television Archives - Robot 6 @ Comic Book Resources
Superheroes are all the rage these days. They’ve already conquered the multiplex, and now they’re poised to conquer the small screen. This could be a good thing or a bad thing. A lot of fans are already a bit wary these days, what with The Flash and Constantine joining Agents of S.H.I.E.L.D. and Arrow as TV shows based on comic properties. And that’s not even counting the upcoming Agent Carter, the online streaming projects and the potential Supergirl show. It’s cause for both much excitement and much anxiety.
Perhaps nothing carried a bigger bull’s eye on its back than FOX’s Gotham. Pitched as a look at Gotham before there was a Batman, the show already faced several significant hurdles. There was the fact that it was coming right off the very successful Christopher Nolan Dark Knight trilogy. There were the stories of extensive retooling of the pilot to shoehorn even more villains-before-they-were-villains cameos (Edward Nygma, Poison Ivy, and Catwoman, specifically). And there were the fans who’d been looking forward to a Gotham Central show, but were becoming increasingly disheartened when it became more and more apparent that the show wasn’t going to do that.
This week has already seen an incredible ancient Mayan-inspired Batman suit and a somewhat-disturbing supercut of all of Thomas and Martha Wayne’s onscreen deaths, so it’s perhaps only fitting that we close it out with something else Dark Knight-related: “Batman Evolution,” an arrangement of the live-action television and movie themes, performed on piano and cello — actually, 100 tracks of cello — by The Piano Guys.
While the music would be satisfying on its own, as you can see below there’s a beautifully shot video that prominently features the appropriate Batmobile for each of the themes (Neal Hefti’s 1966 “Batman Theme,” Danny Elfman’s 1989 “The Batman Theme,” and Hans Zimmer’s 2008 “Like a Dog Chasing Cars”). You may also notice how the cinematography and screen dimensions shift from theme to theme, reflecting each adaptation.
If your parents ever complained that all of those Spider-Man and X-Men comics would interfere with your school work, show them this: This spring the University of Baltimore will offer a course examining modern culture through the lens of Marvel’s films, television series and comic books.
Thought to be the first class of its kind in the United States, “Media Genres: Media Marvels” will not only explore the intricate plotlines, characters and backstories that form the Marvel Cinematic Universe but also try to understand our fixation with superheroes and fictional global threats. Students will also study Joseph Campbell’s monomyth of the “hero’s journey.”
Earlier this year a Philadelphia microbrewery paid tribute to The Walking Dead with a beer containing smoked goat brains, but as difficult as it is to believe, that now pales in comparison — and in potential grossness — to what’s been cooked up.
London’s Metro reports that Fox TV U.K. has teamed with creative director Miss Cakehead and Chef James Tomlinson from Mess London to develop a hamburger that … tastes like human flesh. To promote the upcoming fifth season of The Walking Dead, and its Terminus storyline, of course.
Although we can never be assured that a film or television adaptation of Batman will be any good, there is one safe bet: It will likely include a depiction of the murder of Thomas and Martha Wayne in Crime Alley (slow-motion shot of a broken string of pearls tumbling to the pavement optional, but preferred).
Gotham, which premiered Monday on Fox, was of course no exception, spurring Vulture to compile a supercut of the Waynes dying on screen, from Super Friends and Tim Burton’s Batman to Batman Begins and Batman: Arkham Origins. I imagine this is what Bruce Wayne’s nightmares look like.
Comics fans who tuned in last night to the premiere of Fox’s ambitious reality series Utopia may have been shocked to see a familiar face: Bizarro creator Dan Piraro is the show’s host and narrator. Surprised? So is he.
“Think about it,” the Reuben Award-winning cartoonist writes on his blog. “I’m at home in my sweatpants working on my cartoon career like I’ve been doing for the past 30 years, a friend asks me if I’d like to do some voiceover work for a TV show and I’m thinking, ‘Sure. If I can make a few extra bucks talking into a microphone for a few hours a week, I’m game.’ A few weeks later I’m on national TV, posing for publicity shots, and going on press junkets. I didn’t even have an agent or a headshot when this started. People who’ve been working for this kind of break in showbiz for years must hate me, and I can’t blame them. To them, I can only say I’m sorry.”
Fox’s upcoming drama Gotham of course borrows heavily from 75 years of DC Comics history, with its own take on characters like James Gordon, Harvey Bullock, Catwoman, The Riddler and Bruce Wayne. And, as anyone who’s seen any of the promo spots likely noticed, it also co-opts comic book imagery, most noticeable in the shots of Martha Wayne’s broken pearl necklace and young Bruce screaming in the alley between the bodies of his parents.
But in the latest promo, called “Heroes Aren’t Born, They’re Forged,” Fox uses actual images created by a comic artist — former Detective Comics artist Jock, who’s responsible for perhaps the most iconic Joker cover in recent memory. His contribution to the TV spot is three beautiful scene-transition illustrations, featuring the aforementioned alley shot, a determined young Bruce and a sniveling Oswald Cobblepot.
You can see the other two pieces, and the promo spot, below. Gotham premieres Sept. 22 on Fox.
If you were as bowled over as I was by Alexey Zakharov’s gorgeous 3D-animated Futurama introduction we spotlighted last month, you’ll be equally impressed by the artist’s new video, which shows how he created the sequence using 3ds Max, Nuke, Photoshop and After Effects.
Particularly fun, as you can see in part in the image above, is how Zakharov combined in image of Futurama’s Mom and a photo of Meryl Streep to create the holographic ad for Mom’s Old-Fashioned Robot Oil. I guess she is the most versatile actress of her generation!
Watch the original sequence, and the making-of video, below.
“Why has it endured? Because you, sir, can be Batman — you hang out with me, and you’ll see. All you have to do is be crazy enough to fight crime 24/7, right?”
The massive Comic-Con International bags are back, and Warner Bros. has provided Robot 6 with an exclusive first look at the Teen Titans Go! bag fans can get at this year’s show in San Diego. The bag features Robin, Starfire, Beast Boy, Cyborg and Raven in their chibi-style animated incarnations.
It’s hard to believe it’s been nearly a year since Futurama ended (again), but if the series still holds a Bender-shaped place in your heart, you’ll likely appreciate this: Alexey Zakharov has created a gorgeous 3D-animated “test shot” of the Planet Express ship soaring over New New York (note the hologram ad for Mom’s Old-Fashioned Robot Oil).
On Behance, Zakharov also shows off some equally beautiful illustrations of the cityscape and ship (if you squint, you can even see a tiny Leela in one).
For the fifth year in a row, Warner Bros. Television and TV Guide for a special Comic-Con International edition of the magazine, this time one that’s heavy on DC Comics properties: The set of four flip covers include Batman’s 75th anniversary (drawn by Ivan Reis), Arrow star Stephen Amell, The Flash star Grant Gustin, Constantine star Matt Ryan, and Gotham.
Inside the 88-page issue, there’s even more DC-related content, with the exclusive comic “60 Seconds in the Life of Barry Allen,” written by by Geoff Johns, Andrew Kreisberg and Greg Berlanti, a look at Batman’s 75th anniversary, a preview of Grayson #1, previews of the new TV series The Flash, Gotham, Constantine and iZombie, a look at Cartoon Network’s Teen Titans Go! and upcoming DC Nation shorts, and a peek at the DC Universe Original Animated Movie Batman: Assault on Arkham.
Fox may have pulled the plug on its fledgling late-night programming block, but Animation Domination High-Def is still chugging along online, delivering its own lead-in to Independence Day: a parody of the opening to the 1966 Captain America cartoon that celebrates — ahem, make that “celebrates” — the United States’ statistical rankings in the world.
Watch the ADHF sendup, and the original cartoon’s intro, below.
Peugeot pays tribute to a Hanna-Barbera classic with a fantastic TV commercial for its 208 hatchback that brings the animated Wacky Races to life.
In case you weren’t around in the late 1960s for its initial airing, or haven’t caught reruns on Boomerang, Wacky Races featured 11 cars going up against each other in road rallies across North America to win the title of World’s Wackiest Racer — at any cost. This being the ’60s, these weren’t just any cars, or any drivers, but rather an assortment of bizarre, usually dirty-dealing, characters that included the villainous Dick Dasterdly, with his snickering dog-henchman (hench-dog?) Muttley, the cavemen Slag brothers, the Gruesome Twosome with their stylized hearse, the Southern belle Penelope Pitstop, and the pint-sized gangsters the Ant Hill Mob.
All of them can be seen in the TV spot below, which was directed by Antoine Bardou-Jacquet for Young & Rubicam Brasil.
Conventions | Organizers of the growing Asbury Park Comicon have announced that, after three years, they’re relocating the New Jersey convention to the Meadowlands Exhibition Center in Secaucus and renaming it East Coast Comicon. Founders Cliff Galbraith and Robert Bruce say the nearly 40-mile move was triggered by a sharp increase in rates at the Berkeley Oceanfront Hotel in Asbury Park, but the hotel’s manager thinks it’s because the venue couldn’t accommodate the dates requested by organizers. The inaugural East Coast Comicon will be held April 11-12, 2015. [Asbury Park Press]
Passings | Amadee Wohlschlaeger, who drew the comic strip Weatherbird for the St. Louis Post-Dispatch for 70 years, has died at age 102. Weatherbird, which debuted in 1901, is the oldest continuously published comic in the United States, and Wohlschlaeger (who went by just his first name) is one of just four cartoonists to draw it. He was named one of the top 10 sports cartoonists in the country, and his drawing of Stan Musial inspired the statue at Busch Stadium. [KSDK]