the top hat, sorry”; “Our skins are meant to make your stuff look cooler, not make them bomb proof. So don’t go flashing them around in the bad part of town and skipping them across lakes because they do not grant your electronics super-powers.”
There’s a few inspired choices on this thing (check out the “Y” key), and a couple I’ll admit I’m baffled by. (What are the icons on the “O” and “D” keys referring to? I presume I’ll kick myself when someone points them out.)
Conventions | Nearly 10,000 people flocked to the Lexington (Kentucky) Comic and Toy Convention over the weekend, far exceeding expectations. [Kentucky.com]
Piracy | This is about movies and music more than comics, but it’s an interesting perspective: Thorin Klosowski explains why he gave up on illegal downloads. The short answer: It’s now easier to stay legit. [Lifehacker]
Commentary | Julian Darius takes a hard look at last week’s removal of Persepolis from Chicago classrooms and what that says about our society’s attitude toward torture. [Sequart]
Awards | Dave Brown received the Cartoonist of the Year award at the Society of Editors’ UK Press Awards. [The Independent]
Comics scholar Will Brooker (he’s a top expert on Batman) has taken a step over to the other side and started writing a superhero comic that veers pretty far from Gotham City. As he tells Alison Flood in an interview at The Guardian, his new comic My So-Called Secret Identity takes a “feminist approach from the ground up, in terms of story, character, artwork and production.”
That’s a nice idea but not much of a selling point. How about this: It’s a good story. The lead character is interesting, and the first issue draws you into her world, and then brings in a dramatic twist to hold your interest. Brooker’s writing is witty, and the art, by Suze Shore and Sarah Zaidan, is attractive and easy to “read” visually, something that is not always the case with superhero comics.
Lord knows, as a reader who rolls her eyes at most superheroines (and superheroes for that matter), I like the idea of what Brooker is doing, but Comics With Agendas seldom turn out well. Good comics are all about good stories, and good stories seldom fit neatly into ideological niches. This has the makings of a good story, and I would hate for the “feminist” selling point to be a turn-off for potential readers. I’d prefer see this comic presented as something new, rather than a pushback at a tired genre.
Admittedly, My So-Called Secret Identity uses many of the storytelling conventions of superhero comics—the paneling and the way the character is narrating the story from inside her head, for instance. There’s even a grim edge to Cat’s point of view, as she opines that in her city, if you’re not a celebrity or a superhero, you’re “little people.” But then on the next page she’s thinking about the scent of warm muffins and her favorite bookstore. I’ll go out on a limb here (I’m sure someone will correct me if I’m wrong) and say that no one in Gotham City thinks about muffins.
Publishing | Todd Allen analyzes the sales of DC Comics’ New 52 titles from their September 2011 launch to the past month. Sales of any series tend to drop off from one issue to the next — Allen compares it to radioactive decay — and when the numbers drop below 18,000 for a couple of titles, DC tends to cancel them in batches and start up new titles to replace them. That plus crossovers and strong sales of some flagship titles has kept the line fairly stable until recently, but as Allen notes, the replacement titles tend to crash and burn pretty quickly, and overall sales have dipped a bit. [Publishers Weekly]
History | David Brothers has a great column for Black History Month, featuring Krazy Kat, All-Negro Comics and other titles by black creators. [Comics Alliance]
In an interview with Crisp Comics, Ray Felix of Cup O’ Java Studio Comix recounts receiving a cease-and-desist letter in September 2010 after he registered a trademark for his comic series A World Without Superheroes. Following more a year and a half of exchanges between Felix and the companies’ attorneys, DC Comics and Marvel Characters Inc. in March 2012 filed a formal opposition with the Trademark Trial and Appeal Board, which decides certain cases involving trademarks.
Their original registration for “super hero” and “super heroes,” which received widespread attention when it was renewed in 2006, covers a range of products, from comic books and playing cards to pencil sharpeners and glue. However, Felix argues DC and Marvel have overstepped the bounds of their trademark.
PBS’s Pioneers of Television series celebrates “the visionaries who shaped a fledgling medium,” and Tuesday night’s episode is all about superheroes. Covering every decade from the ’50s to the ’80s, it digs into The Adventures of Superman, Batman, Wonder Woman, The Incredible Hulk and The Greatest American Hero. Interviews include Adam West, Burt Ward, Julie Newmar, Lynda Carter, Lou Ferrigno and William Katt. Hopefully they make Julie Newmar and William Katt team up.
To promote the episode, PBS has put a ton of content from it on its website. There’s a preview of the episode, mini-essays about some of the shows, excerpts from some of the interviews, profiles of the actors and a terrific photo gallery. It’s a great way to kill some time while waiting for the real thing to air.
“It’s a more serious version of Superman. It’s not like a heart attack. We took the mythology seriously. We take him as a character seriously. I believe the movie would appeal to anyone. I think that you’re going to see a Superman you’ve never seen before. We approached it as though no other films had been made. He’s the king-daddy. Honestly that’s why I wanted to do it. I’m interested in Superman because he’s the father of all superheroes. He’s this amazing ambassador for all superheroes. What was it about him that cracked the code that made pop culture embrace this other mythology? What we‘ve made as a film not only examines that but is also an amazing adventure story. It’s been an honor to work on. As a comic book fan, Superman is like the Rosetta Stone of all superheroes. I wanted to be sure the movie treated it respectfully.”
– Man of Steel director Zack Snyder, discussing his upcoming reboot of Warner Bros.’ Superman franchise, as well as his 2009 adaptation of Watchmen
Passings | Cartoonist and animator Bill White has died at the age of 51. According to his Lambiek page, White studied animation at the Kubert School and was a penciler and inker for a number of publishers, including DC Comics, Marvel, Archie, Disney and Harvey. His animation work included stints on Ren and Stimpy and Inspector Gadget. Infinite Hollywood has a nice remembrance. [The Daily Cartoonist]
Comics | Jim Beard looks at the apparent contradiction between the mass popularity of superhero movies and the relatively limited audience for the comics that spawned them; Mark Waid attributes this to a lack of comics shops, while Ethan Van Sciver thinks that most people simply have a hard time reading comics. Two local retailers weigh in as well, making this an interesting and well-rounded overview of the problem. [Toledo Free Press]
J. Torres explains his newest project:
A number of my Canadian comic book pals and I grew up reading Alpha Flight, Captain Canuck, or Wolverine comics and we’ve always thought that there should be more Canadian superheroes out there. Over the years, we’d periodically get together and inevitably talk about the Canadian superheroes we’ve created (sometimes dating back to childhood) and always wanting to do “something” with them.
Well, we’re finally about to do something — something pretty big, and pretty cool. Kinda like Canada itself, eh?
That something is True Patriot, an anthology of short stories featuring homegrown Canadian superheroes, and Torres has announced a stellar roster that includes Scott Chantler (Two Generals), Ramon Perez (A Tale of Sand), Andy Belanger (Kill Shakespeare), Faith Erin Hicks (Friends With Boys, The Adventures of Superhero Girl) and the team of Jack Briglio and Ron Salas. The anthology will be 100 pages, full color (or “colour,” as they say north of the border), and available in both hardcover and digital formats. Watch for the campaign to go live on IndieGoGo on Oct. 1, but in the meantime, check out Torres’ blog for some cool character designs.
Passings | Douglas Phillips, who drew many stories over the years for the rough-and-tumble British boys’ comics The Rover and The Victor, has died at the age of 85. [Blimey!]
Creators | Green Lantern writer (and DC chief creative officer) Geoff Johns is returning to his hometown, Detroit, to appear at a comics shop and the Arab American National Museum, promoting Baz, the first Arab-American Green Lantern. Johns himself is of Lebanese descent. [Detroit Free Press]
… a superhero movie, by definition, you know, it’s comic book. It’s for kids. It’s adolescent in its core. That has always been its appeal, and I think people who are saying, you know, “Dark Knight Rises is, you know, supreme cinema art,” I don’t think they know what the fuck they’re talking about.
– director David Cronenberg, on the limitations of superhero movies
Although he’s focusing on whether superhero movies can be art, the part of that quote that most interests me is Cronenberg’s assertion that the superhero genre is for kids and is “adolescent in its core.”
My first reaction was that it’s Cronenberg who doesn’t know what he’s talking about. The Comics Aren’t Just for Kids Anymore meme has been going on so long that it’s now accepted fact. We should be clear that when we say “comics aren’t just for kids,” what we really mean is that superhero comics aren’t just for kids, but that’s still a fact, too. If anything, the challenge is to find superhero comics that are appropriate for children. This is not a new observation.
There are some punk-rock girls on Tumblr who think McGuinness’ covers are the best things they’ve ever seen in mainstream comics. Then there are some dudes in their 40s who like big hair and big boobs and aren’t crazy about it. And I get it. If this your favorite superhero, you want to like looking at them, but we can’t please everybody. It’s sort of like the weather in Portland … if you don’t like it, just wait a while. Someone will do something that you like. And with the costume … You know, the market will dictate that. If people don’t like it, then she’ll be back in the lightning bolt suit. Let’s just see how it goes.
– Kelly Sue DeConnick, on Carol Danvers, the new Captain Marvel
You should definitely read the entire interview, as DeConnick has really gotten into her character’s skin. But I thought this reflection on external appearances was interesting as well — both the importance of the immediate visual impact of the character and the acknowledgement that fan reaction does have an impact.
ArtInfo spotlights a satirical poster campaign by Oakland artist Neil Rivas that uses superhero illustrations by the likes of Jack Kirby, Alex Ross, Jae Lee and John Byrne (completed with trademarked logos) to address the hot-button political issue of illegal immigration. Titled simply “Illegal Superheroes,” the posters feature such characters as Wolverine, Superman, Black Widow, Wonder Woman and Optimus Prime, whose presence in the United States would likely violate federal law.
Purporting to be from U.S. Immigration and Customs Enforcement, the posters caution, “Super heroes who enter this country without proper authorization are breaking the law, plain and simple. These ‘illegal super heroes’ are subject to deportation at any time. Their very presence is in direct violation of federal law.” The customized hotline numbers at the bottom of each flyer provides the caller with details about each of the undocumented heroes (for instance, “The ThunderCats, a family of cat-like humanoid aliens from the planet Thundera, are known to have entered the U.S. illegally when they saved the world with Superman from Mumm-Ra and his Mutants in a 2004 DC crossover”). ArtInfo has the full breakdown of the messages explaining each character’s illegal status.