television Archives - Robot 6 @ Comic Book Resources
“People clamor for Black Panther or Luke Cage, and the incredible response when the Static show was announced — that wasn’t just black fans going ‘yay, about time.’ That was fans going, ‘yay, about time.’ Everyone knows diversity is good. We want black superheroes, we want female superheroes, we want Latino superheroes. That makes things better. And they don’t have to be sidekicks or buddies, they can be rock stars themselves.”
— Reginald Hudlin, in an interview with Comic Book Resources, discussing the Static Shock live-action digital series, and the desire for diversity in superhero-comics adaptations
(Time once again for ROBOT 6 contributors Tom Bondurant and Carla Hoffman to email each other about the year in DC and Marvel superhero comics. This year’s exchange took place between Dec. 26 and Dec. 30.)
Tom Bondurant: First let’s address the elephant in the room — or, more accurately, the infinite number of parallel rooms, each containing a slightly different elephant. In 2015, both Marvel and DC are building Big Events around their respective multiverses. Conventional wisdom predicts that DC is doing this to address fan criticisms of the New 52, perhaps resulting in some continuity tweaks.
Carla Hoffman: Oh, man, I hope that’s true! Honestly, I have a hard time judging the inner workings of our respective companies sometimes because I always hear more from the fan side than the production team. Enough customers come in, day in and day out, with a piece of their mind on how things should be run or changed, but rarely do the people in charge — not creators and editors, mind you, the people who sign the checks at the end of the day with real power — come forward to say, “We feel this is the right direction.” Tom Brevoort on Tumblr comes close with his tireless open forum, but even then there’s always going to be company policy. If DC is brave enough to go “Maybe we shouldn’t have thrown the entire baby out with the bathwater” and massage their continuity into a more pleasing shape for fans, that’s going to be a heck of thing that will have an effect on readership, for sure.
A little over a year ago, I asked, “what do we want out of a [superhero] comic-based TV series?”
This season, DC Comics fans have plenty of material to fuel that debate. I still haven’t seen any of Gotham or Constantine, but I’ve really enjoyed the combination of The Flash and Arrow. With both shows taking a break for the holidays, today I want to see what satisfies and what doesn’t.
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It took me a while to warm up to Arrow. After taking most of last season to catch up — and, as it happens, missing the Barry Allen episodes — I seem to have gotten on board just at the right time. Because I am not a fan of superhero shows that de-emphasize the “superhero” part, it was harder for me to accept that Oliver Queen would skulk around the urban jungle in a hood and eyeblack. That sort of intermediate realism (which now reminds me of the short-lived TV show based on Mike Grell’s Jon Sable comics) somehow requires more suspension of disbelief than a full-on costume and codename does.
The fan-favorite animated series The Legend of Korra hasn’t had it easy, surviving a disastrous Season 3 rollout only to be bumped from Nickelodeon’s television schedule to finish out its four-season run online (although it now appears to be returning to TV). But in this new video from Gritty Reboots, which gave us the trailer for Calvin and Hobbes: The Movie, Korra strikes back against Nick executives, which here take the form of slime benders.
The location and stunts are terrific, and the special effects pretty decent, but I can’t help but think the parody could’ve been taken a lot further. Watch the the video and behind-the-scenes feature below.
Wytches artist Jock, who earlier created scene-transition illustrations for a Gotham TV spot, returns to the city’s gritty streets for an ad spotlighting the Fox drama’s breakout character: Oswald Cobblepot, as played by Robin Lord Taylor.
“Gotham needs me,” states The Penguin, the master manipulator. “I am its future.”
To help promote tonight’s episode of Arrow, The CW has returned to the series’ roots, with a one-page comic teasing the search for the latest threat to Starling City, Cupid.
Debuting in the closing moments of last week’s episode, where she immediately proved her deadliness, Cupid (aka Carrie Cutter) was introduced in 2009 in DC Comics’ Green Arrow/Black Canary #15, by Andrew Kreisberg and David Baron. Kreisberg of course went on to co-create Arrow and its spinoff The Flash (although he didn’t write tonight’s episode, “Draw Back Your Bow’).
Although George Barris’ Lincoln Futura concept car achieved iconic status on the 1966 Batman television series, it wasn’t the first Batmobile. That honor apparently goes to a customized 1956 Oldsmobile 88 built in a barn in New Hampshire and later sanctioned by DC Comics. And now it’s up for sale.
According to Heritage Auctions, 23-year-old Forrest Robinson began conceiving the car in 1960 — simply to drive around himself – and then enlisted his friend Len Perham to help build it. Their Batmobile, originally painted “space-age silver,” was completed in 1963, two years before Barris began work on the car for the TV show.
As Comic Book Resources debuted one character card drawn by Ivan Reis for the hit CW drama The Flash, a handful of other websites were doing the same, providing fans with mini-biographies of the key players.
In addition to CBR’s Det. Eddie Thawne card, there’s The Flash (Entertainment Weekly), Iris West (KSite TV), Det. Joe West (Access Hollywood), Harrison Wells (The Hollywood Reporter) and Cisco Ramon (IGN). That leaves Caitlin Snow, who should be popping up any moment now …
The Flash airs Tuesdays at 8 p.m. ET/PT on The CW.
The CW’s new drama The Flash has been widely praised for its rejection of doom and gloom in favor of a cheerier depiction of superheroes. However, a group of physics students is questioning whether Barry Allen is a hero at all.
In a brief paper titled “The Flash: Hero or Villain?,” four students from the University of Leicester’s Department of Physics and Astronomy scrutinize a scene from the pilot episode in which the Scarlet Speedster races to save a bicyclist from being struck by a taxi. While in the television series the man was left confused but otherwise unharmed, in reality his encounter with the Fastest Man Alive would leave him in worse shape than if he’d been struck by the car.
Author and Locke & Key co-creator Joe Hill appeared Monday on Late Night with Seth Meyers to promote the film adaptation of his novel Horns, and to provide another perspective on a perhaps-misunderstood figure: the Devil.
“I feel like he’s got an unfairly bad reputation,” he explains. “[…] I feel like the Devil could be right on the Avengers. He’s like a superhero: He punishes the bad guys, he’s got a cool look — he’s got horns and the red costume. On his very first adventure, he freed two naked prisoners being held in a jungle prison by a megalomaniac, and in the process, he introduces fruit into their diet and sort of taught them about their own sexuality, which I think makes him like a cross between Animal Man and Dr. Ruth. And that’s awesome.”
If you’re one of those people who waits until the day of the big Halloween party to start thinking about a costume, you should probably go ahead and print these out now: Courtesy of Fox’s Gotham, they’re paper masks of The Riddler, Catwoman, The Penguin and Fish Mooney (although they appear somewhat older than they do on the television series).
Of course, if you don’t have a party to go to, or little trick-or-treaters to escort, you could always wear these while you watch the TV show, but that’d be creepy.
In late 2012, Edison Rex artist Dennis Culver delighted The Wire fans with his illustration gallery of 52 characters in one giant poster. Now Culver has done it again, but this time with 58 Breaking Bad characters in one poster that celebrates the acclaimed Vince Gilligan drama.
The 24-inch by 36-inch poster is available for preorder, and will begin shipping on Nov. 10.
Awards | Alexis Deacon has won the 2014 Observer/Cape/Comica graphic short story prize for “The River,” “a luscious, tangled, whispering kind of story” that earned him £1,000 (about $1,611 U.S.). The runners-up were Fionnuala Doran’s “Countess Markievicz” and Beth Dawson’s “After Life.” The short-story competition has been held annually since 2007 by London’s Comica Festival, publisher Jonathan Cape and The Observer newspaper. [The Observer]
Publishing | Mark Peters spotlights Archie Comics’ recent transformation from staid to startling, with titles like Afterlife With Archie and the new Chilling Adventures of Sabrina. [Salon]
This fall has been particularly exceptional television adaptations: The Walking Dead season premiere pulled in more than 17 million viewers, while more than 8 million watched the first episode Gotham, making it Fox’s best fall drama debut in 14 years. More than 6 million raced to see The Flash pilot, giving The CW its highest ratings ever. About 5 million are regularly tuning in for Marvel’s Agents of S.H.I.E.L.D., and nearly 3 million for the third season of Arrow.
It’s not limited to live-action series, either: 2 million people watch Teen Titans Go!, and more than 1 million tune in to Teenage Mutant Ninja Turtles on Nickelodeon.
On the big screen, all four feature films starring Marvel characters — X-Men: Days of Future Past, Guardians of the Galaxy, Captain America: The Winter Soldier and The Amazing Spider-Man 2 — each grossed more than $700 million each worldwide. So far, comic book movies have generated more than $3.8 billion dollars this year. While it’s unknown how many of those dollars are from repeat viewings, that’s still a lot of people.
We’re just now into the back half of October and it’s already been a busy month for DC Comics’ television and movie adaptations. Gotham got under way, The Flash debuted and Arrow has returned, with Constantine on deck. Meanwhile, Warner Bros. announced a massive slate of Justice League-related movies, stretching from 2016’s Batman v Superman to 2020’s Cyborg.
However, the adaptation pipeline has the potential to flow in two directions. Between Caitlin Snow’s potential Killer Frost, the second episode’s Multiplex and the promise of both Ronnie Raymond and Martin Stein, the new Flash show seems pretty intent on bringing in a good bit of Firestorm lore. If DC executives hadn’t already been thinking about yet another Firestorm comic revival, The Flash’s immediate success may well encourage them to. Similarly, of all the movies Warner Bros. apparently intends to make over the next six years, the only one without a solid comics presence is Cyborg.
Therefore, today we’ll look at these two creations of the late ‘70s/early ‘80s, to see what DC might do with their four-color futures.