Thanks to Tom Spurgeon, I read a fascinating article about “using Graph Theory to create a digital model of the whole of Marvel continuity,” from comics to TV and the current crop of movies. It maps out connections among characters — unsurprisingly, the three big groups relate to the X-Men, the Avengers, and Spider-Man — but it also discusses exceptions to characters’ defining traits. For example, Hawkeye is Clint Barton (or not), who is an archer (most of the time) and an Avenger (except when he’s a Thunderbolt). Marvel appears to be using this model to answer basic questions like “who is that?” and “how does s/he relate to this over here?” — with an ultimate goal of getting fans of its movies and TV shows to try the comics.
As you might imagine, this sort of analysis would have been ideal for the pre-New-52 status quo, whose five generations of characters (going from the original Justice Society to Damian Wayne) included many with multiple code names. Chief among these were the original Teen Titans who, following the examples of Dick Grayson and Wally West, graduated from sidekicks to “grownup” superheroes. Initially, logistical concerns facilitated these changeovers (we need a new Robin; we need a new Flash) — but in terms of the intersection of continuity and character development, none of the Titans had quite as much on her résumé as Donna Troy.
Passings | Roy Peterson, editorial cartoonist for the Vancouver Sun, died Sunday at the age of 77. During his 40-year career, Peterson won more National Newspaper Awards than any other Canadian creator, but he was remembered by his peers chiefly for his sense of humor and his mentoring of younger artists. [Vancouver Sun]
Publishing | CNN contributor Bob Greene profiles Victor Gorelick, the editor-in-chief and co-president of Archie Comics who began working for the publisher at age 17, in 1958. [CNN.com]
Creators | Craig Thompson talks about the short story he wrote and drew for First Second’s Fairy Tale Comics anthology, and he reveals an interesting fact: “For six years or so, my entire income was based on drawing kids’ comics for [Nickelodeon] magazine. Later on my career shifted to drawing ‘serious’ graphic novels aimed at adult readers, but I’ve always wanted to revisit my more fun and cartoony style.” Former Nickelodeon editor Chris Duffy is the editor of Fairy Tale Comics. [Hero Complex]
Digital comics | Despite all the talk about digital comics lately, Paul Delos Santos finds plenty of ink-on-paper comics, as well as creators and fans, at last weekend’s Amazing Las Vegas Comic-Con. “Digital is the newsstand of yesteryear for people that are new to comics that are discovering that way,” said Ralph Mathieu, owner of Las Vegas’ Alternate Reality Comics. “Then (they are) going to comic stores and getting the physical format.” [Las Vegas Sun]
Superheroes | Looking at the lineup of Marvel and DC Comics adaptations, Frank Hagler argues, “It is far past time for Hollywood to release a comic book movie based on a minority comic book hero where the characters race is central to the theme of the story.” [PolicyMic]
You may remember the story of an antisocial teen working his way into Bruce Wayne’s life, and even becoming part of his family, before dying in a Robin costume.
You might also remember this story being called “Punish Not My Evil Son,”* as told by writer Bob Haney, penciler Neal Adams, and inker Dick Giordano (note: GCD credits Adams), in The Brave and the Bold vol. 1 #83 (April-May 1969).
Like much of the Haney oeuvre, “Punish” depends on unique circumstances that otherwise might not fit well within Batman’s shared universe. Young Lance Bruner, who’s around the same age as teenager Dick Grayson, is the son of one Prof. Bruner, Thomas Wayne’s “closest friend.” When we first meet him he’s horsing around with a couple of Wayne valuables and smarting off to Alfred, so already he’s off to a bad start. However, he shows Bruce an agreement signed by both Prof. Bruner and Dr. Wayne, which provides that “if anything ever happen[s] to the professor[,] the Wayne family promises to adopt and raise Lance.” Indeed, Bruce remembers seeing baby Lance in his dad’s arms, and recalls further that the professor was “the finest man I’ve ever known … besides my own dad!” Lance has already tearfully played the orphan card, so Bruce reminds a skeptical Dick how a certain other kid came to live at Wayne Manor — and away we go.
Happy Sunday and welcome to What Are You Reading?, our weekly look at all the comics and other stuff we’ve been reading lately. Today our special guest is Dave Dwonch, creative director at Action Lab Entertainment and the writer of such comics as Space-Time Condominium, the upcoming Ghost Town, Double-Jumpers and more.
To see what Dave and the Robot 6 crew have been reading, click below.
First I’d like to thank DC Comics for plastering its latest spoiler unavoidably across the Internet bright and early Monday morning. It did confirm something I’d suspected since before Christmas, but being surprised still has a certain appeal, you know?
(That assumes this isn’t reversed in an issue or two. Kyle Rayner was killed one issue and revived the next during a Blackest Night crossover, and something similar is eminently possible, albeit unlikely, in this case.)
Anyway, Caleb has done a great job covering the event’s immediate impact, and Corey and Michael have also talked about significant aspects of you-know-what, so for my part I’ll be taking a closer look at the “position” itself. Some people study the presidency, some the papacy, and some of us have spent most of our lives reading about … well, you know.
SPOILERS FOLLOW, I suppose.
With the launch of Comic Book Resources’ new monthly feature with DC Comics Editor-in-Chief Bob Harras and Editorial Director Bobbie Chase arrives announcements of a slew of creative changes, including confirmation that Jim Starlin is the new writer of Stormwatch.
Best known for his work on Marvel’s cosmic titles, Starlin has been teasing since early December that he would take the reins on an existing DC series beginning in April. Yvel Guichet joins him as artist. Other creative shifts in April include:
• Jeff Lemire and Ray Fawkes will write the newly launching Constantine, taking over Robert Venditti with Issue 2. “Robert came to us with a fantastic pitch for Constantine,” Harras told CBR. “We really loved what Robert’s doing — he’s working on Demon Knights now, and he’s also working on another project for us that I really can’t go into which is a big deal for us. But at the end of the day, Robert and Dan [DiDio] and I spoke, and Constantine was, for him, one book too many. It was the one thing that we had to go, “If we want you to focus on this one project, maybe we should make a change on Constantine.”
I hear a lot of rumbling from the February solicitations — the First Lantern, the last Hellblazer, the new JLA — like the Next Big Things are simmering under the surface. Yes, this is how DC wants me to think, but there’s no guarantee that my anticipation will live up to the books themselves. Still, at least things are happening, which is nice. There are endings and beginnings, changes and reintroductions, and a few good reprints too.
So, without further ado …
JUST BE GLAD IT’S NOT “20,000 LEAGUES”
The “expansion of the Justice League” advertised in Justice League #17 may be related to the new Justice League of America, but I suspect it will have more to do with the main League’s roster additions (which, if memory serves, were teased back in summer 2011). I base this mostly on the fact that JLA #1 comes out two weeks before JL #17, and therefore I doubt DC would want its latest high-profile first issue to spoil the end of “Throne of Atlantis.”
This week sees the print debut of Legends of the Dark Knight, the ongoing print version of DC’s digital-first Batman anthology. By design it’s not part of the regular Batman line, and therefore not counted as one of the New 52. However, it gives me an excuse to ask how many Bat-books DC Comics really needs.
Now, I don’t mean that to be as dismissive as it sounds. The current Batman line is built on years, if not decades, of steady readership and fan attachments, and you don’t just wave that away. Nevertheless, if there are only 52 slots in the main superhero line, must the Batman Family claim a quarter of them? The relaunch has made pruning these titles both easier and harder, and today I want to look at the opportunities it presents.
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With Teen Titans #0 in stores this week, artist Tyler Kirkham made his first foray into DC Comics’ teen-oriented team title. According to Kirkham, it certainly won’t be his last. Bleeding Cool has picked up a tidbit from Kirkham’s website, which states he’ll be moving to Teen Titans.
“Having worked on Green Lantern titles for the passed 2 years, I’m now moving on to Teen Titans,” Kirkham wrote. “So I wanted to do a Huge Green Lantern art sale to show my appreciation to everyone who read my issues.”
Kirkham is the current artist on Green Lantern: New Guardians. Although his post implies he’ll be leaving the book for Teen Titans, there has been no official word from DC about the artistic shift. Although, considering the recent artist shuffles with Yildiray Cinar doing a two issue fill-in on Earth 2, Alberto Ponticelli coming on to Dial H and Ivan Reis and Joe Prado taking over Justice League a change in some of the other New 52 titles isn’t exactly unexpected. Judging from Kirkham’s statement, it seems likely more artistic changes are in store for the second year of the New 52.
College basketball season starts back up in November, so that makes thinking about bracketology only a little less premature. Looking at the various discrete (and, occasionally, indirect) crossovers happening throughout November’s New 52 solicitations, I couldn’t help but picture the field of 68, with each individual game a step along the way to … “Trinity War,” I guess …?
Green Lantern’s “Rise of the Third Army” occupies the four GL titles, of course, but it also brings in Justice League, where the solicit for issue #14 wonders where Hal is. (After reading this week’s GL #12, I have a better idea about that.) Likewise, GL #14 guest-stars the League.
From the solicits I wonder if “ROT3A” takes place mainly in GL (with a little JL on the side). “Night of the Owls” was advertised that way (you only need to read Batman, because the other Bat-books dealt with ancillary stories) and it kind-of fits with the way the New-52 books have hyped their creative teams. Johns, Scott Snyder, and Jeff Lemire are responsible for a total of seven books (GL, JL, Aquaman, Batman, Swamp Thing, Animal Man, JL Dark), and each writer has at least one book in some sort of crossover this month.
Today I am pondering that Ivan Brandon essay on TheAwl.com, and the things comics can do that movies just can’t.
Last week I mentioned the Lazarus Pit as an example of a comics staple that Batman movies — any Batman movies, arguably — would probably be reluctant to use. While the Pit comes with certain restrictions and side effects, it still boils down basically to an unlimited supply of extra lives. It runs counter to the idea of Batman as being grounded in reality, but in the context of a shared universe where Batman pals around with extraterrestrials (and their agents), a super-powered Amazon, and the King of Atlantis, it’s not that far-fetched. This is the old “Character Y could solve Character X’s problems” hypothesis, and it tends to be met with “Character X and Character Y play by different rules.” A good example of the latter was a “No Man’s Land” story featuring Superman (coincidentally collected in the new NML Vol. 3), where the Man of Steel’s well-intentioned assistance in trying to rebuild an earthquake-devastated Gotham turned out to be exactly wrong under the circumstances.
Happy Sunday and welcome to What Are You Reading? Our guest today is Kevin Church, writer of The Rack, Signs and Meanings, the new Monkeybrain series Wander: Olive Hopkins And The Ninth Kingdom and many other comics.
To see what Kevin and the Robot 6 crew have been reading, click below.
One of the things a lot of pros like about C2E2 is the late start on Friday. It doesn’t open to the public until 1:00 pm, so creators can sleep in and recover from their trips if they want. Or, if they want to go early to set up or just walk around and visit with each other, they can do that too. It’s also helpful for press jerks taking lots of pictures. Lots. Of pictures.
Here is what you need to know going into this week’s post: I sat down with a list of DC’s current and upcoming superhero-universe comics, and rearranged it into a big chart. Now I have to make that little factoid exciting. Join me, won’t you?
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The watchword of any shared universe is “consistency.” Superman’s adventures in Superman and Action Comics may be produced by two different creative teams, and they may even take place in different timeframes, but they be must at least coexist peacefully both with each other and with the rest of DC’s superhero line. That’s part and parcel of corporately-controlled superhero comics, regardless of any tension with a professional’s creative freedom.