Over on his blog, Teen Titans artist Brett Booth shows us some of his early designs for the character who eventually became Bunker. Originally the character was “going to transform into a monster,” Booth says, and the character went through several other iterations before they landed on Bunker and his bricks. “Scott wanted to do bricks so we did bricks.”
Don’t ask me how I remember this, but it was just about twenty years ago that the first previews of Dan Jurgens’ Justice League began appearing. After five years, the “bwah-ha-ha” era was winding down, and Keith Giffen and J.M. DeMatteis were leaving Justice League America. Giffen was also stepping away from plots and breakdowns for Justice League Europe, with JLE’s scripter Gerard Jones taking over as the book’s only writer; and Brian Augustyn replaced Andy Helfer as both books’ editor.
With a number of the New 52 titles changing creative teams before they’re even a year old, it’s too early to start talking about any long-lived, let alone definitive, runs on a particular book. Still, DC clearly hopes these books will be around for a while, even without the folks who launched ‘em. It got me thinking about past changes of the guard, and how they have followed some well-established interpretations.
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Passings | Alvin Schwartz, the prolific writer who penned Batman comics and the Batman and Superman comic strips for DC Comics in the 1940s, passed away Oct. 28 after a long illness. He was 95. Before leaving comics in 1958, Schwartz wrote for most of DC’s titles, including Aquaman, Wonder Woman, Green Lantern and The Flash. [News from ME]
Creators | Tucker Stone talks to Mark Waid about his work on Daredevil, and Waid confirms that Marcos Martin, originally announced as the artist on every other arc, won’t be working on the book after issue #6: “Unfortunately, it was something that came up while we were working. He’s doing 4, 5 and 6. When he came on, I don’t think things were firmed up with his next project and now they have. I salute him, and I think it’s going to be great and I want to see him go off and do creator owned stuff. But my heart breaks.” [comiXology]
So here we are, the last week of the New 52 rollout, and I must say it’s been a fascinating — sometimes exhausting — ride. It’ll be good to get back to more normal posting next week, but I have enjoyed these marathon stream-of-consciousness reviews. Although DC has said over and over that these books are all part of the same revised universe, there are so many different styles and approaches on display (The early ‘90s! The mid- to late ‘90s!) that the line seems a lot more heterogeneous than it did five weeks ago.
Moreover, the realization that these books are the new status quo is only now starting to sink in. Overall it’s a good feeling, but bittersweet too. After all, I had 25 years to get used to the last line-wide revampings.
SPOILERS FOLLOW, as always.
Following through on its pledge to create “a more modern, diverse DC Universe” with the New 52, DC Comics will introduce a gay teenage superhero in Teen Titans.
Series artist Brett Booth has revealed that Bunker will debut in November’s Issue 3 — he’s referred to as “The Wall” in the solicitation text — where he’s depicted as an openly gay teen from Mexico who “can create small force fields that look like bricks.” The character, whom the artist describes as “happy, fun-loving,” appears in the background in the cover of the first issue and again, more prominently, on the one for Issue 3.
“We’re trying to make being gay a part of who he is,” Booth wrote last night on Twitter.
Bunker isn’t the first gay Titan — that was probably Hero Cruz of Titans L.A., although there was a lot of fan speculation about Jericho when he debuted in 1984 — but he’s (likely) the first gay teen introduced into the post-Flashpoint DC Universe.
Teen Titans, by Scott Lobdell, Booth and Norm Rapmund, premieres on Sept. 28.
Update: On his blog, Booth has posted Lobdell’s description of Bunker:
If you thought the DC Comics New 52 trailers were done, think again. Teen Titans artist Brett Booth has posted one on his blog featuring the latest version of the young heroes.
Teen Titans #1 by Scott Lobdell and Brett Booth arrives in stores Sept. 28.
The artists behind this September’s “New 52″ have taken to Twitter, thanks once again to David Macho, revealing a whole lot of art from the new books that are due next month. There are a couple of hash tags to follow over on Twitter … #52splash will show you pages of new stuff from Greg Capullo (above), Scott McDaniel and many others. And as Kiel noted last week, #thenewvillains hash tag that kicked off last week slowed down after last week’s push, but a few new posts have popped up today.
And speaking of villains, I don’t think anyone has shared artwork yet for the villain of the new Justice League title — who it turns out is one of DC’s biggest and baddest, Darkseid.
Check out more artwork after the jump, and watch the hash tags for more!
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
As we’re heading towards the middle of August, it’s no surprise that curiosity is getting me to pick up more than a few DC books just see how particular series “end;” I’d be getting Justice League of America #60 and Legion of Super-Heroes #16 (both DC, $2.99) anyway, because I’ve been following those series for awhile, but I’m likely to add Batman #713 (DC, $2.99) to the pile as well, if only to see the explanation as to why Dick quits being Batman before the big relaunch. But it’s not all endings for me with my $15 this week; I’d also make a point of grabbing Daredevil #2 (Marvel, $2.99), because the first issue was just breathtakingly good, and the series became a must-read before I’d even reached the last page.
If I had $30 this week, I’d add to my list of DC final issues with Supergirl #67 (DC, $2.99), which Kelly Sue DeConnick has talked up in interviews as being the highpoint of her short run to date and a great capper to the series as a whole. I’d also check in with the third issue of David Hahn’s All Nighter (Image, $2.99), as well as see if Nick Spencer’s Iron Man 2.0 is worth a look with the mini-collection of the first three issues, Iron Man 2.0: Modern Warfare (Marvel, $4.99).
To see what Daniel and the Robot 6 crew have been reading, click below.
One of the more precarious parts of DC’s New-52 relaunch is this notion that a whole lot of in-story history happened over just five years of comic-book time. So far, this comes primarily from narration in the new Justice League #1, indicating that the team was formed “five years ago,” when “the world didn’t know what a super-hero was.”
Now, this may not be an entirely accurate measurement of the relaunch’s age. Practically by definition, the Justice League consists of heroes with fairly well-established careers, so we have to think that its charter members had been around for a little while before teaming up. Furthermore, in the context of the New 52 specifically, we can infer from what we know about the new Action Comics — which will show him less-powerful and with a more mundane costume — that Superman debuted some time before the events of Justice League #1. (According to Comics Alliance’s account of Friday’s New-52 Comic-Con panel, Action initially takes place just a few months before Justice League.)
Sometimes it’s been hard for me to process the New 52 as anything but an amorphous mass of, well, Newness. In this respect, DC’s October solicitations are helping to define that mass, with details like the five-year timeframe and Superman’s work boots.
Still, despite the promise of widespread change — and the somewhat-irrational implication that those who aren’t curious now will be left behind later — it’s been fairly easy for me almost to ignore the solicits, and just buy the books when they come out. After all, presumably DC is after new (or returning) readers who don’t follow the solicits and aren’t attuned to the spoilers.
Besides, the October solicits also include some attractive reprints; so let’s get right to it, shall we?
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Continue Reading »
Although it seems like DC’s big relaunch announcement came out an eternity ago, it actually took the publisher less than two weeks to roll out the 52 titles and their creative teams for the big relaunch/reboot/overhaul coming in September. Now that the cats are out of their respective bags, I thought I’d see where various creators and characters will land after the reboot.
So I went back through DC’s August solicitations to see who was writing or drawing what, and tried to map everyone to their post-relaunch project — if they had one. However, looking at DC’s August solicitations, there seem to be several fill-in issues, so where appropriate I tried to map the most recent ongoing creative teams to their new projects (for instance, I consider Gail Simone and Jesus Saiz the regular creative team for Birds of Prey, even if they aren’t doing the last two issues before September hits). Keep in mind that I just went through the ongoing series and skipped over all the miniseries … of which there are a lot, what with Flashpoint winding up in August.
It’s also worth noting that although several creators didn’t appear in the “big 52″ announcements, that doesn’t mean their tenure with DC is necessarily over — some, like Frazer Irving, have said they have future projects that haven’t been announced. So I tried to note where creators have talked publicly about their post-relaunch plans with DC (or lack thereof, as the case may be). The same could probably be said for some of DC’s characters as well. Or, as Gail Simone said on Twitter: “Again, September is NOT THE END. There’s still plans for characters that we haven’t seen yet.”
So let’s get to it ….
One tagline for the big alien-invasion movie Independence Day cautioned, “Don’t make plans for August.” Well, perhaps the biggest news coming out of DC’s August solicitations is the pervasive sense of foreboding they have about September. Rich Johnston maintains that a whole crop of new No. 1 issues is on tap for the fall, but there are no “FINAL ISSUE!” blurbs to be found on any of the current ongoing series.
While that doesn’t rule out a line-wide relaunch, the solicits also seem to say that readers won’t have to worry about a line-wide reboot. As noted in this space a couple of weeks back, the degree of change will probably be different for different titles. Nevertheless, now that we have a better idea of how August will look, let’s see what it says about September….
There’s a weird little sequence in the middle of DC Universe: Legacies #3 when the narration’s timeline goes all hazy and oblique, in order to move the story from sometime in the Eisenhower/Kennedy years right into the “X years ago” of modern continuity. Because Legacies tracks some sixty-five years of costumed crimefighting, this sequence bridges the gap between the Justice Society’s retirement and Superman’s debut.
“Hazy and oblique” are also good words for describing DC’s approach to long-term continuity. The history of the DC Universe is well-settled up to the early 1950s, but past then it becomes elastic. This is something we’ve come to expect: fudging the calendar keeps our heroes both as experienced and as youthful as they need to be. However, each passing year also widens the gap between the end of the Golden Age (early ‘50s) and the beginning of the Silver (thought to be 12-15 years ago). Through reader-identification character Paul Lincoln,* DCUL’s writer (and longtime DC favorite) Len Wein aims to put a human face on all those four-color adventures.
That sounds like the premise of 1994′s Marvels and its spiritual descendant Astro City. Really, though, any halfway-entertaining super-survey needs a narrator with a recognizable point of view. Even 1986′s History of the DC Universe, which was basically a series of George Pérez pinups arranged in chronological order, took its florid prose ostensibly from Harbinger’s meditations on the nature of heroism.
News of The Flash’s cancellation has led to speculation that the title, whenever it returns, will pick up its original numbering. Considering that Wonder Woman was renumbered last year to reflect the accumulation of all its various incarnations, and Adventure Comics resumed its original numbering as well, Flash might not be the last title DC renumbers.
Today I’ll look at Flash and several other DC titles which could get this treatment in the next several years.
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First, though, let’s consider Wonder Woman. Last year, the 45th issue of WW Vol. 3 was dubbed issue #600, thereby implicitly treating the current series and its predecessor as direct continuations of the original 1942 series. The math was pretty straightforward: Vol. 1 went to issue #329, and vol. 2 went to #226, so that left the 600th issue to vol. 3′s 45th. (329+226+45 = 600.) Volume 2 did have two irregularly-numbered issues, #0 (part of 1994′s “Zero Month,” which the rest of us called August), and #1,000,000 (for DC One Million, naturally).