superman Archives - Page 3 of 41 - Robot 6 @ Comic Book Resources
“Two centuries. I would love to see what kind of foil or hologram Dan DiDio could put on a book in the year 2214.”
— Superman writer Geoff Johns, responding to a question in his Reddit AMA thread about how long, in an ideal world, would his run on the series be. Other highlights from the Q&A can be found at Comic Book Resources.
Superman may be more powerful than a locomotive, and be able to leap tall buildings in a single bound, but he can’t get away with driving on England’s M42 motorway without insurance.
On Saturday, officers with the Central Motorway Policing Group pulled over a red car with a fluttering red cape where its rear glass should’ve been. Stranger still (perhaps?) was that the car’s occupants were dressed in identical red-and-blue costumes with the iconic “S” emblem emblazoned on their chests.
You may recall that in 2012, three Hutchinson residents launched a campaign to rename the city after Superman’s hometown, saying the two share many traits. Plus, the move would likely provide an economic boost to the area. Although the city council didn’t approve a permanent change, last year it did declare June 21 “Smallville Day,” for which The Hutchinson News temporarily became The Daily Planet.
This year, plans are bigger, with the Smallville Festival kicking off Thursday with downtown events that include a car show, Superman-themed photo booth and a screening of Man of Steel, followed on Friday with such activities as a picnic in the park and a benefit concert. And then Saturday sees the first Smallville ComicCon, with guests that include Smallville veterans Alaina Huffman and Phil Morris.
“What I want this festival to represent is the smallest things mean the most,” Christopher Wietrick, who spearheaded the initial Smallville campaign, tells The Hutchinson News. “I want it to serve as a reminder that something little can make a difference. The festival is about giving back and celebrating our heroes.”
Longtime DC Comics readers will undoubtedly recall Composite Superman, the green-skinned Silver Age villain who, dressed in a costume that was past Superman’s and part Batman’s, possessed the powers of the Man of Steel as well as those of the Legion of Super-Heroes. But how about Composite Aquaman? Or Composite Harley Quinn?
While they don’t come with superhuman abilities (as far as we know), Funko’s newly announced line of DC Comics Vinyl Cubed 2.5-inch magnetic figures that allows collectors to mix and match body parts of their favorite heroes and villains. The head of The Joker on Bizarro’s body? Sure. Robin with Harley Quinn’s arms? If you want.
A big part of me still thinks Forever Evil would have worked a lot better as one of those late-1990s done-in-five-weeks events. I did enjoy the final issue, but it was because lots of things actually happened, and it made me wonder why they couldn’t have occurred a bit more quickly.
Still, the last-page reveal warmed my withered nerd heart. It’s the sort of thing that cries out for a boatload of analysis based on a set of comics published when I was in high school. Could be a stretch, but I’ll risk it.
SPOILERS FOLLOW, therefore, for Forever Evil #7 and probably some other stories you have already read.
Considering that the July solicitations also previewed September’s Futures End tie-ins, and the final issue of Forever Evil arrives this week after being scheduled originally for March, the August listings feel like just one more ingredient in a jumbled publishing stew. When it’s all done, maybe we’ll see that it’s all worked together. Now, though, we might have to wait until the October solicits for a clearer picture of where DC’s superhero line is going.
In the wake of the New 52’s various revisions, the Grant Morrison-written The Multiversity miniseries seems like an artifact — if not a relic — from the pre-relaunch days. Like the Morrison-written Batman Incorporated, it was originally conceived in that environment, when legacy characters abounded and beloved Silver Age elements were reemerging. Of course, with Earth 2, Worlds’ Finest, Forever Evil and Futures End, parallel worlds have hardly been absent from the New 52; so perhaps The Multiversity is meant to expand that storytelling device even further. I get the feeling that many things are about to change (again) for DC’s shared superhero line, and if some Morrison-infused characters are going to be part of that, I hope they stick around for a while.
Dale Earnhardt Jr. has unveiled the No. 88 National Guard/Superman Chevrolet SS he’ll drive Sunday at Charlotte International Speedway in North Carolina as part of a new three-year promotional partnership between DC Entertainment, Warner Bros. Consumer Products and Hendrick Motorsports.
The new paint scheme brings with it a slew of related merchandise, from die-cast miniature cars to T-shirts to drink koozies, already available on the NASCAR website.
Conventions | Preliminary estimates place attendance at Dallas Comic Con at 45,000, easily a record for the event, which not only moved this year to the Kay Bailey Hutchison Convention Center from the smaller Irving Convention Center but is also under new ownership. [The Dallas Morning News]
Conventions | Joe Rodriguez does some shoe-leather reporting at the Big Wow ComicFest in San Jose, talking to creators and attendees about cosplay, digital comics and the perils of self-publishing. [San Jose Mercury News]
This past week (ish), DC Entertainment was so pervasive in the television upfronts, it almost made me forget the company still publishes comics. Joining Arrow on the 2014/2015 TV schedule will be adaptations of The Flash, iZombie and Constantine, as well as the Bat-prequel Gotham. (And hey, that was Caity “Black Canary” Lotz reprising her role as Don’s pregnant-hippie “niece” on Sunday’s Mad Men!) Moreover, we’ve now seen a moody black-and-white photo of Ben Affleck as Batman, standing next to his new Batmobile and ready to dominate the next Superman movie; and The CW has shown us a nifty little clip of the Flash in action.
While I’m prepared to like all of these shows, and certainly willing to give them reasonable opportunities to succeed, once again they remind me that no comic — and certainly no superhero comic — can be adapted to live-action with complete fidelity. Indeed, by taking its cue directly from the comics of the ‘40s and ‘50s, the old Adam West/Burt Ward Batman show was one of the more faithful projects. Likewise, the pilot of the Lynda Carter Wonder Woman series didn’t go too far from Diana’s earliest adventures in All Star Comics #8 and Sensation Comics #1. However, I don’t think that approach would work these days.
Superman, Batman, The Flash and Green Lantern will team up with NASCAR drivers Kasey Kahne, Jeff Gordon, Jimmie Johnson and Dale Earnhardt Jr. as part of a new promotional partnership between DC Entertainment, Warner Bros. Consumer Products and Hendrick Motorsports.
Announced today, the three-year deal is geared toward marketing NASCAR to a younger demographic with initiatives like car paint schemes featuring DC superheroes, and print and digital comics co-starring the Hendrick drivers. Continue Reading »
It’s not often that we see superheroes enjoying some quiet time and communing with nature, most likely because that would make for some incredibly boring comic books. However, the concept leads to some lovely images, as photographer and digital artist Benoit Lapray demonstrates in his series “The Quest for the Absolute.”
Dropping costumed characters into (mostly) serene settings, Lapray creating scenes of Thor strolling in a lush forest, Spider-Man resting at the side of a winding mountain road, the Silver Surfer pondering a deep valley, Wonder Woman perching in the spray of a waterfall, and more.
Check out some of the images below, and more on Lapray’s website.
Publishing | In the wake of the ban in Saudi Arabia of the animated adaptation of The 99 comic, creator Naif Al-Mutawa writes about what he had to go through in the first place to get approval in that country for the Islamic superheroes (one of the steps was the sale of Cracked magazine at a loss so his company would be sharia-compliant to the satisfaction of an Islamic bank). He looks at what led to the fatwa, and concludes by seeking one of his own, posing questions for the clerics who issued the decree. [The National]
Publishing | As part of its five-year anniversary celebration, Multiversity Comics surveys such industry figures as Eric Stephenson, Rachel Deering, Tom Spurgeon and Gina Gagliano about the biggest changes that have taken place during that time, and where comics are headed. [Multiversity Comics]
Comic book romances can be downright embarrassing. In the Silver Age, Lois Lane spent all her time scheming to get married to Superman while sniping at her rival Lana Lang. During the Claremont years, the soap opera-caliber drama in Uncanny X-Men generated as much angst as the mutant-prejudice angle. It works because the audiences were, respectively, small children and teenagers. The potential embarrassment of rejection and the alien nature of girls or boys really is all you know about love at that age. As an adult, however, it’s hard not to read these comics and go, “Why are these adult characters all acting like a bunch of 8-year-olds?”
You know when it’s not quite so embarrassing? When the characters themselves are 8 years old. Yale Stewart’s JL8 (formerly known as Little League) envisions the members of the Justice League as little kids. I don’t know how he gets away with it, as DC Comics already has its own “superheroes as little kids” concept with Tiny Titans (the publisher doesn’t appear to mind, though, as the webcomic seems to have led to a deal for a Superman book). The characters of JL8 look less abstract, though, resembling characters in an ’80s Saturday morning cartoon. (Justice League Babies?) Or, perhaps even more appropriately, they all seem to have leaped off the same character sheet as Art Adams’ X-Babies.
Politics | Framing the controversy as part of a larger political battle between South Carolina’s lawmakers and its public universities, The Washington Post wades into the ongoing saga surrounding the House of Representatives’ vote to reduce funding to two schools after they selected gay-themed books for their summer reading programs. The newspaper uses as its entry point the Monday performances in Charleston of Fun Home, the musical adaptation of the Alison Bechdel graphic novel that was chosen last summer by the College of Charleston, drawing the ire of a South Carolina Christian group and conservative lawmakers. The Post reports that several state legislators suggested they viewed the staging of the musical as “a deliberate provocation,” and will seek to cut even more funding in response. The South Carolina Senate has yet to vote on the state budget, which includes the cuts to the schools. [The Washington Post]
First off, yes, I have read the first issue of Batman Eternal, but since its “pilot episode” includes issues #1-3, I’ll be talking about those more specifically in a couple of weeks. Eternal is one of two weekly series DC will offer this year, the other being Futures End, a look into the shared superhero universe five years from now.
However, we might well ask what difference will there be, one year from now, between an issue of either series and your average issue of a monthly title? When Eternal and Futures End are collected in their entirety two years from now, how different will they be from collections of Court of Owls or Throne of Atlantis?
The obvious differences are time and volume. The year-long weekly comics that DC put out from 2006 through 2009 — 52, Countdown and Trinity — all used their speedier schedule to tell a big story in a (relatively) short time. Instead of letting their epic tales play out over four-plus years, these series each got ‘em done in one.
Now think about sitting down with one of these thousand-page sagas. It won’t take a year to read, but it’s not something to approach lightly. That puts a special emphasis on how they’re to be read. Today we’ll look at DC’s history with weekly series (and some related experiments), with an eye toward what the two new ones might offer.
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