Stage | Dancer Daniel Curry, who was seriously injured during an Aug. 15 performance of the Broadway musical Spider-Man: Turn Off the Dark, made his first appearance since the accident at a benefit concert held Monday that raised $10,000 for his medical bills. Curry was injured when his leg was pinned by an automated trap door — he blames malfunctioning equipment, producers say it was human error — resulting in fractured legs and a fractured foot; he has undergone surgeries and unspecified amputations. The Occupational Safety and Health Administration and Actors’ Equity have launched investigations into the accident, and Curry’s lawyers are exploring a possible lawsuit against the $75 million show and the equipment suppliers.
During previews of Spider-Man: Turn Off the Dark — before the March 2011 firing of director Julie Taymor and the sweeping overhaul that followed — no fewer than five performers were injured, the most serious previously being aerialist Christopher Tierney, who fell about 30 feet in December 2010, breaking four ribs and fracturing three vertebrae. He returned to rehearsals four months later. There have been no major accidents since the show opened in June 2011. [The New York Times]
Political cartoonists | Michael Cavna looks into a report by the Cartoonists Rights Network International that Syrian cartoonist Akram Raslan was executed in July. Raslan was arrested last year by Syrian security forces and, together with a group of journalists, artists and other “intellectuals,” sentenced to life imprisonment. “Somehow, along the way to prison young 28-year-old Akram Raslan (and possibly others) was peeled off, taken out and executed,” the post said. “He is reported to be in a mass grave somewhere near Damascus.” However, CRNI’s Robert Russell told Cavna they have been unable to confirm the report, which came from a “reliable source” close to Raslan’s family. [Comic Riffs]
Conventions | Heidi MacDonald and Calvin Reid file a comprehensive con report on New York Comic Con, including a conversation with ReedPOP Global Vice President Lance Fensterman and a look at the panels and booths. [Publishers Weekly Comics World]
Welcome to “Report Card,” our week-in-review feature. If “Cheat Sheet” is your guide to the week ahead, “Report Card” is typically a look back at the top news stories of the previous week, as well as a look at the Robot 6 team’s favorite comics that we read.
So read on to find out what we thought about Superman, Tropic of the Sea and more.
Publishing | Jody LeHeup, who joined Valiant in May 2012 as associate editor, has left the publisher, and will focus on his writing career. However, he noted on Twitter, “I am open to discussing editorial work as well.” LeHeup previously worked for four years at Marvel, where he edited such titles as Deadpool, X-Force and the Eisner-nominated Strange Tales before being let go in October 2011 during a round of layoffs. [Twitter]
Creators | Tom Spurgeon pointed out a disturbing paragraph in this article about the dangers of being a political cartoonist in the Middle East: Syrian cartoonist Akram Raslan hasn’t been heard from in months and may be dead, according to Robert Russell of the Cartoonists Rights Network International, which has been advocating for Raslan’s release from prison. Raslan was arrested last year, and Russell was told his trial was delayed and then that he had been killed. [CNN]
Comics | The Venezuelan government is issuing illustrated versions of the country’s constitution to all school children, and plans are already under way for another edition that will be in comics format. [Foreign Policy]
Comics strips | Matt Saracini looks at the impact on Australian cartoonists of a cost-cutting decision by media giant News Corp. Australia to replace individual comics pages in their largest newspapers with one national page. In the process, some more expensive locally produced strips were jettisoned in favor for cheaper syndicated ones from overseas, like Garfield and The Phantom. News Corp. owns more than a hundred daily, weekly, biweekly and triweekly newspapers. [SBS.com]
Creators | Syrian cartoonist Ali Ferzat, now living in Kuwait after troops loyal to Syrian President Bashar al-Assad attacked him and broke both his hands, talks about his decision to portray al-Assad explicitly in his cartoons, rather than sticking to more generic themes like freedom and human rights: “It was a big decision to start to draw Bashar and, yes, I was scared of what might happen, particularly when I was attacked. But I had a responsibility to do what I did. If I am not prepared to take risks I have no right to call myself an artist. If there is no mission or message to my work I might as well be a painter and decorator.” [The Guardian]
Conventions | The New York Post previews what’s now called the Wizard World Comic Con NYC Experience, which kicks off in about three hours at Basketball City (Pier 36) in New York City: “Wizard cons, which are kind of a traveling road show hitting cities across the country, tend to focus more on celebrity appearances and (paid) meet-and-greets than other shows. But they still have plenty of programming that will scratch a given itch. And there will be plenty of comics/memorabilia/ephemera dealers to help empty your wallet. [Parallel Worlds]
Editorial cartoons | The Cartoonists Rights Network International will honor Syrian cartoonist Akram Raslan, who has been imprisoned on charges of sedition for the past seven months because of his cartoons critical of Syrian President Bashar al-Assad. [The Salt Lake Tribune]
Editorial cartoons | The Cartoonists Rights International has given its 2013 Courage in Editorial Cartooning award to Syrian cartoonist Akram Raslan, who was arrested in his newspaper office in Hama, Syria, about six months ago and has been held incommunicado since then; reliable sources report that he has been tortured while in prison. Raslan will be tried on Monday in a special court on an array of charges, including insulting the president and incitement to sedition, stemming from his cartoons. [Cartoonist Rights Network International]
Creators | Meanwhile, Pittsburgh Post-Gazette cartoonist Rob Rogers is donating the prize money from the Thomas Nast Award he recently received to the CRNI. Rogers’ donation will go directly to a cartoonist who’s in hiding for fear of being deported to his home country of Syria. [Cartoonist Rights Network International]
Look, I’m not even going to pretend to be familiar with the work of Ali Ferzat, a Syrian political cartoonist who has emerged as an outspoken critic of dictator Bashar al-Assad and his bloody crackdown against anti-government protestors over the past several months. But you can bet Assad and his regime know his work, and hate it, because their security forces abducted Ferzat, beat him, made a point of breaking his hands, and dumped him on the side of the road. This Washington Post article lays out the details as they are known right now, and included the terrifying Facebook picture above. The news comes via Tom Spurgeon of The Comics Reporter, generally your best source for information on the pressures faced by political cartoonists worldwide.
Though people like Mike Diana, Jesus Castillo, and Christopher Handley provide us with sad exceptions to this rule, in general, no one in America is subject to legal (or extralegal) punishment for the comics they draw, sell, or consume. We’re lucky. And while it’s impossible not to be gobsmacked by not just the brutality but the arrogance of a government that would punish a cartoonist critic in such an overtly symbolic manner, it’s just as impossible not to be awed by the bravery of an artist who knows he’s up against a government that would do a thing like that, but goes up against them anyway.