The Amazing Spider-Man
Retailing | Sales of comics and graphic novels in the direct market rose 18.6 percent for the first half of the year, compared to the same period in 2011, reports the retail news and analysis site ICv2. John Jackson Miller adds that, “Retailers have already ordered more material through June — nearly $223 million in retail dollars— than they did in last year through July.” He also points out that the second half of the year has outperformed the first half every year for the past decade, by an average of 10 percent, meaning we can probably expect 2012 to finish strong. [ICv2.com, Comichron]
Publishing | The new Valiant Entertainment would like to follow the movie “blueprint” that Marvel has laid out, according to a new profile of the reborn company. “Investors like to be able to compare concepts to other concepts,” said Valiant chairman Peter Cuneo, former CEO of Marvel. “With Valiant, we very much have a blueprint to follow, which is Marvel.” The profile mostly focuses on the business side of Valiant, as well as some of its history. [The New York Times]
Creators | Following the appearance of the Infinity Gauntlet in Thor and the cameo by Thanos in The Avengers, Marvel appears poised to expand the cosmic elements of its cinematic universe with The Guardians of the Galaxy. While some fans eagerly await a movie announcement next week at Comic-Con International, Thanos creator Jim Starlin (who had to buy his own tickets to Thor and The Avengers) may be laying the groundwork for a legal challenge: Heidi MacDonald points out that Starlin has posted an early drawing of the Mad Titan on his Facebook page, writing, “This is probably one of the first concept drawings of Thanos I ever did, long before I started working at Marvel. Jack Kirby’s Metron is clearly the more dominant influence in this character’s look. Not Darkseid. Both D and T started off much smaller than they eventually became. This was one of the drawings I had in my portfolio when I was hired by Marvel. It was later inked by Rich Buckler.” [The Beat]
Comics | Tim Marchman, author of that much-discussed Wall Street Journal article, is at it again, this time interviewing Watchmen editor Len Wein about his work on Before Watchmen, and including the interventions of DC Comics Publicity Manager Pamela Mullin as part of the story. Between the embargo on the comic and Mullin doing her job, it sounds like the most interesting parts of the interview never made it into the final product. [The Daily Beast]
Like its predecessors, Columbia Pictures’ The Amazing Spider-Man has its share of promotional partners, from Target to Twizzlers to Kellogg’s. But it’s undoubtedly sibling fast-food chains Carl’s Jr. and Hardee’s that have produced the most offbeat tie-ins.
To celebrate the July 3 release of director Marc Webb’s film, the restaurant will give a free cheeseburger — no, make that “Amazing Grilled Cheese Bacon Burger” — to anyone who comes to a Carl’s Jr. or Hardee’s location on Independence Day dressed as the wall-crawler. (“No masks, please.”) And to help spread the word, they turned to Spider-Man co-creator Stan Lee, who offers some occasionally biting advice to potential burger-winners on the restaurants’ websites.
For the above image, for instance, the legendary creator says, “You’re laying on your boobs. I don’t know what’s going on there.” For another photo, of a man who appears to be wearing boys’-size Underoos, Lee grimaces, “That’s just obscene.” But when faced with the photo of a woman in a cleavage-revealing costume, he marvels, “Oh, wow. … I don’t know about the costume, but that’s some set of wheels.” It’s as if Lee had discovered Chatroulette.
“… it’s hard for me to be all that upset about some character to whose new adventures I enjoy absolutely no relationship, nor is there a web-sized hole in my life were such a relationship could go.”
I’m not quoting him in order to comment on the controversy itself. Like Spurgeon, I don’t have or miss a relationship with the current adventures of Spider-Man that gives me a stake in that discussion. What strikes me about the quote is how it acknowledges a phenomenon that I’ve noticed several times over the course of my long relationship with corporate-owned superhero characters — that is, when I stop investing time in them, I sort of don’t miss them.
“The first issues of Before Watchmen will be published next month. Among the writers working on it is former He-Man scripter J. Michael Straczynski, who once penned a comic in which Spider-Man sold his marriage to the devil. (This is the rough equivalent of having Z-movie director Uwe Boll film a studio-funded prequel to Martin Scorsese’s Taxi Driver.)”
– Tim Marchman, in a broadside to the superhero-comics industry that began as a nominal review for The Wall Street Journal of Leaping Tall Buildings. Straczynski wasn’t the only comics creator targeted, however: Marchman also took aim at Brian Michael Bendis, Joe Quesada, Grant Morrison and Dan DiDio, characterizing them as “the men most responsible for the failure of the big publishers to take advantage of the public’s obvious fascination with men in capes.”
“Your behavior was dickish. I became a better writer after He-Man. You will always be a dick.”
– J. Michael Straczynski, issuing his “final word” in the ensuing Twitter exchange with Marchman that began with JMS confronting the reviewer on “a cheap shot.” “You had to go back to 1984 to insult me? Really?” Straczynski wrote. “And ['One More Day'] was Marvel’s decision not my call.”
A page of Silver Surfer original art by Jack Kirby and Joe Sinnott from 1966′s Fantastic Four #55 sold last week for $155,350 in an auction of vintage comics and comic art that included the very first Teenage Mutant Ninja Turtles sketch. According to Heritage Auctions, that price for the Page 3 half-splash marks the most ever paid for a panel page of comic art.
Held in Dallas, the auction brought in a total of nearly $5.5 million, including $113,525 for a restored copy of Detective Comics #27, featuring the first appearance of Batman, $107,500 for a near-mint copy of The Amazing Spider-Man #1, and $101,575 for Detective Comics #29, the second-ever Batman cover.
Other items included a good copy of Pep Comics #22, featuring the first appearance of Archie ($35,850), and Archie Comics #2 ($31,070).
Titled “When Strikes the Silver Surfer,” Fantastic Four #55 was the fourth appearance of the Herald of Galactus. The page, which you can see in full below, was signed by Stan Lee during a 1983 convention appearance.
Three down, one to go … here’s a list of the major comics-related announcements made at Comic-Con International in San Diego on Saturday:
• A number of new projects were announced or promoted at Image’s Creator-Owned Comics panel, not the least of which is the return of Brian K. Vaughan to comic books. Vaughan will write a book called Saga, which is co-created and drawn by Fiona Staples. Vaughan told CBR that the book is “an epic drama chronicling the life and times of one young family fighting to survive a never-ending war. 100 percent creator-owned. Ongoing. Monthly. Fiona and I are banking issues now.”
• Image also announced that Walking Dead creator Robert Kirkman is collaborating with Charlie Adlard on a new series of graphic novels called Album. The books will be released roughly 18 months apart, 60 pages long, with different themes each year, with the first being Passenger. It’s co-published with Delcourt in France and will be available simultaneously in English and France.
• Jonathan Hickman and Nicky Pitarra will team up for The Manhattan Projects at Image. Hickman is also doing a book called Secret with artist Ryan Godenheim.
Retailing | A federal bankruptcy judge has granted Borders Group permission to loosen the terms of its $505-million bankruptcy loan, giving the bookseller more time to line up a buyer and avoid the immediate liquidation of 40 more outlets. The book chain, which has closed 237 of its 642 stores, will file a proposal on July 1 to sell itself at a court-approved auction to a guaranteed buyer — most likely, the Los Angeles-based Gores Group. The private-equity firm has a plan that would save about 250 of the remaining Borders locations by transforming them into “more appealing destinations” similar to the Apple Store chain. [Bloomberg]
Retailing | Bud Plant, one of the initial direct-market distributors who, at one time, operated the largest chain of comic stores in the United States, has announced his retirement. In a letter to his mailing list, Plant said he is looking to find a buyer for Bud’s Art Books, his mail-order/online retail business. [The Comics Reporter]
Retailing | Jetpack Comics in Rochester, New Hampshire, has put out the call for area residents to participate in a photo shoot for retailer-specific variant cover for The Amazing Spider-Man #666: “This is not the first time Rochester has appeared on the cover of a comic book — the organizations also organized a photo shoot of Main Street that was featured on the cover of a Godzilla comic, with the city about to be crushed by the creature. [...] According to Jetpack Comics owner Ralph DiBernardo, after seeing how well the Godzilla comic sold, Marvel Comics wanted to capitalize on that success and suggested the city be featured again.” [Foster's Daily Democrat]
Publishing | As the fallout mounts from the revelation that former California Gov. Arnold Schwarzenegger fathered a child more than a decade ago with a member of his household staff, plans to revive the Terminator star’s acting career have been put on hold — a move that now extends to The Governator, the comics and animation project co-developed by Stan Lee. “In light of recent events,” representatives announced last night, “A Squared Entertainment, POW, Stan Lee Comics, and Archie Comics, have chosen to not go forward with The Governator project.” However, Entertainment Weekly notes the statement was revised two hours later, putting the project “on hold.”
Unveiled in late March, on the cover of Entertainment Weekly, no less, The Governator features a semi-fictional Schwarzenegger who, after leaving the governor’s office, decides to become a superhero — complete with a secret Arnold Cave under his Brentwood home that not even his family knows about. “We’re using all the personal elements of Arnold’s life,” Lee said at the time of the announcement. “We’re using his wife [Maria Shriver]. We’re using his kids. We’re using the fact that he used to be governor.” But even before the couple’s separation became public, producers had backed off depicting Shriver and their children. [TMZ, Entertainment Weekly]