Axel-In-Charge: Facing the 'Divided' Marvel NOW! Future
At the end of every year Carla Hoffman and Tom Bondurant exchange emails about the fortunes of the Big Two. Look for Part 2 on Wednesday!
Carla: Here we are, heading toward the year the Mayan calendar might not have thought would ever come: 2013. The future gets closer and closer! Technology advances! Politics change! And yet, comic books are still here. How cool is that? It’s been a heck of a year, full of ups and downs, movie premieres, new #1 issues and the never-ending race to produce better, faster comics.
I have to admit, Image has been doing a really great job keeping up with the Big Two, producing award-winning books in a variety of formats and getting involved in TV to draw new readers into a wide array of comic book genres. But we’re not here to talk about them! We’re here for the greatest shows in town, the Merry Marvel Marching Society and … our Distinguished Competitors.
My first question is kind of a no-brainer: How’s the New 52 treating you these days? And, after a year, is it still the “New 52″?
Tom: Well, as a practical matter, it’s the “New 52″ for as long as DC wants it to be. Actually, I think I have stopped seeing that little blurb on the covers. I happened to look at Aquaman #15 yesterday, kind of out of the corner of my eye, and was surprised it was there. Part of me thinks that it could confuse those hypothetical new readers, but then I thought that about “Earth One,” and that doesn’t seem to have hurt those books.
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U.K. animator Rob Brindle just may have come up with the greatest comic-related gif of all time. Brindle has form with comics, having brought those filthy funsters Modern Toss‘ work to television in the past. Struck by Batman’s odd posture on the cover of the The Dark Knight Rises DVD cover (“Batman looks funny on his new DVD. So I made this in tribute. Suggested listening for accompaniment: Blackout Crew – Put a Donk On It“), Brindle has animated it for maximum pelvic impact.
As much as I love a bangin’ donk, I’d suggest Christian Bale looks like he’s been caught mid-Time Warp:
Stop-motion animator and LEGO fan Nicolas of Paranick Filmz, who’s already recreated the first two trailers for The Dark Knight Rises using the colorful building-block toys, has now moved on to the third — and as you might expect, it’s a lot of fun. It kind of made me wish Christopher Nolan had worked with LEGO from the start …
DC Comics announced The Dark Knight Rises prequel comic on Friday:
Can’t get enough of the epic conclusion to Christopher Nolan’s Batman trilogy? Then download THE DARK KNIGHT RISES: PROLOGUE app from DC Comics, sponsored by Nokia and available on Nokia Windows Phone devices. The app features an exclusive motion-comic from writer Joshua Williamson and artist Jorge Jimenez that serves as a prologue to THE DARK KNIGHT RISES film. The app also include social media share options and links to other apps tied to the film.
Proving once again that he’s the biggest comic fan in the WWE, Rey Mysterio appeared at tonight’s SummerSlan pay-per-view event dressed all in black, sporting a cape and bat ears. Wrestling’s equivalent of Batman wasn’t able to fully “rise” in his match against The Miz, but at least he looked good while doing it.
At past events, the high-flying Mysterio has worn outfits inspired by the Silver Surfer, Daredevil, Spider-Man, Joker, Flash, Iron Man, Captain America and the movie Avatar.
If the trailer for Batgirl: Spoiled wasn’t enough to whet your fan-film appetite, there’s now Batman: Puppet Master, a short set in the aftermath of Christopher Nolan’s The Dark Knight as the Gotham City Police Department calls in an expert to help bring Batman to justice: FBI Special Agent Edward Nigma.
However, Nigma doesn’t merely want to catch the Dark Knight; he wants to deduce his secret identity, proving that he’s the world’s greatest detective. To that end, he enlists the assistance of some of Arkham Asylum’s inmates — Arnold Weskler and Peyton Riley (aka the first and second Ventriloquist), and Victor Zsasz.
Directed by Bryan Nest from a script by Chris Wiltz, Batman: Puppet Master is described as “a film created by fans for fans and it delivers an exciting storyline that will introduce fans to new versions of Mr. Zsasz, The Ventriloquist, and Edward Nigma (aka The Riddler), who fans were expecting to appear in Nolan’s third Batman film.”
To see what Alex and the Robot 6 crew have been reading lately, click below.
All C’s Collectibles in Aurora, Colo. is putting together a fundraiser to benefit the victims of the July 20 shootings during the midnight premiere of The Dark Knight Rises. The event, called Aurora Rise, is tentatively scheduled for late August.
According to Jason Tabrys at Nerd Bastards, the event will include a silent auction and creator appearances. Both Dark Horse Comics and Image Comics have already donated items, while creators Steve Niles and Tim Daniel are attending.
“It’s very important to note that All C’s is the only comic book store in the city,” Dark Horse’s Aub Driver told Tabrys. “This tragedy has rocked their community at large, as well as the rest of the nation. Some of their customers were present at the theater when tragedy struck, even one of their own employees. Showing your full support for the comic book shop and the comic arts medium is incredibly crucial during this dark time.”
The shop has set up a Facebook page where they’re providing updates on the event, as well as other information on how to help out. Companies, creators or others who want to help out can contact the shop through their email address, email@example.com.
In the wake of Friday’s shootings in Aurora, Colorado, DC Comics has delayed the release of Batman Incorporated #3, originally set to go on sale Wednesday, because the issue “contains content that may be perceived as insensitive in light of recent events.” It will instead be released Aug. 22.
In an email sent Monday to retailers, the publisher explained that, “Out of respect for the victims and families in Aurora, Colorado DC Entertainment has made the decision to postpone the release of BATMAN INCORPORATED #3 for one month because the comic contains content that may be perceived as insensitive in light of recent events. We request that retailers do not make this issue available as previously solicited.”
Artist Chris Burnham addressed the delay on Twitter, writing, “Batman Inc #3 is going to be delayed a month due to some grim imagery that would seem wholly inappropriate given the Aurora killings. The book printed on time. I’m looking at a copy on my desk right now. This isn’t a scheduling excuse, we’re trying to do the right thing. It’s not just a Batman comic with guns in it. There’s a specific scene that made DC & the whole Bat-team say ‘Yikes.’ Too close for comfort.”
Comic Book Resources has an exclusive preview of Batman Incorporated #3, which features the New 52 debut of Matches Malone, and finds Batman on the trail of who’s trying to kill Damian.
A 51-year-old man faces charges after a fight broke out Sunday during a screening of The Dark Knight Rises, sending a panicked audience at a Pittsburgh-area theater fleeing for the exits.
While police were quick to note that the incident wasn’t connected to the Friday shooting in Aurora, Colorado, that left 12 dead and dozens wounded, the Pittsburgh Post-Gazette reports an escalating argument, jittery nerves and a shout of “Gun!” led to the mad scramble for the doors.
According to police, the incident began in the restroom, where a rude child repeatedly knocked on the door of an occupied stall. The child swore at the man, who then confronted the mother, and eventually hit her in the face. That’s when someone shouted “Gun!” and triggered a panic among theater-goers. The unidentified man will be charged with simple assault, disorderly conduct and harassment.
An uncomfortable familiarity hangs over much of The Dark Knight Rises, the final film in the Christopher Nolan-directed Batman trilogy. Some of it comes from the disquiet of watching familiar characters and settings suffer. However, some of it comes from the use of overly familiar movie tropes. For example, one of the early “Batman must come back” scenes feels lifted from a style guide. Another scene, much later, echoes Luke and Han’s join-us-no-join-me exchange just before the Death Star attack. Oh, and William Devane shows up in a very William Devane-esque role.
Accordingly, The Dark Knight Rises is not a perfect movie. It doesn’t have the intricate plotting of its predecessor (2008’s The Dark Knight, like you didn’t know). Any socially conscious message about “the 99% vs. the 1%” is lost in Bane’s repurposed sloganeering and Selina Kyle’s disillusionment. In one spot, the movie seems to skip dusk entirely, going from twilight to pitch-black night in less than eight minutes.* Furthermore, although I hate to disagree with Sean, at times Bane sounds like Darrell Hammond’s Sean Connery (and apparently — beware of spoilers past the link — I am not the only one who thinks so).
Nevertheless, its epic ambitions are mostly realized, and it exists mainly to give its principals (i.e., just about every major character still left from 2005’s Batman Begins) closure. This, I want to emphasize, it does exceptionally well. Four years ago I compared The Dark Knight to David Fincher’s serial-killer meditation Zodiac, but this time I’m going with Doctor Zhivago by way of James Bond. A macro-level exploration of Begins’ “why do we fall?”, it builds to a thrilling, triumphal, bittersweet final shot. I’m looking forward to seeing it again, and eventually to examining the trilogy as a whole.
Before a shocked country, let alone investigators, can begin to get a grasp on what led 24-year-old James Holmes to open fire during a midnight screening of The Dark Knight Rises, killing at least 12 and wounding dozens more, at least one newspaper writer is willing to take a wild guess: a comic book. Specifically, Frank Miller’s landmark 1986 miniseries The Dark Knight Returns.
Under the headline, “Was the Batman shooting movie shooting imitated from scene in 1986 comic?,” The Washington Examiner’s Sean Higgins claims the tragedy in Aurora, Colorado, “bears eerie similarities” to the scene in which “a crazed, gun-toting loner walks into a movie theater and begins shooting it up, killing three in the process.”
In an effort to bolster his shaky, if not downright groundless hypothesis, Higgins points out that The Dark Knight Returns served “a key inspiration” for director Christopher Nolan’s big-screen trilogy. (Why stop there, though? Coupled with Miller and David Mazzucchelli’s “Year One,” the miniseries has influenced virtually every depiction of Batman over the past quarter-century.)
Creators | While acknowledging the agreement that names Bob Kane as the sole creator of Batman, The Washington Post’s Michael Cavna and Bill: The Boy Wonder author Marc Tyler Nobleman make the case for giving writer Bill Finger a screen credit on The Dark Knight Rises. [Comic Riffs]
Conventions | Although Comic-Con International is usually thought of as a stage for movie studios, major comics publishers and video-game developers, Mark Eades looks at the event as a showcase for small businesses, from artists to toymakers. [The Orange County Register]
Conventions | Robot 6 contributor Brigid Alverson reports on the kids’ comics scene at Comic-Con International, including news that Papercutz will produce a comic based on the viral web phenomenon “Annoying Orange.” [Publishers Weekly]
Despite all of the fallout, and guffaws, from the Great Left-Wing Bane Conspiracy, Conan O’Brien suggests we shouldn’t be so quick to dismiss the theory. “Now before you judge Rush Limbaugh, I’ve seen The Dark Knight Rises,” he teased on last night’s Conan. “I think Rush might have a point.”
To back up his assertion, O’Brien rolled out a trailer for the Christopher Nolan film that features Tom Hardy’s Bane growling never-before-heard dialogue like, “I’m going to torture you like a dog tied to the top of my car” and “The streets will run red with blood before I release my tax returns.”
The Dark Knight Rises, with real dialogue from
Bain Bane, arrives in theaters at midnight.
Legal | In a motion for summary judgment filed Monday in the long-running legal battle for the rights to Superman, attorneys for Warner Bros. are revisiting their 2009 argument that the estate of Joe Shuster has no grounds to reclaim the artist’s share of the copyright to the Man of Steel. They point to a 1992 agreement in which the estate relinquished all claims in exchange for “more than $600,000 and other benefits,” which included DC Comics paying Shuster’s remaining debts follow his death earlier that year, and providing his sister Jean Seavy with a $25,000 annual pension. Daniel Best has the documents, while Jeff Trexler provides context, noting that the new filing “filing wasn’t a Perry Mason-esque unveiling of surprising new facts. Rather, it was a routine motion for summary judgment.” A hearing is scheduled for Aug. 20. [20th Century Danny Boy, The Beat]