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Fulfilling one of Al Plastino’s final wishes, DC Entertainment announced it has acquired his original art for the 1964 story “Superman’s Mission For President Kennedy” for donation to the John F. Kennedy Presidential Library and Museum in Boston.
A prolific Golden Age artist who passed away Nov. 25 at age 91, Plastino was surprised to discover at New York Comic Con a month earlier that the pages hadn’t been given five decades earlier to the library, as he’d been led to believe, but were instead set to be sold at auction on the 50th anniversary of the Kennedy assassination. The seller had purchased the pages in 1993 at a Sotheby’s auction for $5,000.
Plastino, who spent the last weeks of his life campaigning for the return of the artwork — Heritage Auctions put the sale on hold until questions about ownership could be resolved — drew the story in 1963 for DC Comics to promote Kennedy’s physical fitness program. The issue was intended to go on sale in late November but was quickly pulled following the assassination, and other material substituted. President Lyndon Johnson’s staff later asked DC to publish the original, which was edited to add a commemorate page showing Superman saluting a ghostly image of Kennedy.
In a joint statement, Plastino’s wife Annmarie and children MaryAnn, Fred, Janice and Arlene said: “We are extremely grateful to DC Entertainment for ensuring that the original art Al Plastino created for ‘Superman’s Mission for President Kennedy’ will be preserved as part of his artistic legacy and as a tribute to President Kennedy. This art was always very, very special to Al and our whole family and it would have meant a great deal to Al to know that DC Entertainment stepped in to make this possible.”
For this year’s Christmas card, DC Entertainment turned to Eisner Award-winning artist Dave Johnson for a holiday-themed illustration of the man of the year, the Man of Steel (after all, this is the 75th anniversary of Superman’s debut).
Johnson, who frequently draws more angular faces, here opts for a softer approach, delivering a more youthful Kal-El. However, the highlight has to be the enormous snowflake composed of the logos of Green Lantern, Wonder Woman, Batman and Superman.
As expected, the attorney for the heirs of Superman creators Jerry Siegel and Joe Shuster has asked the Ninth Circuit Court of Appeals for a rehearing of last month’s ruling that reaffirmed the artist’s estate can’t reclaim his copyright stake in the Man of Steel.
The Ninth Circuit upheld in a 2-1 opinion an October 2012 ruling by a lower court that the Shuster family relinquished all claims to the character in a 1992 agreement with DC Comics in exchange for “more than $600,000 and other benefits,” which included paying Shuster’s debts following his death earlier that year and providing his sister Jean Peavy and brother Frank Shuster with a $25,000 annual pension. U.S. District Judge Otis D. Wright had found the agreement invalidated a copyright-termination notice filed in 2003 by Shuster’s nephew Mark Peary.
But in a petition filed Tuesday, and first reported by Deadline, attorney Marc Toberoff insists the Nov. 21 opinion warrants a rehearing by either the three-judge panel or the Ninth Circuit’s full bench “because it contravenes Congress’ clear objectives, and this Court’s carefully-circumscribed decisions.”
It wasn’t that long ago that we showcased Paolo Rivera’s amazing Herge-inspired wedding invitation, and now we have some terrific souvenirs from the ceremony of Andie Tong.
The artist, whose work ranges from Spectacular Spider-Man (U.K.) to The Batman Strikes! to the upcoming Zodiac with Stan Lee and Stuart Moore, drew adorable “power couples” from comics and film for cards that were given to his wedding guests. Fans may quibble with Tong pairing Superman with Wonder Woman, rather than Lois Lane, but I imagine the guests were pleased with the favors.
With Tong’s permission, we’ve posted all of the illustrations below.
So much time, money and creative effort is spent to bring comic-book superheroes to moving-picture life that it’s almost backward to contemplate how those adapted environments could be translated back into comics form. Thanks to technology, live-action and animated adaptations are finding new ways to convince viewers they’re seeing powers and abilities far beyond those of mortal men.
And yet, these adaptations only go so far. Movies trade spectacle for (relative) brevity, offering two-plus hours of adventure every two to three years. The reverse is true for television, which is more prolific but often less earth-shattering. Both have to deal with practical considerations such as running time, actor availability, and the streamlining of complicated backstories. Thus, to borrow a phrase from politics, adaptations are often exercises in “the art of the possible.” By comparison, comics have much fewer limitations.
Therefore, comics versions of those adaptations must necessarily limit themselves, even if they only choose to work within some of those real-world limitations. Sometimes this is as simple as telling stories set within the adaptation’s version of continuity. However, sometimes comics are the most practical way to “continue” a well-liked adaptation, and thereby perpetuate its visual and tonal appeal.
“When you think of Superman in the 1950s, only a handful of artists come to mind – and Al Plastino’s one of them. Along with the likes of Wayne Boring and Curt Swan, Plastino brought a level of humanity to Superman that had never been seen before. This amazing, super-human being now had a smile like you or me. He brought out the human side of a modern myth. It was nuanced but game changing. We can’t thank him enough for his work at DC, and we’re thinking of all those close to him during this difficult time.”
– DC Entertainment Co-Publisher Dan DiDio, discussing the work of prolific Superman artist Al Plastino, who passed away at age 91
Prolific artist Al Plastino, who in recent weeks lobbied for the return of his original art for the 1964 story “Superman’s Mission for President Kennedy,” has passed away after a battle with prostate cancer, Mark Evanier reports. He was 91.
Born Dec. 15, 1921 in New York City, Plastino began illustrating for Youth Today magazine after he graduated from the High School of Industrial Arts. His first comics credit was on Dynamic Publications’ Dynamic Comics #2, cover-dated December 1941.
After serving in the Army during World War II, Plastino returned to freelance work and learned in 1948 that DC Comics was searching for a new Superman artist; according to his website, the publisher paid $55 a page at the time. For the next two decades, Plastino drew Action Comics, Adventure Comics, Superboy, Superman, Superman’s Girl Friend, Lois Lane and Superman’s Pal, Jimmy Olsen, and with writer Otto Binder created the Legion of Super-Heroes and Supergirl.
Digital comics | Apple rejected 59 comics this year for in-app buying, although many of them were allowed into the iBookstore. I looked at the phenomenon, and talked to Image Comics Publisher Eric Stephenson about the effect that had on Matt Fraction and Chip Zdarsky’s Sex Criminals, which is available via the comiXology website and Android app, iBooks, and Image’s own website, but can’t be bought in-app from comiXology’s iPad app. “”It absolutely hurt digital sales on Sex Criminals #2,” Stepheneson said. “This is a series that is getting fantastic word of mouth, it’s amazing work by Matt and Chip that is receiving rave reviews and selling out instantly. Not being able to offer the book to curious readers through our app or the comiXology app is a significant deterrent to reaching the widest possible audience.” [Publishers Weekly]
The York (Pennsylvania) Daily Record reports had been conservatively estimated to fetch $50,000 and $75,000, but the historical significance of the issue (cover-dated February 1964), and the timing of the auction — no coincidence, mind you — helped to drive up the price.
The cover shows the Superman greeting a line of well-wishers, including Lois Lane, Supergirl, Batman and Robin, and, somehow, Clark Kent. In the story, “The Superman Super-Spectacular,” written by Edmund Hamilton and penciled by Swan, Superman must figure out who can portray Clark on a television show honoring the Man of Steel so he can protect his secret identity. He ends up turning to President Kennedy, who dons a mask and make-up to shake Superman’s hand on air.
The issue was already so far into production when Kennedy was assassinated on Nov. 22, 1963, that it couldn’t be stopped, and Action Comics #309 was released just days later.
The anonymous seller purchased the original art in the 1970s for $75.
Legal | Artist Al Plastino has asked a New York judge to order Heritage Auctions to reveal the name of the consignor who put up for sale his original art for the 10-page story “Superman’s Mission for President Kennedy.” Heritage says the sale has been canceled and the art returned to the consignor, who bought it at a Sotheby’s auction a decade ago. The JFK story was originally scheduled to run in a DC comic dated November 1963, but it was quickly pulled when Kennedy was assassinated. The story was published the following year at the request of the Johnson administration. The last panel of the comic stated the artwork was to be donated to the Kennedy Library, and Plastino believed that to be the case until this fall, when he discovered it was being put up for auction. [Reuters]
Crime | Tokyo police say they have security camera footage of a suspicious man in a mask and gloves near a convenience store where a small amount of nicotine was found in a Kuroko’s Basketball-themed snack. The snacks were recalled after 7-Eleven and other convenience store chains received threatening letters, part of a barrage of threat letters that have been sent out to venues associated with the Kuroko’s Basketball manga and anime. The amount of nicotine found in the Kuroko’s Basketball wafers was well under a lethal dose. [Anime News Network]
Although the attorney representing the heirs of Superman creators Jerry Siegel and Joe Shuster had vowed they were “prepared to go the distance” in their legal battle with DC Comics, they appear to have reached the end of the road. Of course, that’s been said a few times before.
As Deadline reports, in a 2-1 vote the Ninth Circuit on Thursday tied up the loose ends in what it describes as “the long-running saga regarding the ownership of copyrights in Superman — a story almost as old as the Man of Steel himself,” reaffirming an October 2012 ruling that the Shuster estate is prevented from reclaiming the artist’s stake in the character by a 20-year-old agreement with DC.
“We are obviously very pleased with the court’s decision,” DC’s parent company Warner Bros. said in a statement.
That lower-court decision, which was appealed in May, dealt with a 1992 deal in which the Shuster estate relinquished all claims to Superman in exchange for “more than $600,000 and other benefits,” which included paying Shuster’s debts following his death earlier that year and providing his sister Jean Peavy and brother Frank Shuster with a $25,000 annual pension. In October, U.S. District Judge Otis D. Wright found that the agreement invalidated a copyright-termination notice filed in 2003 by Shuster’s nephew Mark Peary.
Or: ”How I Learned to Quit Worrying and
Love Like Injustice: Gods Among Us.”
Knowing me as well as I do, I would have expected to absolutely hate Injustice: Gods Among Us, the digital-first comic based on the fighting game from the makers of Mortal Kombat, written by Tom Taylor and drawn by some eight different artists. It’s newly available in a hardcover collection of the first six issues that bears the tagline “The World-Wide #1 Bestselling Comic,” which I found dubious without qualification. (The whole world? Even counting Japan, where they have the One Piece and what do the kids read these days, the Naruto?)
Why would I expect not to like it? Well, a couple of reasons.
The costuming is pretty extreme. I was aesthetically offended by many of the New 52 costumes, which in general seem to be a compromise between the characters’ most popular outfits, whatever was in style at Image in 1992 and something that a Hollywood costuming department might put together for a live-action superhero movie or television series. Injustice took many of those designs even further, so that its Flash, for example, was wearing at least as much padding as NFL Super Pro.
“Ultraman is not an evil Superman. He’s a Superman who believes in power and strength. Strength is the most important attribute, above everything else. If you’re strong, and you’re the strongest there is, that’s all that matters. And that’s how Ultraman views everything.
The fact that there was a being that destroyed Krypton and then ravaged his Earth and could possibly come to ours — he actually is worried in the back of his head that there’s something out there that’s stronger than him. His motivation is to shore this world up and prepare for war.
And Ultraman’s a perfect example of the absence of empathy. Complete absence of empathy. He comes to our world and he sees things like soup kitchens and homeless shelters, and he sees us taking care of the sick, and he does not understand it. Why do we waste our time? In his mind, we’re keeping our gene pool weak. And that all points back to his paranoia about our world not being ready to fight, or strong enough to survive an attack.”
– Forever Evil writer Geoff Johns, discussing the Crime Syndicate and their “different breed of villainy”
Although the Superman-doesn’t-kill controversy surrounding Man of Steel has died down significantly since the film’s June premiere, it will probably flare up a little with the Blu-ray release next week. And so while Screen Junkies is definitely late for Round 1, it’s coming out swinging with its send-up “Man of Steel: The Animated Series.”
There’s no point in spoiling the brief video, so I’ll just say that, as the title suggests, it combines the morality and logic of the film with the tone and look of the beloved cartoon, with comical results.
In a particularly timely installment of “Stan’s Rants,” the legendary Stan Lee once again brings into question Superman’s flying ability — “The man has no visible means of propulsion!” — and points to Marvel’s Thor as a prime example of comic-book flight done right.
“When Thor wants to fly, we use a scientific principle. He has his hammer, he has a leather thong attached to his wrist,” Lee explains. “He swings the hammer around faster and faster ’til it’s going like a propeller, and then he lets go of it — well, the hammer goes flying off into space, but the thong is wrapped around Thor’s wrist, so he goes with it. So you have hammer propulsion.”
Take that, Angry Nerd.