Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
It shouldn’t be a surprise that, on the heels of September’s successful release of The Best of Milligan & McCarthy, there might be new work from Brendan McCarthy published by Dark Horse: On Wednesday, the four-part story The Deleted begins in Dark Horse Presents #32, dealing with the possibility of uploading the consciousness into a virtual world.
It’s rare that I interview a creator who can provide answers that open with the phrase, “Myself and Brett Ewins, Bryan Talbot and Alan Moore were the first people to start off the new era of comics in the U.K.,” so while I had the chance, we discussed more than his new story, thanks to McCarthy’s willingness to give his time (and samples of his myriad works, past and present).
Today sees the release of The Best of Milligan & McCarthy, a bumper hardcover from Dark Horse Books collecting almost every page produced by the team of Pete Milligan and Brendan McCarthy. Their collaboration stretches from the late 1970s to the early 1990s, and encompasses strips for music weeklies and national Sunday newspapers, the dawn of the American indie-publishing boom, 2000AD and its creator-owned spinoff Revolver, an Eisner-nominated graphic novel, and ended at the birth of DC Comics’ Vertigo imprint.
It’s fair to say these were my favorite comics during my formative years, so I was both honored and surprised to be asked to provide the introduction in the book. I protested, saying there’s bound to be someone better qualified for the task, but McCarthy insisted he wanted it by someone who had felt the impact of these comics at the time. Hence my nostalgic waffling at the start of the book; ignore that, and skip straight to the book’s meat, some of the funniest, angriest, saddest, smartest, dumbest, most transcendent work the medium has ever seen. To quote my own essay, “a secret history of the comics that followed them, the most influential comics you never see credited as such.”
I abused my access to these two men to ask them some questions, while trying not to gush too badly. I probably failed.
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. Contributors Brigid Alverson, Corey Blake and Mark Kardwell can’t wait til Wednesday to get there hands on three works (or, technically, four): Cyborg 009, Boxers & Saints, and The Best of Milligan & McCarthy. To see what they have to say about the releases, just keep reading …
Brendan McCarthy has taken to Facebook to plug the upcoming Dark Horse collection The Best of Milligan and McCarthy. He’s been using it to spread rather fetching memetic images from the classic strips in the book: so far, “Freakwave,” “Paradax” and “Skin” have gone up, presumably with similar designs for “Sooner or Later” and “Rogan Gosh” to follow.
I have to admit, I have a horse running in this race, because Brendan and Pete asked me to write an essay for the book, and it proved damned hard getting the reasons of why and how much I love this material down to less than a thousand words. Anyway, I feel jealous of anyone getting to experience this (inspirational, influential) material for the first time. It’s been downright criminal that its been out of print for so long. You’ll laugh, you’ll cry, you’ll fall in love, you’ll walk funny for a week.