Alden Ehrenreich Cast as the Young Han Solo for the 2018 "Star Wars" Anthology Film
Hello everyone, Happy Memorial Day weekend to America, and welcome one and all to What Are You Reading? This week we are joined by special guests Brandon Montclare and Amy Reeder, the creative team behind Halloween Eve and the upcoming Rocket Girl. I spoke to them earlier this month about Rocket Girl, which surpassed its Kickstarter goal but you still have some time to get in on the action and rewards.
To see what Brandon, Amy and the Robot 6 crew have been reading, click below.
Colleen Doran shared some great news this week for fans of her long-running A Distant Soil comic–after a lengthy hiatus, the series will return to print next April with issue #39 and will continue through issue #50, which she says wraps up the story.
In addition, Image/Shadowline will re-release A Distant Soil Volume 1 next year. “This will be released with new edits, new lettering, cleaned up and restored art, and, obviously, new covers and design,” she said on her blog. Earlier this year Doran had put out the call for original art from the series for a digital restoration project. The cover for the new edition can be seen in the image above. Doran has been serializing A Distant Soil on her website for awhile, so now’s a good time to catch up on it if you haven’t read it before.
The promotional image Doran posted shows off not only Soil, but a few other Shadowline projects as well. In addition to the Dias de las Muertas miniseries by Riley Rossmo and a host of different writers (coming in January), it also showcases a new Jimmie Robinson miniseries, Five Weapons, and Miniature Jesus by Ted McKeever.
Hello and welcome to another edition of What Are You Reading? Our guest today is Caleb Goellner, pug lover and senior editor of ComicsAlliance.
To see what Caleb and the Robot 6 crew have been reading, click below.
Ahead of this weekend’s WonderCon in Anaheim, California, Image Comics has provided Robot 6 with a first look at the limited-edition poster Ted McKeever will have available in Artists’ Alley (AA-022). Just 50 copies — signed and numbered — will be available of the image, which serves as the cover for the upcoming collection of McKeever’s Mondo miniseries.
Check out the full poster below. WonderCon kicks off Friday at the Anaheim Convention Center.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
If I had $15, I’d start out with Prophet #22 (Image, $2.99) by Brandon Graham and Simon Roy; it’s an Old West pioneering comic set on an alien world. Next up would be my favorite comic from Marvel these days, Uncanny X-Force #22 (Marvel, $3.99). Remender was raised on Claremont-era X-Men, and this is excavating the intricacies of Captain Briton and late ’80s Excalibur comics for Otherworld, Jamie Braddock and a swashbuckling Nightcrawler. Last up with my $15 bounty would be A Long Day Of Mr. James – Teacher (Blank Slate, $7.99). A great looking piece of cartooning from an artist, Harvey James, I’m looking to learn more about.
If I had $30, I’d double back and first pick up Dark Horse Presents #9 (Dark Horse, $7.99). Seriously, this is the comic that some fans were hoping for several years back: one book containing new stories from Paul Pope, Mike Mignola, Neal Adams, Brian Wood, Kristian Donaldson… and pin-ups by Geoff Darrow? Seriously, I second-guess any comics fan I meet who isn’t buying this. Next up would be Wolverine and The X-Men #6 (Marvel, $3.99) by Jason Aaron and Nick Bradshaw. Seeing Wolverine and Kid Omega going to an outer space casino sounds like everything the X-Men haven’t been in over two decades, but I’m liking it. I can only hope they run into Lila Cheney. Lastly, I’d pick up Jeff Smith’s RASL #13 (Cartoon Books, $3.50). The last issue was history-heavy focusing on Tesla, so I hope this one is bit more kinetic.
If I could splurge, I’d go back for a second Blank Slate book—Hector Umbra (Blank Slate, $26.99). I’ve heard nothing about cartoonist Uli Oesterle, but after seeing the preview on Blank Slate’s website I’m kicking myself. Long story short, DJ kidnapped during his set (at Robot Mitchum nightclub no less, best club name ever), and his friend Hector Umbra, an artist-turned-detective, goes after him. Some people compare Oesterle’s art to Mignola,but I see some Paul Grist in there as well.
Following last month’s announcement that they’re planning to release older material under the “Vertigo Resurrected” banner, DC’s Vertigo imprint announced today that Peter Milligan and Ted McKeever’s 1993 miniseries The Extremist will return to print in November. Unlike the first Vertigo Resurrected title — Warren Ellis and Phil Jimenez’s “Shoot” that was originally intended to be published as Hellblazer #141 — The Extremist was published, but I don’t think it has ever been collected in trade paperback form.
According to the Graphic Content blog, the book is about “three ordinary people who succumb to the allure of a mask and a costume and all the power that comes with it, creating a shocking and controversial exploration of the nature of freedom and sexuality.” Greg Burgas at Comics Should Be Good! has a great overview of the series here.
Legal | A federal judge in Madison, Wisconsin, heard testimony Monday from Neil Gaiman, Todd McFarlane and Dark Ages Spawn writer Brian Holguin, but didn’t rule on Gaiman’s claim that he’s owed royalties from the characters Dark Ages Spawn, Domina and Tiffany.
In 2002, a jury found that Gaiman co-owned the copyrights Medieval Spawn, Angela and Cogliostro, which he created in 1993 for McFarlane’s Spawn series. Since then the two creators have attempted, with little success, to determine how much money Gaiman is owed for the three characters.
On Monday, Gaiman testified that he thinks Dark Ages Spawn is merely a copy of Medieval Spawn, while Domina and Tiffany are copies of Angela. Holguin, who created Dark Ages Spawn, said any similarities to Gaiman’s character were unintentional, while McFarlane argued that all of the versions of Spawn share certain features. The judge gave both parties until June 25 to submit additional arguments. [The Associated Press]