8 Marvel Movie Fights That Kicked All the Ass
Comic Books, Film
Despite a 50-year history, a record-breaking movie and several video games and animated television series, there apparently still are some in Japan who don’t know who the Avengers are. A little surprising, maybe, but that’s what Earth’s Mightiest Heroes discover when they travel to that country in the latest issue of CoroCoro Comic.
Kotaku spotlights the 12-page story from Shogakukan’s monthly manga magazine for elementary school-age boys, which finds Captain America, Iron Man, the Incredible Hulk, Thor, Spider-Man and the Wasp facing several obstacles on unfamiliar shores: Thor can’t get his armor and hammer through customs, the Hulk can’t stomach Japanese food and, worse still, no one is familiar with them.
For decades, Earth’s Mightiest Heroes called home a city block-sized mansion at 890 Fifth Ave. in New York City that was initially occupied by the Stark family. Of course, the sprawling building underwent a few minor changes before it could become Avengers Mansion, with the third floor gutted to make way for a hangar deck and the three-level basement complex renovated to accommodate a combat simulation room, a robotics lab, cryogenics storage and a submarine pen. Y’know, the usual stuff.
So if you were a billionaire interested in picking up your own stylish superhero headquarters, how much might Avengers Mansion set you back? A cool $113 million, according to the real estate blog Movoto. Butler not included.
Registration opened this morning for runDisney’s inaugural Avengers Super Heroes Half Marathon Weekend, and it’s nearly sold out already. You’d almost think this was Comic-Con International.
Announced last month, the Nov. 14-16 event brings runners to Disneyland in Anaheim, California, for kids races, a 5K, a half marathon, a pre-race pasta party featuring the Marvel characters and a merchandise expo. It marks the first such collaboration since Disney acquired Marvel in 2009.
At the time of this post, the kids races and Avengers 5K were sold out, with the Avengers Half Marathon at 98 percent; there’s still a little room at the pasta party, however.
Update (11:25 a.m.): And just like that, the Avengers Half Marathon is sold out.
Fresh from Sunday’s Disney Princess event, runDisney has announced the inaugural Avengers Super Heroes Half Marathon Weekend. It marks the first such collaboration since Disney acquired Marvel in 2009.
Planned for Nov. 14-16 at Disneyland in Anaheim, California, the event includes a kids race, a 5K and half marathon — it’s a new 13.1-mile route through the theme park — a pre-race pasta party featuring the Marvel characters and a merchandise expo. Registration opens March 25.
“RunDisney races are a natural fit because our comic book Super Heroes embody many of the same brand attributes as runDisney, such as heroism and intensity with a heavy dose of fun,” Dan Buckley, Marvel’s president of TV, publishing and brand management, said in a statement. “This race weekend will have a very distinct atmosphere that will appeal to comic book fans and runDisney fans.”
The Motley Fool marks the 50th anniversary of the Avengers with an article that’s part history lesson, part early celebration of Disney’s potential box-office haul from films like Captain America: The Winter Soldier, Guardians of the Galaxy and The Avengers: Age of Ultron (it is a financial website, after all). But the interesting part of the piece is a bit of trivia I’d never read before: that The Avengers #1 was thrown into production only because of a major delay on Daredevil #1.
While the article doesn’t provide a source, that tidbit may have come from Tom Brevoort, Marvel’s senior vice president of publishing, who explained in 2011 that the company planned to follow The Fantastic Four and Spider-Man in 1963 with The X-Men and Daredevil. However, between his day job and his drinking problem, artist Bill Everett fell far, far behind on Daredevil #1, leaving Marvel with a printing deadline but no comic.
“In those days, you booked print time way ahead of time — and if your book wasn’t ready, you paid for the printing time anyway,” Brevoort wrote.
Black Friday has come and gone, and whether you were one of those who waited in line or simply scoffed at those who did, you’ll surely get a kick out of this great one-off comic strip by a storyboard artist known online as Sairobee. In this one-page strip, titlted “Happy Belated Black Friday, Y’All!”, the Los Angeles-based artist depicts an engaging and imaginative scenario: What if the Avengers went to Black Friday?
I’m a sucker for pint-sized versions of superheroes, ranging from Skottie Young’s “baby” Marvel variants to Dustin Nguyen’s Li’l Gotham to Art Baltazar and Franco’s Tiny Titans, but my new favorite may be Ben Oliver‘s adorable “little” take on the big-screen Avengers.
When ROBOT 6 contributor Tim O’Shea spotted some of the illustrations on Cully Hamner’s Facebook page, he contacted Oliver, who was kind enough to send them our way. In his email, Oliver said this is the set “so far,” which I hope means we’ll be treated to child-sized renditions of Loki, Hawkeye and Agent Coulson.
The art is, of course, terrific (don’t dwell too long on the idea of kids with facial hair; that way lies madness), but it’s Oliver’s perfect and hilarious word balloons that will win over even the most stonehearted superhero fan.
Creators | Jeff Smith, who was named last week to the board of the Comic Book Legal Defense Fund, talks briefly about the importance of the organization, and the 2010 challenge to his all-ages graphic novel Bone in a Minnesota school. [Comic Riffs]
Comics | Archie Co-CEO Jon Goldwater, writer Roberto Aguirre-Sacasa and artist Francesco Francavilla have a few things to say about the new zombie series Afterlife With Archie. “We are taking a series of characters known to be lighthearted and young adult-oriented and doing a horror comic with them, so the mood, atmosphere, and setting are very important to make this a believable horror and not a comedy horror,” says Francavilla, who’s also the creator of The Black Beetle. “Fortunately, I am really good at making things dark and ominous.” [The Associated Press]
Publishing | Viz Media, the largest U.S. publisher of English-language manga, is poised to jump in to a new market: India. Kevin Hamric, the company’s director of publishing and marketing, was there this week, and he says the demand is there. “With India’s growing book and reading sector we have identified it as key to our growth,” Hamric says. “We receive many, many requests each and every month from fans in India to bring our product here.” [The Hindu Business Line]
Comics | As the Avengers turn 50, Noel Murray recounts their history and explains why they work so well as a super-team. [Hero Complex]
Conventions | The founder of this month’s incredibly successful Salt Lake Comic Con — it drew about 70,000 attendees in its first year — is planning a spinoff event for Jan. 9-11, the weekend before the Sundance Film Festival. [Salt Lake Tribune]
Marvel has released a trailer for Avengers: Endless Wartime, the upcoming original graphic novel by Warren Ellis and Mike McKone.
Announced in June, the hardcover is set within current continuity, as a mysterious threat arises in the nation of Slorinia with ties to the pasts of Captain America and Thor. Avengers: Endless Wartime arrives in October.
The Second Circuit Court of Appeals handed Marvel a significant victory this morning, upholding a 2011 ruling that Jack Kirby’s contributions to the publisher in the 1960s were work for hire, and therefore not subject to copyright reclamation by the artist’s heirs.
However, as Tom Spurgeon first reported, the appellate court vacated the New York district judge’s summary ruling against two of Kirby’s children, California residents Lisa and Neal, on jurisdictional grounds; the judgment against Susan and Barbara stands.
Secondarily, the Second Circuit upheld the lower court’s exclusion of expert testimony offered by John Morrow and Mark Evanier on behalf of the Kirby heirs, agreeing that “their reports are by and large undergirded by hearsay statements, made by freelance artists in both formal and informal settings, concerning Marvel’s general practices towards its artists during the relevant time period.”
Despite competition from cinematic upstarts like Iron Man, Wolverine and Captain America, Batman reigns as the most popular superhero on YouTube, with more than 3 billion views of a staggering 71,000 hours of video. But the character at No. 2 may surprise fans, and undoubtedly please Marvel Studios. Verily.
That’s according to research released today by the video-sharing website as part of its “Geek Week” celebration. The breakdown is based on keyword searches since 2008 for everything from film trailers to fan originals to video-game play.
When Andrew Vickers discovered some old comics in a dumpster, he did what any artist would do — OK, maybe not any artist — and transformed them into a man-sized (and -shaped) papier maché sculpture. And then he learned those comic books could have been worth nearly $30,000. The operative phrase there is could have been.
The sculpture, called “Paperboy,” on display through Thursday in Sheffield, England, includes the first issue of The Avengers, which on its own might’ve been worth as much as $15,000 on its own. Y’know, before it was torn apart and pasted to a chicken-wire frame (granted, the comic probably wasn’t in mint condition in the trash).
World of Superheroes owner Steve Eyre initially thought the sculpture was “fantastic,” and then he recognized the cover of 1963’s The Avengers #1 on “Paperboy’s” inside-right leg.
Marvel has announced a line-up of merchandise for Comic-Con International that includes a Marvel’s Agents of S.H.I.E.L.D. T-shirt, a Rocket Raccoon mug and, perhaps most adorably of all, Skottie Young’s Avengers movie poster (part of the Phase 1 Marvel Cinematic Universe Blu-Ray Collector’s Set) and glass tumbler.
The limited-edition pieces will be available at the Marvel booth (#2329) at the San Diego Convention Center. See the list, with images, below:
Tales to Astonish #44 hit newsstands, and our hearts, in June 1963. The cover promised us a cool, green space monster and the debut of a new character: “Meet the flying Wasp!,” we’re told and, hey, there she is flying across the front of the book in a triumphant fashion. While she may be Ant-Man’s new “partner-in-peril,” she doesn’t look too imperiled as she carries what looks like a swooning Hank Pym out of the creature’s grasp.
The Wasp rarely is the swooning, damsel in distress: She’s gone through some peril to be sure, from her personal life to her costumed adventuring career, but this woman doesn’t shirk her responsibilities or morals to cower or retire. Technically, she’s been an Avenger since the team’s inception and remains unique in the field of superheroics: while most heroes have greatness thrust upon them or fight to survive, Janet Van Dyne actively chose this life. She’s accepted herself enough to be public about being a “costumed adventurer” and is rich enough to make it her primary occupation with little to no angst about how she got to where she is today. Becoming the Wasp was a way for her to avenge her father’s death, and that may have inspired the name for Earth’s Mightiest Heroes.
This month is the 50th anniversary of the winsome Wasp and, while most think of her in small terms, her impact on the Marvel Universe is gigantic.