superman Archives - Page 2 of 42 - Robot 6 @ Comic Book Resources
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Ever since its return under the Vertigo banner, Astro City (from Kurt Busiek, Brent Eric Anderson, and company) has been pretty great on a consistent basis. Don’t get me wrong, it’s always been a highlight of my pull list; but the current run has really been something special. Last month’s issue #15 — concluding the story of a sweet little old robotics genius and the supervillain who sought to ruin her — was particularly heartwarming. (What’s that? Something in my eye? No, I’m just tired….)
Then, however, I read this week’s issue #16. Readers looking for familiar pastiches will be rewarded immediately, since the broad strokes of the story are deliberately reminiscent of Silver Age Superboy and Lex Luthor. (The energy-headed hero Starbright also looks a bit like Firestorm, but that’s more incidental.) It’s a tale of awkward friendship, super-powered rivalry, and an act of simple kindness which literally transforms a life. As Busiek reveals on the letters page, the middle part of the story comes from his unpublished eight-page script for an installment of the backup feature “Superman: The In-Between Years.” In hindsight it’s easy to see how that script would have worked as a look into the developing dynamics between the Collegian of Steel and his former friend — but as usual, Astro City has taken those elements in undreamt-of directions.
Last week I laid out a lot of numbers and background on the distribution of character-oriented franchises in the New 52. (Along the way I got confused about the New 52 version of G.I. Combat; it was canceled after Issue 7, but its zero issue brought its total to eight.)
Accordingly, this week discusses whether the New 52 needs to get back up to its eponymous number of titles, or whether a smaller stable of ongoing series is a more sustainable environment. We’ll get into some other concerns as well, but the overarching question — as DC transforms its biggest franchise, the Bat-books — involves how the publisher chooses to allocate its resources.
(Because I forgot to do it directly last week, I want to acknowledge my debt to Dave Carter, who started me thinking about all this when he charted New 52 longevity in January and who, providentially, has just started listing DC rosters of Augusts past.)
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In the aftermath of the controversy about a pair of sexist shirts licensed by DC Comics, celebrated artist Bill Sienkiewicz has created a his own revised design for the “Superman Does It Again” tee.
His version includes a second image, on the back of the shirt, with the Man of Steel’s “Score!” answered with Wonder Woman’s “Fail!!” — and an Amazonian fist to the Kryptonian’s jaw. “Maybe a bit too on the nose,” the New Mutants and Elektra: Assassin artist wrote on his Facebook page, “but there you go …”
Note: This week’s post, and probably next week’s, get pretty number-heavy. Also, this week’s post contains a lot of history and background data. I have tried to make it all entertaining, but consider yourselves warned. Either way, there’s still the Futures Index.
Starting this week, the Batman line gets a makeover. Gotham Academy, from writers Becky Cloonan and Brenden Fletcher and artist Karl Kerschl, is a delightfully spry addition to the Bat-landscape. Amid a franchise dominated (not unreasonably) by stylized, unflinching urban avenging, GA’s unique perspective is both welcome and necessary. Waiting in the wings are new Batgirl and Catwoman creative teams, as well as new titles Arkham Manor and Gotham After Midnight. (The three new books apparently take the places of Batman: The Dark Knight, Batwing and Birds of Prey.)
All look promising, and each offers a new look at a seldom-seen aspect of the Batman mythology. Moreover, it’s vitally important for DC to reach out to a diverse audience, particularly one that may have felt underappreciated over the past few years.
However, all this innovation comes at a time when the in-name-only New 52 has been stuck for a while at around 40-odd series. Only 21 of the original 52 ongoings are still being published, although books like Teen Titans, Suicide Squad and Deathstroke have been relaunched with new volumes. Similarly, we might view Grayson and Justice League United as continuations of Nightwing and the New-52 version of Justice League of America.
Two licensed T-shirts featuring DC Comics’ Trinity have sparked accusations of sexism among online fans.
The first shirt, as reported at DC Women Kicking Ass and spotted by CBR contributor Tamara Brooks this past weekend at Long Beach Comic Con, depicts Superman and Wonder Woman in a passionate embrace with the caption, “Score! Superman Does It Again!” As takedowns of that shirt began to circulate on social media, another one, bearing the phrase “I’m Training to Be Batman’s Wife,” was brought into the discussion.
Both shirts present undeniably sexist messages: The former positions the most prominent female superhero as a prize to be won, stripping away the character’s 75 years of nuance and feminist themes. The latter would be perfectly acceptable if it had only stopped before that final word; the assumption that the goal of any woman’s training would be to become someone’s wife is antiquated at best.
I don’t know whether it was cartoonist J. Bone’s intent, but I like the suggestion that his “sun-friendly” Superman costume is a send-up of the not-exactly-convincing justification for Starfire’s skimpy costume — namely, that she draws her power from the sun and, therefore, needs to expose as much skin as Earth laws will allow. Heck, these new threads could even work as a response to those who miss those signature red trunks in the New 52 design.
Superman is the world’s greatest superhero, Wonder Woman is the world’s greatest superheroine. They have so much in common — their superpowers, their costume colors, their hobbies, their social organizations — that they seem perfect for each other … if only it weren’t for that nosy reporter friend, or girlfriend, or wife, or object-of-his-affection that’s kept the Man of Steel more or less spoken for over the course of his 75-year career.
I suppose that’s why Superman and Wonder Woman so often become a couple in various out-of-continuity stories like Kingdom Come and Injustice, and a large part of why DC Comics decided to use its 2011 reboot as an opportunity to make the pair a super-powered power couple, one of the more dramatic, non-sartorial changes in either characters’ milieus the reboot has so far introduced.
The memorial statue of 5-year-old Jeffrey Baldwin wearing a Superman costume is nearly complete, and should be ready for a planned Oct. 18 unveiling, Heat Vision reports.
The story of the Toronto boy, who died in 2002 of starvation and septic shock after years of abuse by his grandparent guardians, received renewed attention in Canada last fall with a coroner’s inquest, during which Jeffrey’s father testified to his love of Superman. “He wanted to fly,” Richard Baldwin recalled. “He tried jumping off the chair. We had to make him stop. He dressed up [as Superman] for Halloween one year. He was so excited. I have that picture at home hanging on my wall. He was our little man of steel.”
I recently had the pleasure of rewatching The Mechanical Monsters, the 1941 animated Superman short from Fleischer Studios. I viewed it once before in the early ’90s on a cheap video tape that virtually disintegrated after just three uses. However, we’re in the new millennium now, and thanks to the dual magic of public domain and YouTube, the Fleischer cartoons are easily accessible for free in the comfort of your own home.
Do remember the “Beware the Gray Ghost” episode of Batman: The Animated Series? Bruce Wayne watches an old serial starring his childhood hero Simon Trent (voiced, in a stroke of genius, by none other than Adam West). He’s suddenly transformed into a little kid again, with all the cynicism of adulthood melting away. That was me watching the Fleischer Superman cartoons. I’d searched for these videos for analytical purposes, but instead I walked away with words like “Wow!” and “Gee whiz!” popping into my head.
Less than a year after unveiling seven collector coins celebrating the 75th anniversary of the Man of Steel, this morning at Fan Expo in Toronto the Royal Canadian mint introduced four more, featuring iconic Superman comic book covers.
The superhero’s milestone anniversary and Toronto roots were also celebrated last year with a set of stamps from Canada Posts. Although Superman was created in 1933 by Jerry Siegel and Joe Shuster when they were teenagers living in Cleveland, Shuster was actually born in Toronto, and lived there until age 9 or 10. He worked as a newspaper boy for the Toronto Daily Star, whose building served as a model for the Daily Planet (originally called the Daily Star).
The finest known copy of Action Comics #1, featuring the first appearance of Superman, sold late this afternoon on eBay for a record $3.2 million. It’s the first comic to fetch more than $3 million at auction.
The previous record price of $2.16 million was paid in 2011 for a copy of the same comic once owned by actor Nicolas Cage. While both are rated 9.0 by the Certified Guaranty Company, the Cage issue had “cream to off-white pages”; this one is considered to be in pristine condition. They’re the only two copies of Action Comics #1 to receive that high of a rating.
This copy was acquired several years ago in a private sale by Darren Adams of Pristine Comics in Federal Way, Washington, and stored a temperature-controlled vault. He said the original owner bought the comic from a newsstand in 1938, and then kept in a cedar box for about four decades until a local dealer in West Virginia purchased it in an estate sale. The issue then passed to a third person, who held onto it for 30 years.
In 2011, we reported on an epic act of vandalism: A graffiti artist in Sofia, Bulgaria, transformed a monument dedicated to the the Soviet Union’s 1944 “liberation” of the country into a superhero tableau. The eclectic group includes Superman, Captain America, the Joker and Ronald McDonald, who I guess is kind of a superhero if you’re hungry.
This week, the Russian government gave us an excuse to revisit the story by complaining to the Bulgarian government that it wasn’t trying hard enough to stop repeated vandalism of the statue and bring the culprits to justice.
“The Dark Knight series is all from Batman’s point of view. But if you look at Dark Knight 2, you’ll see a Superman who’s much calmer than the one in the first Dark Knight. Batman and Superman are dead opposites. I love Superman. Do I love Batman more? They’re not people. They’re only lines on paper.”
Halfway through the 10-day eBay auction, bidding for the finest known copy of Action Comics #1 has surpassed $1.95 million.
Owned by Darren Adams of Pristine Comics in Federal Way, Washington, it’s just one of two copies of Superman’s first appearance to receive a 9.0 rating from the Certified Guaranty Company. The other, previously owned by actor Nicolas Cage, sold at auction in 2011 for a record $2.16 million. The difference between the two is that the Cage issue had “cream to off-white pages,” while Adams’ copy is considered to be in pristine condition.
Bidding has slowed considerably as the price inches higher: The comic jumped from a starting price of 99 cents to more than $1.6 million in the auction’s first day. Still, already this morning the price has moved from $1.8 million to a little more than $1.95 million. It appears just nine people have participated in the auction, for a total of 27 bids.
The auction continues through Aug. 24, with a portion of the proceeds going to benefit the Christopher & Dana Reeve Foundation, dedicated to curing spinal cord injury. Adams, who acquired the comic several years ago, is only its fourth owner. He said he recently turned down an offer of $3 million, deciding instead to sell the book on eBay.
If you made it through all of the Comic-Con International coverage without reading a description of the footage from Batman v Superman: Dawn of Justice shown during the Warner Bros. presentation, or seeing blurry photos and shaky video surreptitiously captured by cellphone, then you’ve been spectacularly diligent and restrained. Not wanting to ruin that impressive streak, I’ll toss out a halfhearted spoiler warning for this clip, but I think you’re fairly safe to watch it ….
It’s of course from the gang at How It Should Have Ended, who undercut the gritted teeth and steely glares most of us expect from Zack Snyder’s film with a bit of humor and, naturally, coffee. Watch the short video below.