Examining "Rebirth's" Treatment of Legacy & Promise of a Less "Grimdark" DC Universe
So this is what happens when you praise Geoff Johns’ Green Lantern run …
Let’s be clear: I do not generally have violent mood swings. My sense of well-being does not depend on the fortunes of DC Comics. I don’t pretend to have any special insight into the publisher’s inner workings, and I’m sure the reverse is equally true. However, after saying many nice things about Green Lantern a couple of weeks ago, and then eviscerating the humorless “WTF Certified” last week, it was pretty surprising to see the May solicitations address both topics.
NEXT, RAFALCA JOINS THE LEGION OF SUPER-PETS
The Green Team may have been a group of entitled, self-satisfied jerks with an abnormal need for validation, but if anyone can make them lovable — or, alternatively, entertainingly clueless — it’s Art Baltazar and Franco. I don’t see this book as DC scraping the bottom of the character barrel. Rather, I take it as a good-faith attempt to update a (perhaps misguided) concept for the sensibilities of our time. Not quite “at least they’re trying,” but … at least it’s not another big-name spinoff, you know? (Although a new Steel series is always welcome.) Regardless, the over/under for this book has to be somewhere around 6 issues.
Recently, an off-hand tweet by Kurt Busiek brought something interesting to mind. First, the tweet: “There are SUPERMAN BY GARCIA-LOPEZ and BATMAN BY ARCHIE GOODWIN hardcovers coming. Life is good.”
The two books he’s talking about are Adventures of Superman: Jose Luis Garcia-Lopez and Tales of the Batman: Archie Goodwin, both hardcovers and both scheduled for release in April. It’s interesting because, by and large, DC Comics hasn’t released a lot of books focusing on a creator. Sure, the publisher has made exceptions for Alan Moore (DC Universe: The Stories of Alan Moore), Jack Kirby (Jack Kirby Omnibus) and Geoff Johns (The Flash by Geoff Johns Omnibus), but seeing it done for creators like Goodwin and Garcia-Lopez feels different somehow. While Goodwin was a positively epic force during his time in comics, he’s not exactly a household name in the modern parlance of comics fans (unfortunately), and Garcia-Lopez was an artist, not a writer like all of those listed above. DC, and comics in general, has shown itself to be very writer-centric in terms of the attribution of works, so for me this is a breakthrough — or at least a crack in the wall.
Spurred on by these ideas, I’m beginning to think of what else, and who else, DC could capitalize on with its massive library of work created in the past 78 years. Here are some ideas: