Digital comics | Jason Snell uses Comic-Con International as an opportunity to take a snapshot of digital comics in “an era of experimentation,” and hones in on Madefire, the convention’s embrace of technology, comiXology and the growing popularity of the digital-first model. “Digital has made us rethink how we fulfill books into the [print] retail market,” Chris Ross, Top Shelf’s director of digital publishing, said during a panel. [TechHive]
Legal | The Attorney-Generals Chambers of Singapore has charged cartoonist Leslie Chew (the pen name of Chew Peng Ee) with contempt of court because of four cartoons posted on his Facebook page Demon-cratic Singapore. A hearing on the charges, which could result in jail time and fines, will be held on Aug. 12. Chew’s attorney M. Ravi said in a phone interview, “Our judiciary is not like fragile flowers to be offended easily by such criticism. We have full faith in the impartiality and independence of our judiciary.” [Bloomberg News]
Word got out over the weekend that Issue 13 of the digital version of the venerable U.K. children’s comic The Dandy would be the last. It seems to have started with a tweet from contributor Wilbur Dawbarn, who was relaying what his editors had told him. That prompted the editors to take to Facebook to deny (sort of) that the comic is dead:
A DC Thomson spokesperson said, “The Digital Dandy team has worked hard to produce an interactive and engaging App. While the digital comic has delivered its promised mixture of daft, dramatic and different stories, the technology and format have let us down.
“For this reason, we’re suspending the existing App. Discussions and planning are already underway to re-examine The Dandy’s digital offerings. It is still too early to announce what form this next stage will take but we would like to reassure readers that The Dandy remains a very important part of the company’s plans for the future.”
You can include me as one of the people who was not enamored of the latest digital Dandy, and I’m a longtime fan — I grew up reading it, and I still treasure an almost-complete run of the annuals from the 1970s. I was thrilled with Dandy‘s original iPad app, which was serviceable and basically identical to the Beano app: You could buy a digital version of the print comic from the storefront, with no bells and whistles, and it worked fine.
Publishing | Pulp heroes The Spirit, Doc Savage and The Avenger disappeared from the DC Comics lineup more than a year ago, with Co-Publisher Dan DiDio now confirming on his Facebook page that the company’s rights to the characters have lapsed. Brian Azzarello paired the vintage characters with Batman, Black Canary, the Blackhawks and other current DC heroes in his First Wave miniseries, which launched in 2010. Heidi MacDonald adds, “we’ve heard that at WB it was pointed out that DC paying good money to license old characters didn’t make much sense when they had their own catalog of little-used characters to exploit.” [Blog@Newsarama]
Digital comics | As noted here Monday, comiXology was No. 3 on the list of top-grossing iPad apps of 2012, and in the press release announcing this, the comiXology folks dropped another number on us: They have served more than 2 billion pages since their launch three years ago. [comiXology]
Comics | The Dundee, Scotland, city council has approved a proposal by publisher DC Thomson to name a street in the city’s west end to honor the Bash Street Kids, stars of the long-running comic strip in The Beano. Dundee already has statues honoring comic characters Desperate Dan and Minnie the Minx. [BBC News]
Comics | Laura Sneddon continues the New Statesmen’s week-long series on comics with a look at children’s comics in the U.K., including the digital relaunch of The Dandy, the continuing popularity of The Beano (which sells a respectable 30,000 copies per week) and the new kid on the block, The Phoenix. [New Statesman]
Comics | Scottish publisher DC Thomson has asked Dundee City Council to rename a street in the city’s west end to honor the Bash Street Kids, stars of the long-running comic strip in The Beano. An unnamed street adjacent to 142/144 West Marketgait would be called Bash Street as part of the celebration of the magazine’s 75th anniversary. [LocalGov]
Retailing | North Hollywood will get a new comics shop on Nov. 10, when Blastoff Comics opens its doors. Owner Jud Meyers seems to think it is an essential part of a hip neighborhood: “They want restaurants, they want bars, they want supermarkets, they want gyms. What didn’t they have? They don’t have a comic book store, every neighborhood has got to have a comic book store.” The opening will feature an assortment of comics guests, including Mark Waid, Greg Hurwitz, and Jim Kreuger, whose The High Cost of Happily Ever After will premiere at the event. [Patch.com]
Hello and welcome to another edition of What Are You Reading? Our guest today is Caleb Goellner, pug lover and senior editor of ComicsAlliance.
To see what Caleb and the Robot 6 crew have been reading, click below.
The long-lived children’s comic The Beano has a new look (and a new subtitle: The Beano starring Dennis the Menace and Gnasher). Comics artist Lew Stringer takes a look inside at some of the changes. Nigel Parkinson takes over on Dennis the Menace, who will start to be menacing again; his character was watered down a while ago, but apparently the editors have started listening to 8-year-old boys, which is a good thing in this case. And several of the long-lived comics have had art changes. Only 19 of this issue’s 36 pages are comics, though.
• Stringer also reviews a history of The Dandy, which has the same parentage as The Beano but in recent years has become the edgier of the two (i.e. more fart jokes). It looks like The Beano may be evening things out a bit in that regard. John Freeman posts a lengthier review of the book at Down the Tubes.
• Jeremy Briggs talks to the organizers of Carlisle Mega-Con, a new convention taking place next weekend. As the organizers are also staffers at the local Waterstone’s, they have some insight into local tastes; interestingly, manga and superhero comics are both popular, but customers really prefer “genre books with a dark edge to them such as Vertigo.”
Britain’s Royal Mail is releasing a set of 10 stamps today featuring a diverse group of comics characters from British comics. They’re available to those outside the U.K. as well and feature internationally famous characters like Judge Dredd and Dan Dare in addition to less-known folks like Roy Race and The Four Marys. There’s also a Dennis the Menace in the set (he’s the one appearing in front of the Beano comic), but don’t confuse him with the U.S. character created by Hank Ketcham. Though both characters debuted within a week of each other in March 1951, they’re different boys.
To see the full gallery of stamps, visit the BBC website.
Broadway | The New York Times reports the producers of Spider-Man: Turn Off the Dark are considering delaying the $65 million musical for a sixth time, until as late as June, a move that would make the show ineligible for this year’s Tony Awards. Speculation about another possible postponement follows a wave of scathing reviews, reports that comics writer and playwright Roberto Aguirre-Sacasa had been approached to rewrite the book, and the hiring of veteran conductor and musical supervisor Paul Bogaev to help improve the production. A spokesman for the show would only say that, “Opening night remains scheduled for March 15.” [ArtsBeat]
Comic-Con | Hotel reservations for Comic-Con International will open at 9 a.m. PT on March 9. A preliminary list of hotels included in the Comic-Con block is available on the convention website. [Comic-Con International]
Publishing | D.C. Thomson & Co., publisher of long-running comics like The Beano and The Dandy, is closing a printing plant in Dundee, Scotland, eliminating up to 350 jobs. The facility is used to print magazines and books. The company, which also owns The Evening Telegraph and Sunday Post newspapers, employs more than 2,000 people. [BBC News]
Publishing | Lori Henderson returns to the question of what led to the failure of the CMX manga imprint: “Its parent company, DC didn’t do anything to market that line. Putting a solicitation in Previews is not marketing. DC claimed they would bridge the manga and comic store gap, yet did nothing to help retailers or promote the books to bloggers, bookstores or librarians, their three strongest advocates. You can’t buy or recommend books you don’t know about. While there were other factors that contributed to its ultimate end, the mishandling of the imprint in its first year, and then being completely ignored for the rest was the main factor in its lack of sales.” [Manga Xanadu]