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Jock has debuted what I believe is the first look at color art from his upcoming Adventures of Superman collaboration with Chronicle screenwriter Max Landis. The Eisner Award-winning artist released an inked page from the two-part story, titled “The Sound of One Hand Clapping,” last month.
As the two pages indicate, it’s poised to be a rather nontraditional Superman tale, as it pits the Man of Steel against the Clown Prince of Crime, who usually busies himself with a more grounded nemesis.
Creators | Kuroko’s Basketball creator Tadatoshi Fujimaki remained silent over the past year while hundreds of threatening letters were sent out to retail stores that sold the manga and anime, venues that hosted doujinshi (fan comics) events connected with it, and even his alma mater, but now that police have arrested a suspect in the case, he has made an official statement. Fujimaki expressed relief that the suspect had been caught, thanked the police who were involved in the investigation, and promised that more chapters of Kuroko’s Basketball are on the way. [Anime News Network]
Conventions | Salt Lake Comic Con producer Dan Farr is voicing his support for the construction of a “mega hotel” near the Salt Palace convention center. The Utah state Legislature ended its legislative session without passing a $100 million bill to fund such a hotel, but backers hope to see it revived in the next session. Ticket sales for the 2013 convention topped 50,000, and Farr told the local news station, “A convention center hotel would be a big help for us.” [Fox News 13]
Because it’s the day after Christmas, and I don’t want to write 1,500 words about Forever Evil and its Justice League tie-in — except to say they both felt a lot like stereotypical Lost, and not necessarily in a good way — here’s a stocking’s worth of number-based observations about DC past and present.
Twelve Crisis issues: I talk a lot about 1984-85′s Crisis on Infinite Earths, mostly because it so completely transformed not just DC’s shared-universe continuity, but its publishing philosophy. On its merits, Crisis is a mixed bag, pairing stunning visuals with a sometimes-flabby narrative. However, despite its sprawl, COIE ended up with a definite structure. The first four issues deal with a mysterious antimatter onslaught which destroys whole universes, apparently including the familiar Earth-One and Earth-Two. The final page of Issue 4 is nothing but black “smoke” clearing away, revealing blank white space. Issues 5 and 6 offer vignettes on the five surviving universes, as time periods intersect in “warp zones” and ordinary people see multiversal counterparts of departed loved ones. Issues 7 and 8 are, to put it bluntly, the Big Death issues, with Supergirl saving her cousin from the Anti-Monitor and the Barry Allen Flash destroying Anti-M’s latest doomsday weapon. Issues 9 and 10 feature the “Villain War” and a two-pronged time-travel assault on Anti-M’s efforts. That ends with a shattered, otherwise “blank” comics panel, as the Spectre wrestles Anti-M for control of history itself — and issues 11 and 12 feature the heroes of a new, singular universe fighting a final battle against the Anti-Monitor. Today’s decompressed (and sometimes decentralized) Big Events focus more on character moments and slow burns, and more often than not they don’t have to streamline fifty years of continuity, but Crisis remains a model for just how big an Event can be.
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DC Comics has revealed the new lineup for its digital-first series Adventures of Superman that includes a two-part story by Chronicle screenwriter Max Landis and Eisner-winning artist Jock. The announcement of their collaboration, titled “The Sound of One Hand Clapping,” provides context for the page Jock tweeted last week (at right), featuring the Man of Steel and the Joker, the latter depicted in styles from different eras, artists and media.
Other creators in the January lineup are B. Clay Moore and Gabriel Rodriguez with the three-part “Exposed,” Fabian Nicieza and Phil Hester with “The Coming of … Sugar & Spike,” and Ron Marz and Evan “Doc” Shaner with the three-part “Only Child.”
The son of filmmaker John Landis, Max Landis made a splash last year with Chronicle, the found-footage sci-fi movie directed by Josh Trank (and based on a story by both of them). Since then, he’s become widely known for his 17-minute rant about, and recreation of, the death and return of Superman, and a much longer video in which he explains his elaborate idea for a reboot of the storyline that DC had reportedly considered for a weekly series he’d have co-written by Greg Pak. (Landis says because of his schedule and changes at DC regarding a weekly title, the project never went anywhere.)
The new Adventures of Superman lineup debuts Jan. 6 with Moore and Rodriguez’s “Exposed”; Landis and Jock’s “The Sound of One Hand Clapping” follows that storyline on Jan. 27.
Fulfilling one of Al Plastino’s final wishes, DC Entertainment announced it has acquired his original art for the 1964 story “Superman’s Mission For President Kennedy” for donation to the John F. Kennedy Presidential Library and Museum in Boston.
A prolific Golden Age artist who passed away Nov. 25 at age 91, Plastino was surprised to discover at New York Comic Con a month earlier that the pages hadn’t been given five decades earlier to the library, as he’d been led to believe, but were instead set to be sold at auction on the 50th anniversary of the Kennedy assassination. The seller had purchased the pages in 1993 at a Sotheby’s auction for $5,000.
Plastino, who spent the last weeks of his life campaigning for the return of the artwork — Heritage Auctions put the sale on hold until questions about ownership could be resolved — drew the story in 1963 for DC Comics to promote Kennedy’s physical fitness program. The issue was intended to go on sale in late November but was quickly pulled following the assassination, and other material substituted. President Lyndon Johnson’s staff later asked DC to publish the original, which was edited to add a commemorate page showing Superman saluting a ghostly image of Kennedy.
In a joint statement, Plastino’s wife Annmarie and children MaryAnn, Fred, Janice and Arlene said: “We are extremely grateful to DC Entertainment for ensuring that the original art Al Plastino created for ‘Superman’s Mission for President Kennedy’ will be preserved as part of his artistic legacy and as a tribute to President Kennedy. This art was always very, very special to Al and our whole family and it would have meant a great deal to Al to know that DC Entertainment stepped in to make this possible.”
For this year’s Christmas card, DC Entertainment turned to Eisner Award-winning artist Dave Johnson for a holiday-themed illustration of the man of the year, the Man of Steel (after all, this is the 75th anniversary of Superman’s debut).
Johnson, who frequently draws more angular faces, here opts for a softer approach, delivering a more youthful Kal-El. However, the highlight has to be the enormous snowflake composed of the logos of Green Lantern, Wonder Woman, Batman and Superman.
As expected, the attorney for the heirs of Superman creators Jerry Siegel and Joe Shuster has asked the Ninth Circuit Court of Appeals for a rehearing of last month’s ruling that reaffirmed the artist’s estate can’t reclaim his copyright stake in the Man of Steel.
The Ninth Circuit upheld in a 2-1 opinion an October 2012 ruling by a lower court that the Shuster family relinquished all claims to the character in a 1992 agreement with DC Comics in exchange for “more than $600,000 and other benefits,” which included paying Shuster’s debts following his death earlier that year and providing his sister Jean Peavy and brother Frank Shuster with a $25,000 annual pension. U.S. District Judge Otis D. Wright had found the agreement invalidated a copyright-termination notice filed in 2003 by Shuster’s nephew Mark Peary.
But in a petition filed Tuesday, and first reported by Deadline, attorney Marc Toberoff insists the Nov. 21 opinion warrants a rehearing by either the three-judge panel or the Ninth Circuit’s full bench “because it contravenes Congress’ clear objectives, and this Court’s carefully-circumscribed decisions.”
It wasn’t that long ago that we showcased Paolo Rivera’s amazing Herge-inspired wedding invitation, and now we have some terrific souvenirs from the ceremony of Andie Tong.
The artist, whose work ranges from Spectacular Spider-Man (U.K.) to The Batman Strikes! to the upcoming Zodiac with Stan Lee and Stuart Moore, drew adorable “power couples” from comics and film for cards that were given to his wedding guests. Fans may quibble with Tong pairing Superman with Wonder Woman, rather than Lois Lane, but I imagine the guests were pleased with the favors.
With Tong’s permission, we’ve posted all of the illustrations below.
So much time, money and creative effort is spent to bring comic-book superheroes to moving-picture life that it’s almost backward to contemplate how those adapted environments could be translated back into comics form. Thanks to technology, live-action and animated adaptations are finding new ways to convince viewers they’re seeing powers and abilities far beyond those of mortal men.
And yet, these adaptations only go so far. Movies trade spectacle for (relative) brevity, offering two-plus hours of adventure every two to three years. The reverse is true for television, which is more prolific but often less earth-shattering. Both have to deal with practical considerations such as running time, actor availability, and the streamlining of complicated backstories. Thus, to borrow a phrase from politics, adaptations are often exercises in “the art of the possible.” By comparison, comics have much fewer limitations.
Therefore, comics versions of those adaptations must necessarily limit themselves, even if they only choose to work within some of those real-world limitations. Sometimes this is as simple as telling stories set within the adaptation’s version of continuity. However, sometimes comics are the most practical way to “continue” a well-liked adaptation, and thereby perpetuate its visual and tonal appeal.
“When you think of Superman in the 1950s, only a handful of artists come to mind – and Al Plastino’s one of them. Along with the likes of Wayne Boring and Curt Swan, Plastino brought a level of humanity to Superman that had never been seen before. This amazing, super-human being now had a smile like you or me. He brought out the human side of a modern myth. It was nuanced but game changing. We can’t thank him enough for his work at DC, and we’re thinking of all those close to him during this difficult time.”
– DC Entertainment Co-Publisher Dan DiDio, discussing the work of prolific Superman artist Al Plastino, who passed away at age 91
Prolific artist Al Plastino, who in recent weeks lobbied for the return of his original art for the 1964 story “Superman’s Mission for President Kennedy,” has passed away after a battle with prostate cancer, Mark Evanier reports. He was 91.
Born Dec. 15, 1921 in New York City, Plastino began illustrating for Youth Today magazine after he graduated from the High School of Industrial Arts. His first comics credit was on Dynamic Publications’ Dynamic Comics #2, cover-dated December 1941.
After serving in the Army during World War II, Plastino returned to freelance work and learned in 1948 that DC Comics was searching for a new Superman artist; according to his website, the publisher paid $55 a page at the time. For the next two decades, Plastino drew Action Comics, Adventure Comics, Superboy, Superman, Superman’s Girl Friend, Lois Lane and Superman’s Pal, Jimmy Olsen, and with writer Otto Binder created the Legion of Super-Heroes and Supergirl.
Digital comics | Apple rejected 59 comics this year for in-app buying, although many of them were allowed into the iBookstore. I looked at the phenomenon, and talked to Image Comics Publisher Eric Stephenson about the effect that had on Matt Fraction and Chip Zdarsky’s Sex Criminals, which is available via the comiXology website and Android app, iBooks, and Image’s own website, but can’t be bought in-app from comiXology’s iPad app. “”It absolutely hurt digital sales on Sex Criminals #2,” Stepheneson said. “This is a series that is getting fantastic word of mouth, it’s amazing work by Matt and Chip that is receiving rave reviews and selling out instantly. Not being able to offer the book to curious readers through our app or the comiXology app is a significant deterrent to reaching the widest possible audience.” [Publishers Weekly]
The York (Pennsylvania) Daily Record reports had been conservatively estimated to fetch $50,000 and $75,000, but the historical significance of the issue (cover-dated February 1964), and the timing of the auction — no coincidence, mind you — helped to drive up the price.
The cover shows the Superman greeting a line of well-wishers, including Lois Lane, Supergirl, Batman and Robin, and, somehow, Clark Kent. In the story, “The Superman Super-Spectacular,” written by Edmund Hamilton and penciled by Swan, Superman must figure out who can portray Clark on a television show honoring the Man of Steel so he can protect his secret identity. He ends up turning to President Kennedy, who dons a mask and make-up to shake Superman’s hand on air.
The issue was already so far into production when Kennedy was assassinated on Nov. 22, 1963, that it couldn’t be stopped, and Action Comics #309 was released just days later.
The anonymous seller purchased the original art in the 1970s for $75.
Legal | Artist Al Plastino has asked a New York judge to order Heritage Auctions to reveal the name of the consignor who put up for sale his original art for the 10-page story “Superman’s Mission for President Kennedy.” Heritage says the sale has been canceled and the art returned to the consignor, who bought it at a Sotheby’s auction a decade ago. The JFK story was originally scheduled to run in a DC comic dated November 1963, but it was quickly pulled when Kennedy was assassinated. The story was published the following year at the request of the Johnson administration. The last panel of the comic stated the artwork was to be donated to the Kennedy Library, and Plastino believed that to be the case until this fall, when he discovered it was being put up for auction. [Reuters]
Crime | Tokyo police say they have security camera footage of a suspicious man in a mask and gloves near a convenience store where a small amount of nicotine was found in a Kuroko’s Basketball-themed snack. The snacks were recalled after 7-Eleven and other convenience store chains received threatening letters, part of a barrage of threat letters that have been sent out to venues associated with the Kuroko’s Basketball manga and anime. The amount of nicotine found in the Kuroko’s Basketball wafers was well under a lethal dose. [Anime News Network]
Although the attorney representing the heirs of Superman creators Jerry Siegel and Joe Shuster had vowed they were “prepared to go the distance” in their legal battle with DC Comics, they appear to have reached the end of the road. Of course, that’s been said a few times before.
As Deadline reports, in a 2-1 vote the Ninth Circuit on Thursday tied up the loose ends in what it describes as “the long-running saga regarding the ownership of copyrights in Superman — a story almost as old as the Man of Steel himself,” reaffirming an October 2012 ruling that the Shuster estate is prevented from reclaiming the artist’s stake in the character by a 20-year-old agreement with DC.
“We are obviously very pleased with the court’s decision,” DC’s parent company Warner Bros. said in a statement.
That lower-court decision, which was appealed in May, dealt with a 1992 deal in which the Shuster estate relinquished all claims to Superman in exchange for “more than $600,000 and other benefits,” which included paying Shuster’s debts following his death earlier that year and providing his sister Jean Peavy and brother Frank Shuster with a $25,000 annual pension. In October, U.S. District Judge Otis D. Wright found that the agreement invalidated a copyright-termination notice filed in 2003 by Shuster’s nephew Mark Peary.