The Dark Knight Strikes Again
Despite the considerable critical backlash, DC Comics’ Before Watchmen line of titles has become one of this summer’s top sellers, and the publisher announced at Comic-Con International that it’s revisiting the classic Sandman in a prequel written by Neil Gaiman. With that in mind, I’ve come up with six other wells the company could return to for new projects. I’m not saying they should or shouldn’t, but given recent events this might be where fans, and DC, could look next.
Perhaps the most disturbing scene in Batman: The Dark Knight Strikes Again (also known as DK2; Miller and Varley 2001-2002) is where Batman attacks the corporate leaders of the United States government, giving the word “terrorism” a new meaning. The Anarcho-terrorist superhero’s assault is directed against “the real monsters” (page 53, panel 1), the corrupt powers-that-be that rule behind a virtual president….In “late capitalism”, the virtual transactions of financial speculators determine the entire economy of countries, the “democratic” political system of their governments and, of course, the real life of their citizens. We should ask ourselves if the world we inhabit now is so different from the virtual United States ruled by the computer-generated president Miller imagined.
—The Comics Grid’s Pepo Pérez wonders if Frank Miller and Lynn Varley’s The Dark Knight Strikes Again was prophetic (in a way Miller himself probably wouldn’t approve of today). Personally, I think it’s a stretch to compare the real America to Batman’s America. I mean, one has a glossy, shiny surface built on human suffering, as citizens participate in a sham democracy treated like a sporting event by blathering talking-head news-media figures, while corporations engaged in criminal conspiracies for which they suffer no lasting legal consequences loot the world with impunity behind the scenes. The other has Batman in it.
Comics College is a monthly feature where we provide an introductory guide to some of the comics medium’s most important auteurs and offer our best educated suggestions on how to become familiar with their body of work.
Strap yourself in for a long read, because this month we’re looking at the rather lengthy and considerable career of one of the most influential comics creators of the past 40 years, Mr. Frank Miller.
It started with a dare. Here at Robot 6 a week ago, I posted about how comics legend Frank Miller has been posting comments at the blog of neoconservative pundit Victor Davis Hanson. This inspired a comment by James B. Elkins II that casted skepticism on my bonafides as a Miller fan. Since Miller is in fact my all-time favorite comics creator, I responded by daring any and all comers to challenge me to defend what is, to many readers, Miller’s most indefensible work: The Dark Knight Strikes Again, Miller and colorist Lynn Varley’s sequel to their seminal revisionist-superhero classic The Dark Knight Returns. I’ve always loved that book, but I’d never written about it at length. Well, David Brothers of The 4th Letter went ahead and took the dare and laid the challenge at my feet.
The result? I wrote a review of The Dark Knight Strikes Again for The Savage Critic(s), another one of my blog-homes away from blog-home. The piece, part of series of posts I’m doing on my all-time favorite comics, places Miller & Varley’s much-maligned, much-misunderstood comic in the context of similarly bright and brash works by cartoonist Ben Jones, comedians Tim and Eric, the “glo-fi” subgenre of indie rock, and more. Do check it out–then swing by The 4th Letter for David Brothers’s own two-part review of the book, which tackles it from a very different yet equally positive angle.