Brevoort Talks "Captain America's" Shocking, Controversial Twist
[Note: all this was written before I read any of this week’s comics.]
As mentioned last week, part of this look back at my New 52 reading is the chance to see where I might drop some titles. Not that I want to be negative unnecessarily, but it’s always good to make sure you really like what you buy. While I do buy some books “just because,” it’s very easy simply to fall into the habit of reading the same things month in and month out, neither looking forward to them nor missing them when they’re gone.
Therefore, let’s push through some bad vibes and talk about a couple of books I let drift away. Besides Superboy (covered last week), there was Red Lanterns (written by Peter Milligan, penciled by Ed Benes) and Grifter (written by Nathan Edmondson, penciled by CAFU). Originally I liked Red Lanterns because I thought it had recast Atrocitus as a distracted middle-management type, questioning his place in the universe while his functionaries went down their own demented paths. However, as the months went by the series never really built up any momentum, and for a premise based around the blood-spewing power of RAGE!!!1!! that’s not so good. Much the same applies to Grifter: thought it had potential, but it didn’t hold my interest.
To see what Alex and the Robot 6 crew have been reading lately, click below.
Today I am pondering that Ivan Brandon essay on TheAwl.com, and the things comics can do that movies just can’t.
Last week I mentioned the Lazarus Pit as an example of a comics staple that Batman movies — any Batman movies, arguably — would probably be reluctant to use. While the Pit comes with certain restrictions and side effects, it still boils down basically to an unlimited supply of extra lives. It runs counter to the idea of Batman as being grounded in reality, but in the context of a shared universe where Batman pals around with extraterrestrials (and their agents), a super-powered Amazon, and the King of Atlantis, it’s not that far-fetched. This is the old “Character Y could solve Character X’s problems” hypothesis, and it tends to be met with “Character X and Character Y play by different rules.” A good example of the latter was a “No Man’s Land” story featuring Superman (coincidentally collected in the new NML Vol. 3), where the Man of Steel’s well-intentioned assistance in trying to rebuild an earthquake-devastated Gotham turned out to be exactly wrong under the circumstances.
With Comic-Con International nearly upon us, Stephen Bissette posts a reminder that 27 years after they were stolen from the offices of DC Comics, pieces of original artwork from Saga of the Swamp Thing by he and John Totleben are still missing.
“This is stolen property,” he writes on his blog. “It is not legally for sale, nor legally the property of anyone else to trade, exhibit, or sell. Please contact me if you know anything about where it is or who has it. If you are knowingly selling, buying, or trading this original art, you are engaged in a criminal act involving stolen original art.”
The pieces include the original painting for the cover of Saga of the Swamp Thing #34 (above), the final page of that issue (below), and pinups by Totleben for issues 32 and 33.
“At this point, it would be the property of our children, some of whom are now adults,” Bissette continues. “They know. And we will be reminding the world of this regularly.”
A couple of weeks ago, I wondered whether we could trace the entire sidekick-derived wing of DC’s superhero-comics history back to Bill Finger. Today I’m less interested in revisiting that question — although I will say Robin the Boy Wonder also owes a good bit to Jerry Robinson and Bob Kane — than using it as an example.
Specifically, this week’s question has nagged me for several years (going back to my TrekBBS days, even), and it is this: as between Alan Moore and the duo of Marv Wolfman and George Pérez, who has been a bigger influence on DC’s superhero books?
As the post title suggests, we might reframe this as “who won the ‘80s,” since all three men came to prominence at DC in that decade. Wolfman and Pérez’s New Teen Titans kicked off with a 16-page story in DC Comics Presents #26 (cover-dated October 1980), with the series’ first issue following the next month. Moore’s run on (Saga of the) Swamp Thing started with January 1984’s issue #20, although the real meat of his work started with the seminal issue #21. Wolfman and Pérez’s Titans collaboration lasted a little over four years, through February 1985’s Tales of the Teen Titans #50 and New Teen Titans vol. 2 #5. Moore wrote Swamp Thing through September 1987’s #64, and along the way found time in 1986-87 for a little-remembered twelve-issue series called Watchmen. After their final Titans issues, Wolfman and Pérez also produced a 12-issue niche-appeal series of their own, 1984-85’s Crisis On Infinite Earths.* The trio even had some common denominators: Len Wein edited both Titans and Watchmen (and Barbara Randall eventually succeeded him on both), and Gar Logan’s adopted dad Steve Dayton was friends with John Constantine.
August brings the preludes to the Swamp Thing/Animal Man crossover that writers Scott Snyder and Jeff Lemire have been talking about for awhile now, as Team Red and Team Green take on The Rot. According to Lemire, the crossover, Rotworld, is an “epic superhero/horror story” that he’s been working with Snyder on for the past year. “Buddy Baker and Alec Holland join forces to lead a pre-emptive strike deep into The Rot, the consequences of which will tear both of their worlds apart forever,” he said on his blog.
The crossover runs through each title’s 17th issue and will feature art by regular series artists Yanick Paquette and Steve Pugh, who worked together on the above joining covers for Animal Man #12 and Swamp Thing #12.
Creators | Legendary comic artist Tony DeZuniga, the co-creator of Jonah Hex, has been hospitalized in the Philippines after suffering from a stroke and pneumonia. The 70-year-old DeZuniga is reportedly in the intensive care unit as friends and family rally to help with his medical expenses. [GMA News]
Retailing | Diamond Comic Distributors announced that retailers have ordered more than 3.5 million comics for Free Comic Book Day, up 23 percent from last year. Diamond also confirmed a second event centered on Halloween. [ICv2]
Graphic novels | The Irish Education Minister, Ruairí Quinn, has given his blessing to a manga-style graphic novel intended to help teenagers develop “emotional intelligence.” [TheJournal.ie]
Via Buzzfeed, DC Comics has revealed what the new Swamp Thing looks like. The antler-sporting version of the character makes his debut on the cover to Swamp Thing #8 by artist Yanick Paquette.
Hello and welcome to What Are You Reading?, our weekly look at what the Robot 6 crew has been reading lately. Today our special guest is Jamaica Dyer, creator of Weird Fishes and Fox Head Stew, which can be read over at MTV Geek. She also recently did a concert report in comic form from San Francisco’s Noisepop for Spin Magazine.
To see what Jamaica and the Robot 6 crew have been reading, click below.
Here is what you need to know going into this week’s post: I sat down with a list of DC’s current and upcoming superhero-universe comics, and rearranged it into a big chart. Now I have to make that little factoid exciting. Join me, won’t you?
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The watchword of any shared universe is “consistency.” Superman’s adventures in Superman and Action Comics may be produced by two different creative teams, and they may even take place in different timeframes, but they be must at least coexist peacefully both with each other and with the rest of DC’s superhero line. That’s part and parcel of corporately-controlled superhero comics, regardless of any tension with a professional’s creative freedom.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
It’s a slow week, this week; if I had $15, I’d use it to catch up on some recent enjoyments like Action Comics #3 (DC, $3.99) and OMAC #3 (DC, $2.99), two of my favorite titles from the New 52 relaunch–OMAC in particular has been a really weird and wonderful joy–as well as the final issue of Marvel’s great and sadly underrated Mystic revival (#4, $2.99). I’d also see if the parody-tastic Shame Itself #1 (Marvel, $3.99) lives up to its potential, because “Wyatt Cenac + Colleen Coover” sounds pretty promising to these ears.
“The numbers were sort of staggering for me. It was definitely immediate and intimidating, seeing there were all these people reading it and this is working. Then it became really exciting to see DC bringing a lot of people to comics that haven’t been reading them for a while or are new to them entirely. I guess the challenge becomes finding the line between — I’m trying really hard in Batman and Swamp Thing in particular to tell stories that appeal to the character’s long-time fans who know everything in an encyclopedic way about these characters, and at the same time, making the stories acceptable for people who are picking up their very first comic book. That to me is the thing that all of us are getting our sea legs with: There are huge populations of new readers coming to the books. I think maybe some of us hoped that would be the case, but didn’t believe that there’d be as many as there are. But I get questions all the time like, ‘Why does Batman has a live dinosaur in his Batcave?’ or, ‘Doesn’t Swamp Thing come out of the swamp when they hit a remote button and then fight other monsters like Godzilla in the cartoon?’ And that’s wonderful to get those questions, because that means someone who’s never seen the character is seeing them for the first time in your book. So being aware of those fans and not alienating fans who have been there a long time is something I think is exciting and that we should all be conscious of.”
– Scott Snyder, writer of Batman and Swamp Thing, discussing the much-publicized DC Comics relaunch
With another wave of debuts for DC Comics’ New 52 — including Batman, Wonder Woman, Supergirl and Legion of Super-Heroes — comes another round of previews, interviews and assorted articles. Here are some of the highlights.
• Vulture previews the highly anticipated debut of Batman, by Scott Snyder and Greg Capullo, and chats briefly with the writer about the appeal of the Caped Crusader: “What appeals to me, no matter who’s in the cowl, is how Gotham City challenges them. Gotham is almost a nightmare generator, filled with villains that seem to represent an extension of Batman’s greatest fears. A lot of his greatest villains feel like mirrors: the Joker is who Batman would be if he broke his rule and fell into madness; Two Face is a mockery of the duality of his life. But what I love about Bruce in particular, and the reason I’m so excited to be doing Batman, is he’s a superhero that has no powers. He takes it upon himself to go out every night, punish himself, and be the best out there. To me, that is both incredibly heroic and exciting, but also really pathological and obsessive.”
DC editor Chris Conroy took over DC’s Twitter feed today, and he’s been sharing concept art, pages and tidbits about some of his books all day. Conroy edits Superboy, Wonder Woman, Swamp Thing, Legion of Super-Heroes and Demon Knights, and here are a few of the tidbits he’s shared:
–Mike Choi will draw Demon Knights #4 (that’s his cover at the top of the post).
–Walt Simonson will draw Legion of Super-Heroes #5.
–The red-head in Superboy #1 is who most people seem to think it is.
–Cliff Chiang’s original artwork from Wonder Woman will be on display at Bergen Street Comics in Brooklyn beginning Sept. 24.
–Jeff Lemire and Scott Snyder have “big plans” for when Animal Man and Swamp Thing meet up.
And after the jump you’ll find a whole bunch of art, which I’ll update if he posts more.
• At Comic Book Resources, Kiel Phegley checks in with direct market retailers after the first full week of the DC relaunch.
• USA Today previews Frankenstein, Agent of S.H.A.D.E. #1, which kicks off the “War of the Monsters” story arc. “It’s basically Frankenstein and these classic Universal monsters against as many other monsters as I could throw at my poor artist [Alberto Ponticelli],” writer Jeff Lemire says. “Literally, I had pages where he was drawing thousands of monsters. It’s really fun and big and over the top and a lot of black humor as the team gets to know each other and interact, and the readers get to know them, as well.”
• TV Guide previews Suicide Squad #1, written by Supernatural co-executive producer Adam Glass, who details his take on the radically redesigned Harley Quinn: “The thought was, let’s see her operate outside of the Joker, not being obsessed 24/7. One thing that I think gets downplayed with her is how smart she is. This is a woman who is a mastermind in her own right. […] We didn’t lose any of the humor. She’s still funny, she’s still sexy, she’s still a little crazy. This is Harley if she’s moved away from home, her chance to shine on her own.”
• Writer Scott Snyder talks at length with Complex about Swamp Thing, and his approach to Batman: “The way DC approached me about the relaunch was that it was a way to tell any story that you wanted about your favorite character, no holds barred. And the story I wanted to tell was one that was already really rooted in what’s already happened in Batman, but is accessible to anybody that hasn’t been reading Batman. It’s a big epic, ambitious story about Bruce Wayne and the way he thinks of Gotham as his friend and this kind of ancient evil under Gotham that exists, or may exist, that he has somehow overlooked as Batman. So it has to do with the history of the Wayne family and the Grayson family, and there will be big revelations about this enemy from the past, and this enemy is going to bring all the weight of history against the Bat family and try to crush them.”