Axel-In-Charge: Extending "Secret Wars," Excitement for a "Totally Awesome Hulk"
If I’m doing the math right, Ed Brubaker’s time on Captain America will end with issue #19 of the title. And while he’ll continue to write Winter Soldier “as long as I can,” the writer told Tom Spurgeon in an interview at The Comics Reporter that he plans to focus on creator-owned work versus picking up another work-for-hire project after his Cap run ends.
“I hit a point with the work-for-hire stuff where I was starting to feel burned out on it,” Brubaker told Spurgeon. “Like my tank is nearing empty on superhero comics, basically. It’s been a great job, and I think I found ways to bring my voice to it, but I have a lot of other things I want to do as a writer, too, so I’m going to try that for a while instead.”
Brubaker’s run on the character started in 2005 when he brought the long-dead Bucky Barnes back as the Winter Soldier, a brainwashed Soviet operative who clashed with Cap and eventually remembered who he really was. When Steve Rogers was killed in the well-lauded “Death of Captain America” storyline, Barnes took up the shield and became Captain America–at least until Rogers was brought back to life and eventually put the uniform back on. Those fantastical superhero plots seem secondary, though, to the overall tone of Brubaker’s noir-ish run on the title, which included everything a good Captain America run should have–intrigue, spy vs. spy plots and some real-world political references that piss off real-world political folks.
Trimming the tree, hanging the stockings, lighting the menorah, setting up the Nativity scene, watching National Lampoon’s Christmas Vacation and Scrooged back to back: The holidays are all about tradition. And two of the best comics websites around have holiday traditions of their own.
First up is Inkstuds, the comics interview podcast and radio broadcast hosted by Robin McConnell, and its annual Best of 2011 Critics Roundtable. This year McConnnell is joined by The Comics Journal‘s Tim Hodler, Joe McCulloch (aka Jog the Blog), and Robot 6’s own Matt Seneca for a truly enjoyable and insightful discussion of such titles as Big Questions, Prison Pit, Thickness, Paying For It, and Kramers Ergot 8, among many others. Radio turns out to be a terrific format for each participant, so much so that I was compulsively using every spare moment to finish the podcast — I even opened up my laptop in the passenger seat of my car and played it on the way to the drugstore. Give it a listen.
Meanwhile, Tom Spurgeon of The Comics Reporter has kicked off his much beloved by me Holiday Interview series. His inaugural interview with Art Spiegelman tackles his new book-cum-documentary MetaMaus, his stint as the Grand Prix winner of France’s massive Angoulême comic con, and his take on the legacy of the underground comix movement, while the series’ second interview examines the future of the small-press publisher Sparkplug after the death of its founder Dylan Williams with the company’s new triumvirate of Emily Nilsson, Virginia Paine, and Tom Neely. Spiegelman and Sparkplug are both vital institutions in their own ways, having put their money where their mouths are with respect to the kinds of comics they’d like to see in the world, and Spurgeon makes for a great interlocutor as they articulate their respective visions. Go and read.
Tom Spurgeon has been covering comics and the comics industry since the early ’90s, but really emerged as a prominent voice about comics in 2004 with the launch of his website The Comics Reporter. After years of steadily growing into online journalism, in 2010 Spurgeon won the Eisner Award for Best Comics-Related Periodical/Journalism. He’s authored, or co-authored, several books about comics, including Stan Lee and the Rise and Fall of the American Comic Book and the overlooked Romita Legacy. He also wrote a a syndicated comic strip from 1999 to 2002 called Wildwood.
I turned to Tom for this interview as a chance for readers to get another side of someone who’s seen and covered a lot in comics, and frankly to ask him from one journalist to another what I should pay attention to more. So whether you’re reader, reporter, creator or suit, I recommend you read on for Spurgeon’s take on where we stand, where we fall, and how we can pick ourselves up again.
Chris Arrant: When you meet people, what do you tell them you do for a living?
Tom Spurgeon: Astronaut!
I tell them I’m a writer. Is that a dumb answer? Everybody’s got to do something. The comics part only comes up if people ask me what I write about, at which point I tell them one of my areas of interest is comics. It was a lot harder in the mid-’90s trying to describe what I did for a living in that people were much less familiar with comics beyond newspaper strips and superhero books. We used to get calls at The Comics Journal from people pitching us stand-up comedian articles. My friends back home have an easier time wrapping their mind around what I do now, with multiple entry points and greater coverage of the field.