Among the nominees announced earlier this week for the 41st annual Annie Awards is none other than Guy Davis, creator of The Marquis and longtime artist of B.P.R.D., for his contribution to the opening titles of The Simpsons‘ “Treehouse of Horror XXIV.” He shares the nod for Outstanding Achievement, Storyboarding in an Animated TV/Broadcast Production with director Guillermo del Toro and storyboard artist Ralph Sosa.
Davis, who provided the monster designs for del Toro’s Pacific Rim, has been described by the director as “one of the best monster designers alive right now!” Their collaborations go beyond those two projects, however: Davis is a concept artist for FX’s upcoming vampire thriller The Strain, based on the horror novels by del Toro and Chuck Hogan (the filmmaker co-wrote and directed the pilot, and serves as an executive producer), and on the long-discussed feature adaptation of Pinocchio.
The Simpsons couch gag, which you can watch below, is an epic homage to some of the director’s own works as well as horror classics, filled to the brim with references to Ray Harryhausen, Alfred Hitchcock, H.P. Lovecraft and more.
The winners of the Annie Awards, which recognize excellence in animation, will be announced Feb. 1.
This tidbit seems perfectly timed, considering both the success of DC Comics’ digital-first Batman ’66, and Tom Bondurant’s recent column about DC-inspired movies and television series that should make their way to comics: Author and screenwriter Harlan Ellison wrote a (fittingly) two-part Two-Face story for the classic Batman TV show that, alas, was never produced.
Neil Gaiman discovered that detail over the weekend — “WHY IS THIS NOT NEWS?” he tweeted — in the description for the fifth volume of Harlan Ellison’s Brain Movies, a series that collects his original teleplays.
The listing reads: “SEE ELLISON’S FIRST ADVENTURE WITH THE CAPED CRUSADER: Though Harlan’s written numerous comic book scripts for the Dark Knight, his first slide down the Bat-Pole was in 1966 when he pitched an episode to ABC’s Batman, starring Adam West and Burt Ward. Tragically—for reasons explained in the editor’s notes—’The Two-Way Crimes of Two-Face’ treatment was never produced, but now you can read what the Unrepentant Harlequin had in mind for the Dynamic Duo and their Bifurcated Foe.”
After rescuing San Francisco from the grip up of the Riddler and the Penguin, Batkid traveled this morning to New York City — “the real Gotham,” as Mayor Michael Bloomberg said — to take on the Joker and save rapper/producer Pitbull in a takedown arranged by Good Morning America.
Although the GMA hosts behaved as if they’re never interacted with children before, the segment was nice for the spotlight it shined on Miles Scott — the 5-year-old who has battled leukemia for three years — and the work of the Make-A-Wish Foundation. Also, the morning show’s set was transformed into a pretty good facsimile of the Batcave from the ’60s Batman TV series, with the Batmobile parked outside.
“He’s in remission so this has kind of been like the after-party for him, a way to kick it off,” Miles’ father Nick said. “Chemo is all he’s ever known. That’s the life that he’s known but this is kind of a way to celebrate the ending.”
Watch the video below.
To help promote the fourth season of The Walking Dead, Fox Germany opted for an approach that’s a bit tongue-in-cheek — or, rather, finger in cheek.
Electronic billboards in select Berlin subway stations advertise what appears to be a makeup remover called “Good Night Cleansing Program,” and show a model demonstrating the product. But as pedestrians walk by, the image changes to reveal a zombie (below), accompanied by information about when and where to watch the hit comic-book adaptation.
The ad was created by German agency Saint Elmo’s, which was inspired by the realization that horror genre is as popular with women as it is with men.
As Creative Managing Director Dennis Pfisterer explained in a statement published by The Hollywood Reporter, “We drastically countered the outdated cliche that all horror fans are male by using a cliched image in the style of a beauty product ad, so that we could appeal above all to female horror fans, alongside male fans, with this concept of a ‘makeup removal program for good TV nights.’”
The campaign, which debuted earlier this month, ends Monday, but Fox Germany indicates it could expand beyond Berlin to other major cities in Germany, Austria and Switzerland.
A math-minded 4chan commenter has done a bit of number-crunching to arrive at an interesting theory: that The Walking Dead‘s zombie plague should’ve ended after a year, simply by biter attrition.
While the passage of time is difficult to discern in either the comic or the TV series, it would appear to be about two years since the outbreak began in the former, and a little less in the latter — more than enough time to dispatch the flesh-eating hordes. In theory, anyway.
As is only fitting for a city so closely associated with comic creators, Travel Portland turned to Steve Lieber (Whiteout, Underground) to star in a television ad to promote Portland, Oregon’s tax-free holiday shopping. Better still, the 30-second spot features some of Lieber’s artwork.
Last night, MSNBC’s The Rachel Maddow Show devoted a full 10-minute segment to March, its creators Rep. John Lewis, Andrew Aydin and Nate Powell, and to Martin Luther King and the Montgomery Story, the 1958 comic that helped to inspire the civil-rights movement.
While many authors, musicians and politicians have cited increased sales and profiles following their appearances on The Colbert Report — the frequently mentioned, by Stephen Colbert himself, “Colbert Bump” — March seems seems to be the beneficiary of the lesser-known “Maddow Bump”: Following last night’s episode, the book rocketed to No. 12 on the Amazon Best Seller list, its peak position.
Maddow, an avowed comics fan, recently conducted a one-hour interview with Lewis about March at the Kentucky Author Forum. CBR spoke with the March team in June, and in July at Comic-Con International in San Diego.
As we reported earlier this week, publisher Top Shelf Productions has partnered with Fellowship of Reconciliation to offer Martin Luther King and the Montgomery Story in a digital bundle with March. Watch the Maddow segment below.
Vertigo has debuted the television commercial for The Sandman: Overture, the new miniseries by Neil Gaiman and J.H. Williams III. The DC Comics imprint is billing the comic as “the first new Sandman story in 17 years,” which seems to overlook the 2003 graphic novel The Sandman: Endless Nights.
There’s no word yet as to where the ad will air, but last year’s Before Watchmen campaign was in heavy rotation on IFC, BBC America and (the now-defunct) G4.
The Sandman: Overture #1 was released Oct. 30.
Owner Dish Network, which bought the already-struggling company in a 2011 bankruptcy auction announced this morning it will also end the Blockbuster By Mail service in mid-December and shutter its distribution centers. According to Reuters, 2,800 employees will lose their jobs.
As with the decline of music stores that preceded it, the death of Blockbuster is being attributed to the rise of digital (in particular, Netflix), which curiously enough — and despite fears to the contrary — hasn’t appeared to harm another specialty channel: direct-market comic stores. In fact, all indications appear to point to digital helping print sales. Could it be that comic shops, long the subjects of apocalyptic predictions, end up as the last ones standing?
Neil Gaiman has written the final short story in a series of e-books released to celebrate the 50th anniversary of Doctor Who, each centering on one of the Time Lord’s 11 incarnations. Titled “Nothing O’Clock,” it stars the Eleventh Doctor (as played by Matt Smith) and Amy Pond.
Although the tribute didn’t go exactly as planned, The Simpsons last night bid a touchingly appropriate farewell to actress Marcia Wallace, and her character Edna Krabappel, with a somber chalkboard gag in which a sad-eyed Bart writes “We’ll really miss you Mrs. K.”
Fox originally announced it would send off Wallace, who passed away Oct. 25 at age 70, with a 7:30 showing of “Bart the Lover,” the 1992 episode for which the actress received an Emmy Award. However, “technical issues” led to its last-minute replacement by “The Ned-Liest Catch,” the Season 22 finale in which Edna begins dating Ned Flanders.
The chalkboard bit was added to the opening of the new episode that followed, “4 Regrettings and a Funeral. Showrunner Al Jean announced the day after Wallace’s death that The Simpsons will “retire” Edna Krabappel.
The Simpsons will pay tribute Sunday to Marcia Wallace, who for the past 23 years was the voice of Bart’s teacher Edna Krabappel. The actress passed away Oct. 25 at age 70.
According to Entertainment Weekly, Fox will first replace a repeat of American Dad at 7:30 p.m. ET/PT with the 1992 Simpsons episode “Bart the Lover,” for which Wallace received an Emmy Award.
Just a week after PBS revealed a U.S. premiere date for the third season of Sherlock, word surfaces that the drama’s manga adaptation is poised to make a return in Japan’s Young Ace magazine, drawn again by “Jay.”
According to Anime News Network, the announcement will be made official on Saturday, with an interpretation of the television series’ second episode, “The Blind Banker,” set to debut Dec. 4. An adaptation of the first episode, “A Study in Pink,” launched in October 2012, and was collected in book form just two months ago.
The modern-day Holmes and Watson, played by Benedict Cumberbatch and Martin Freeman, have been the subjects of countless boys-love fan comics since the show premiered in 2010. However, there’s no slash fiction here; it’s a straightforward adaptation.
Owned by Kadokawa, Young Ace is a seinen (young men’s) magazine that’s serialized such manga as The Kurosagi Corpse Delivery Service, Neon Genesis Evangelion and Legal Drug.
The third season of Sherlock premieres Jan. 19 in the United States with “The Empty Hearse,” followed by “The Sign of Three” and “His Last Vow.”
The producers of The Simpsons plan to “retire” Bart’s jaded yet hopelessly romantic teacher Edna Krabappel following the death on Friday of voice actor Marcia Wallace.
“I was tremendously saddened to learn this morning of the passing of the brilliant and gracious Marcia Wallace,” showrunner Al Jean said in a statement issued Saturday. “She was beloved by all at The Simpsons and we intend to retire her irreplaceable character.”
Achewood devotees were excited in February when cartoonist Chris Onstad revealed on his rarely updated blog that he was heading to Los Angeles to pitch an animated series based on his incredibly popular webcomic. Unfortunately, the network meetings didn’t go well — but Onstad remains undeterred. In fact, he says he was reinvigorated by the experience.
“A couple places seemed interested, but there is a lot of hokum and jive in the process of shopping a TV show,” he explains to The Verge. “Most networks have a shopping list for the season, or a format they’re already looking for — we didn’t fit any of them this time around.”
Yes, “this time around”: Onstad and his collaborators are going back to the drawing board, developing a new pitch.
“I don’t think we nailed the tone and humor of Achewood by any means,” he says. “I’m excited to write version two, knowing what I know now about how all that work, all those actors, engineers, and producers come together, which is a hell of a lot.”