superman Archives - Page 3 of 42 - Robot 6 @ Comic Book Resources
If you made it through all of the Comic-Con International coverage without reading a description of the footage from Batman v Superman: Dawn of Justice shown during the Warner Bros. presentation, or seeing blurry photos and shaky video surreptitiously captured by cellphone, then you’ve been spectacularly diligent and restrained. Not wanting to ruin that impressive streak, I’ll toss out a halfhearted spoiler warning for this clip, but I think you’re fairly safe to watch it ….
It’s of course from the gang at How It Should Have Ended, who undercut the gritted teeth and steely glares most of us expect from Zack Snyder’s film with a bit of humor and, naturally, coffee. Watch the short video below.
It’s just one of two copies to receive a 9.0 rating from the Certified Guaranty Company. The other, previously owned by actor Nicolas Cage, sold at auction in 2011 for a record $2.16 million. However, the Cage issue had “cream to off-white pages,” while this copy is considered to be in pristine edition.
An opening bid of $1 million was submitted Thursday within four minutes of the auction’s opening. Although the comic’s owner, retailer Darren Adams of Pristine Comics in Federal Way, Washington, had said more than 75 people had applied to bid in the restricted sale, it appears as if just five have participated so far.
For serious collectors with seriously deep pockets, this is a momentous day: It’s the beginning of the 10-day eBay auction of the holy grail of comic books — the finest known copy of Action Comics #1.
“I’ve been in business 28 years and you chase a lot of leads hoping to find something like this,” retailer Darren Adams, who owns the CGC-graded 9.0 copy, tells Seattle’s KCPQ TV. “This is the needle in the haystack, because most books are not preserved with such quality.”
The owner of Pristine Comics in Federal Way, Washington, Adams acquired the comic several years ago in a private sale, and stored it in a temperature-controlled vault. He tells the Federal Way Mirror the original owner bought the comic (for 10 cents) from a newsstand in 1938, and then stored it in a cedar box for about four decades until a local dealer in West Virginia purchased it in an estate sale. The issue then passed to a third person, who held onto it for 30 years.
On Tuesday, Comic Book Resources interviewed Superman writer Geoff Johns, penciler John Romita Jr. and inker Klaus Janson, who (as the headline put it) want to “inject optimism” into the series. As part of that interview, Johns contended that the Man of Steel’s desire to connect with his fellow Earthlings makes him “more relevant now than ever.”
Considering a couple of ongoing storylines, this current focus on positivity sounds like a voice crying in the wilderness. Today we’ll look at the end of Earth 2’s “The Kryptonian” — which features two alternate Supermen — as well as the latest installments of “Doomed” in the regular Super-books.
Naturally, SPOILERS FOLLOW for Earth 2 #26, Superman/Wonder Woman Annual #1, Action Comics Annual #3 and Action Comics #34.
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“Everyone’s like, ‘He’s so powerful, I can’t relate to him.’ Are you kidding me? He’s the most relatable character ever. He grew up on a farm, he doesn’t have a lot of friends, feels isolated, he can’t tell everybody what his secrets are. He’s a great character. He feels overlooked — who hasn’t felt overlooked, or wanted to connect with people? All social media is, is people wanting to connect with other people. That’s all it is. Because people long to connect with other people. And Superman is the embodiment of that. He’s more relevant now than ever.”
Horning in on Batman Day, eBay has announced it will auction a CGC-graded 9.0 copy of Action Comics #1, the finest known copy of the 1938 first appearance of Superman.
Just one other copy of Action Comics #1, the one previously owned by actor Nicolas Cage, has received a 9.0 rating from the Certified Guaranty Company, but it had “cream to off-white pages,” while this comic is considered to be in pristine edition. The Cage issue sold at auction in 2011 for a record $2.16 million; the expectation is, of course, that this copy, owned by collectibles dealer Darren Adams, will fetch a considerably higher price.
“The quality and preservation of this Action #1 is astounding,” Paul Litch, CGC’s Primary Grader, said in a statement. “The book looks and feels like it just came off the newsstand. It is supple, the colors are deep and rich and the quality of the white pages is amazing for a comic that is 76 years old.”
The eBay auction will be held Aug. 10-24, with a portion of proceeds going to the Christopher & Dana Reeve Foundation, which is dedicated to curing spinal cord injury.
You can view the comic on the CGC Comics website.
Aquaman may have been the most toxic superhero in 2013, but this year McAfee has decreed that Superman is kryptonite.
Hold your jokes about Zack Snyder’s Man of Steel or the New 52 costume redesign. We’re talking about the software-security company’s second annual study of which online superhero searches result in the most bad links (such as to viruses, malware and websites containing malicious software used to steal passwords and personal information).
LivoBooks has partnered with DC Entertainment and Warner Bros. Consumer Products to launch Superman and Bizarro Save the Planet, an interactive storybook app that allows young readers — OK, probably a few older ones as well — to control the adventure.
Judging from the accompanying images and video, the app will likely hold some appeal for fans nostalgic for the classic Man of Steel, complete with red trunks. As the title suggests, the story brings together Superman and Bizarro (plus Krypto) for an unlikely team-up against a perhaps equally unlikely foe, one-time Justice League International villain Manga Khan. who’s … traveling the universe stealing famous artifacts.
Reconsidering its decision, DC Entertainment will allow Superman’s iconic S emblem on a statue memorializing a 5-year-old Toronto boy who died in 2002 following years of abuse by his grandparents.
“We are honored by the relationship that our fans have with our characters, and fully understand the magnitude of their passion,” a company spokesperson said in a statement released this morning. “We take each request seriously and our heartfelt thoughts go out to the victims, the family and those affected. DC Entertainment uses a flexible set of criteria when we receive worthy requests such as this, and at times have reconsidered our initial stance. After verifying the support of appropriate family members, DC Entertainment will be allowing the Jeffrey Baldwin Memorial Statue to feature the Superman S Shield.”
What was likely viewed by DC Entertainment as a prudent — even standard — legal decision has snowballed into wincingly bad PR for the company, which now faces headlines like “Comic publisher blocks Superman logo on statue of murdered Toronto boy.”
The Canadian Press reports DC has denied permission for the trademarked “S” emblem to be engraved on a memorial statue for 5-year-old Jeffrey Baldwin, who died in 2002 of starvation and septic shock after years of abuse by his grandparents.
[Editor’s note: Every Sunday, Robot 6 contributors discuss “The best in comics from the last seven days” — from news and announcements to a great comic that came out to something cool creators or fans have done.]
The first official image of Superman in Batman v. Superman: Dawn of Justice was released! As a huge fan of the Big Blue Boy Scout, I couldn’t be more thrilled. Not for the movie, which kinda seems like a mess. No, I’m excited because once again the internet is abuzz over what Superman should or shouldn’t be. Should he be the grim protector of the night as portrayed in the poster or in Zack Snyder’s fondest dreams? Or should he be the brightly colored Silver Age symbol of the outdated notions of Truth, Justice, and the American way? Maybe he should be Electric Blue Superman? (Just kidding. No one likes Electric Blue Superman.)
In my case, the first salvos have already been fired about turning this into a meme. The Ben Affleck photo of Batman standing next to his ride already launched a pretty amusing “Sad Batman” meme. What heights can the Man of Steel attain? Graphic designer Lee Binding has already decided to cheer up poor Clark with a smile and some balloons. It’s already a huge improvement!
With the pace of announcements beginning to pick up as we inch closer Comic-Con International, DC Entertainment has unveiled its lineup of convention-exclusive variant covers: Batman #32, Superman #32, Grayson #1 and Harley Quinn Invades Comic-Con International: San Diego #1.
Those covers will be available for purchase at the Graphitti Designs booth (#2314). In addition, the Diamond Previews booth (#2401) will have a variant for Scooby-Doo, Where Are You? #47.
The estate of Superman co-creator Joe Shuster has asked the U.S. Supreme Court to overturn a ruling that bars it from reclaiming a stake in the character, arguing the artist’s siblings didn’t have the ability to assign his copyrights to DC Comics more than two decades ago.
As Law360 reports, the estate insists the Ninth Circuit erred in its November ruling that the family relinquished all claims to Superman in 1992 in exchange for “more than $600,000 and other benefits,” which included paying Shuster’s debts following his death earlier that year and providing his sister Jean Peavy and brother Frank Shuster with a $25,000 annual pension. In October 2012, U.S. District Judge Otis D. Wright found that the agreement invalidated a copyright-termination notice filed in 2003 by Shuster’s nephew Mark Peary.
For their first issue of Superman, writer Geoff Johns, penciler John Romita Jr. and inker Klaus Janson (with colorist Laura Martin and letterer Sal Cipriani) have served up an intriguing blend of action and introspection. There are the requisite nods to semi-obscure (Titano!) and really obscure (J. Wilbur Wolfingham?) Superman minutiae, and one subplot seems destined to undo a New 52 development. However, while Issue 32 of Superman Vol. 3 is concerned with managing the Man of Steel’s status quo, a good bit of it revolves around the new character(s) that will apparently drive this story arc.
Accordingly, the issue doesn’t feel quite so much like the start of a bold new era (although it could well be); instead, the new creative team uses the issue to ease into its story, such that the action serves the character work. Considering that almost half of the issue involves fight scenes, that seems like an odd observation, but it’s kind of an odd issue overall.
The question then becomes whether those characters — Superman included — are compelling enough to follow month in and month out. Last month, Johns told Comic Book Resources that readers should “[j]ust give us one issue and that’s all. I think we’ll earn your trust and your time and your investment in one issue because I really believe in this first issue and I really believe in what we’re doing.”
Whether Superman #32 meets that standard is therefore somewhat unclear. It lays out the characters and their concerns pretty broadly, and (somewhat like Johns’ and Ivan Reis’ Aquaman) it depends to a certain extent on answering reader frustrations. Still, on balance, it works. This is a very good issue of the New 52 Superman, with all that implies.
Read on for more, and as always …
Retailing | Shares of Barnes & Noble rose 5.5 percent Wednesday, to $21.69, following the announcement that the bookseller plans to split into two companies, one for its retail stores and the other for Nook Media. Barron’s suggests those plans could buoy stock prices for a while, as long as the company doesn’t change its mind (again) about the split. The magazine also notes the possibility that an outsider buyer could make a bid for the retail stores before the split takes place, leaving Barnes & Noble with the Nook, which will be combined with the company’s successful college-bookstore operations. [Barron’s]
Manga | Inspired by a line of T-shirts featuring the work of the manga artist Jiraiya, Guy Trebay talks to Anne Ishii and Chip Kidd about the popularity of hard-core gay manga, such as the work of Gengoroh Tagame, in the United States. [The New York Times]