It’s Wednesday again, right (checks watch)? Jim Mahfood has made a video laying out an excellent case as to why you should get down to your local comic shop and buy the first issue of Everybody Loves Tank Girl, the Titan Comics miniseries by he and Alan Martin. Especially if your local is Meltdown Comics in Hollywood, which is hosting the release party.
The Tank Girl Facebook page curated by Alan Martin is a great place to see some top-quality comic art. Martin regularly posts new work by his many all-star collaborators from over the years — Jamie Hewlett, Mick McMahon and Jim Mahfood included. Tank Girl is a character that’s always inspired a special level of devotion among her fans: Back when there was next to no cosplay culture in the U.K., Deadline magazine regularly featured photo spreads of that certain type of punky proto-Suicide Girl dressed as their heroine. I’ve gotten into the habit of looking through the page’s “Recent posts by others” sidebar to see any fanart that has been sent to catch Al’s eye. A while ago, I spotted the work of Scott Cole, a professional photographer who’s taken the notion of Tank Girl cosplay and fanart to a whole other level with a set of shots replicating classic Hewlett images and poses. Cole put a few minutes aside to discuss the motivations and inspirations behind these pictures which perfectly capture the character’s bad attitude.
ROBOT 6: Love these images. How do you describe your work, ’cause I’m not sure I’ve entirely the right frame of reference, myself?
Scott Cole: Thanks. My work has been described as sexy, edgy, gritty and creative. At the moment I’ve been focusing on tattooed models, mainly because it allows me to shoot more non-conventional shots, or to recreate classic sets (for example my black swan ballet set) from a different viewpoint. My worst nightmare would be to be commissioned to shoot wedding or baby shots. It’s just not my thing!
While some creators spend their entire career in comics, others come and go. Some find greater success outside the field, while others just realize comics just aren’t for them. I recently re-read a brief post I wrote in early 2011 about some of the most sorely missed creators while thinking about artist Jamie Hewlett. He met with early success with Tank Girl (with Alan Martin) but dropped out of comics in the mid-1990s following the cancellation of the comics magazine Deadline and the poor performance of Tank Girl as a motion picture and as a Vertigo series. By an odd set of circumstances he ended up being roommates with Damon Albarn, lead singer of the band Blur, and they dreamed up the virtual band Gorillaz.
In a 2005 interview on Jonathan Ross’s talk show, Hewlett was pretty down on the idea of returning to comics, instead focusing on Gorillaz and animated projects. I’ve enjoyed Gorillaz for its music and the frequent use of Hewlett’s art on covers and in music videos and other parts of the promotional machine, but I’m still
patiently waiting for him to reclaim his place in comics. But it got me to thinking: Is there a place for Hewlett in comics today?
Drawing comics is grueling work with long hours, and I could easily see his current career being more alluring than that solitary life. Plus, the comics industry has changed a lot since the early ’90s. The U.K .comics scene is far different, and the “big money” these days seems to lie in either finding success on your own, a la The Walking Dead, or working for the Big Two. Despite my wishful thinking, I don’t imagine we’d ever see Hewlett drawing an issue of Avengers Vs. X-Men. Tank Girl returned with Hewlett’s blessing in 2007, with Martin and other artists, but not seeing even a cover or pin-up by Hewlett really diminishes any hopes he might return.
But I look forward to the artist proving me wrong.
Exclamation point very much merited, if you ask me. That’s Tank Girl and Gorillaz co-mastermind Jamie Hewlett illustrating arguably the greatest song of the 1990s, “Common People” by Pulp — a masterpiece of withering English class-warfare derision and seamy sexuality. (Check out the awesome video if you haven’t heard/seen it.) According to PulpWiki, the comic was available only in the French single for the song and an Australian box set. What better way to celebrate the welcome news that Pulp will be reuniting for a tour in 2011 than by dipping into the glory of ages past?
Seriously, folks, a de facto Jamie Hewlett/Jarvis Cocker collabo? I can think of several entire comics over the past few years that the existence of this strip renders totally redundant.
(via Alexis Ong)