Max Landis' New Comic, "Green Valley," Presents a Fantasy-Free Tale of Knights and Redemption
Graphic novels | ICv2 has the January graphic novel chart from Nielsen BookScan, which tracks sales in book channels. Roz Chast’s Can’t We Talk About Something More Pleasant? tops the list, with the fourth volume of Saga coming in second, and the 22nd volume of The Walking Dead in third. The list is a bit different from previous months because the chart began including nonfiction graphic novels just last month, and going forward ICv2 will break the titles into three categories: superhero/genre, manga and “author” graphic novels. The retailer-oriented website throws in some interesting bits of analysis, including the fact that six of the Top 20 titles — including books No. 1 and 2 — had female creators or co-creators. [ICv2]
Awards | Longtime MAD Magazine cartoonist Mort Drucker has been named as the first recipient of the National Cartoonists Society’s Medal of Honor. [Comic Riffs]
Conventions | WonderCon Anaheim has announced the first round of guests for its April 3-5 show: Neal Adams, Becky Cloonan, Aaron Kuder, Kevin Maguire and Dustin Nguyen. [Toucan Blog]
Publishing | Magnetic Press is looking for a marketing assistant. [Magnetic Press]
Retailers | The Laughing Ogre chain has announced its Lansdowne, Virginia, location (Phoenix Comics & Toys) has lost its lease and will close Dec. 18. That store is managed by chain co-owner Gary Dills, the former ComicsPRO treasurer named as the subject of an investigation into a possible misuse of organization funds. The chain has two other locations, in Fairfax, Virginia, and Columbus, Ohio. [Laughing Ogre, via Bleeding Cool]
It’s been a long time coming, but Eric Powell has offered an update on the Kickstarter-funded story reel for a CG-animated adaptation of The Goon, teasing, “we continue to inch closer to our final goal of Franky, via Paul Giamatti, screaming ‘KNIFE TO THE EYE!’ in theaters world wide!”
“I have seen about 90% of the story reel footage, and I’m super proud of the efforts of everyone involved,” he wrote Wednesday on the Kickstarter page. “Everyone remains just as passionate as ever to get this film completed, and it shows in every frame of the story reel. We still have hurtles [sic] to cross, but armed with this story reel and your overwhelming support, we remain confident we will find the right home for this film.”
Emerald City Comicon may not come with the metric ton of announcements that Comic-Con International does, but in a way it’s all the better for it. Comics still feel as if they’re front and center just where I like them, and the announcements have more charm because they aren’t screaming to be heard over the din of film and television rollouts.
One year, I’ll get up to Seattle to experience the event firsthand, but in the meantime, I get to absorb all the news and photos like everyone else, as they’re posted online. ECCC even streamed all of its panels on flipon.tv. Anything that happened in Room 301 is free for anyone to watch. Everything else can be purchased with a full archive pass for $14.95. Or if, you don’t want to sit through hours of panel footage, there’s CBR’s coverage or, heck, try Google or something.
A number of announcements jumped out as particularly noteworthy, so let’s run through The 6 Best Things from ECCC. And from my count, Dark Horse won Emerald City. Your miles may vary though, so post your favorites in the comments.
“I know there’s a certain appeal for creators to work on the classic characters like Batman, Superman and Spider-Man, but I’ve said this before: I asked creators who have worked on those books who the people were doing the books ten years ago, and they don’t know! But I can say, ‘Who worked on Sin City?’ and they’ll go ‘Frank Miller.’ Who worked on Hellboy? Mike Mignola. Who worked on The Goon? Eric Powell. They know it instantly. So to me, the lure of creating your own character and owning it — owning your own universe and being associated with that — in the long run for talented writers and artists makes me question why someone would toil away on a company owned character for years and years of their lives.”
– Dark Horse founder Mike Richardson, discussing his company’s commitment to publishing creator-owned work
Because there are few better ways to end a day than with a reference to — or better yet, a viewing of — the 1993 Bill Murray comedy Groundhog Day, we’ll close with a one-page comic from The Goon creator Eric Powell and Mac Cushing called “Groundhog Day: The Deleted Scene.”
“Shocking unearthed Groundhog Day footage,” Powell explains. Poor, poor Ned …
If you’re beginning to think about stocking-stuffer ideas, you may want to check out Chocolate F/X if, say, you know a fan of Eric Powell’s The Goon: The chocolatier is accepting pre-orders for a limited-edition four-piece gift box featuring the Goon, Franky, the comic’s logo and the immortal words “Knife to the Eye!”
But they’re not plain ol’ milk chocolate, though. There’s”Dark Chocolate and Whiskey ganache , a Ghost Pepper caramel dipped in creamy milk chocolate, Hazelnut Coffee ganache in Milk Chocolate and a Seasonal Pumpkin pie ganache dipped in Dark Chocolate.” Yes, ghost pepper, considered the world’s hottest chili pepper.
Stan Lee, The Goon Kickstarter campaign and Nathan Fillion were among the winners of the inaugural Geekie Awards, held Sunday evening in Hollywood. The awards were established to recognize “the best indie-created, high production value, awe-inspiring geek-genre content, art, products and experiences in the world.”
Lee received the Lifetime Achievement Award, presented by Seth Green, while Fillion was named Geek of the Year. NASA’s JPL Mars Curiosity Rover team was also recognized with the Geek Cred award. The other winners were:
Hello and welcome to What Are You Reading? Today our special guests are Gardner Linn and Dave Lentz, the creative team behind the webcomic Registered Weapon — “the internet’s only webcomic starring a robotic cash register who fights crime.” They just kicked off their latest story, Case 006, on Nov. 12, and you can also download the first ten pages from their site if you prefer to read in bigger chunks.
To see what Gardner, Dave and the Robot 6 crew have been reading, click below …
The Kickstarter campaign to fund a feature-length story reel for the stalled CGI-animated adaptation of The Goon ended successfully Sunday, exceeding its $400,000 goal by $41,900.
“Frankly, we don’t have the words to describe our APPRECIATION, Goon Fans,” the message on the Kickstarter page states. “We NEVER could have imagined how much SUPPORT we’d receive from this fan community. It’s truly been OVERWHELMING. Through your time, energy, dedication, and donations, you’ve given us an AMAZING opportunity to help keep The Goon Movie dream alive.”
That dream dates back to at least 2008, when it was announced that producer David Fincher and Blur Studio would adapt the acclaimed comic by Eric Powell. Progress soon stalled, however, as financing proved difficult. Test footage, featuring the voices of Clancy Brown and Paul Giamatti, was at last revealed last year, giving fans hope the project might eventually see the light of day. With few additional signs of movement, Powell gave in to pressure and revealed at Comic-Con International he would turn to Kickstarter.
The result of the campaign won’t be the actual film; that budget is pegged at somewhere around $45 million. Instead the $441,900 will be used to finance a story reel to shop to studios.
Three months after teasing he would give in to pressure and use Kickstarter to help fund the stalled CG-animated adaptation of his comic, The Goon creator Eric Powell launched the campaign this morning. Although the film’s budget has been pegged at $45 million, the drive’s goal is $400,000 to pay for a feature-length story reel to shop around to studios.
Billed as an effort by Powell, producer David Fincher, Blur Studio and Dark Horse Entertainment, the campaign asks fans to “Help us make a NEW KIND of animated film … one that’s LOUD, VIOLENT and OFFENSIVE TO YOUR GRANDMA.”
Announced in 2008, the animated movie has been slow moving as the producers searched for financial backers. “The Goon is in the exact same position it’s been in for the past couple of years,” Powell said in January. “Prepping the design and script while searching for funding.” About a year ago, the cartoonist shared well-received test footage that featured the voice talents of Clancy Brown and Paul Giamatti, who are set to return for the story reel and the eventual feature.
Comic-Con International kicked into full gear Friday in a bustling second day that was capped off last night with the presentation of the 24th annual Will Eisner Comic Industry Awards. Here’s the highlights of the announcements emerging from the second day — and a few holdovers from the first day — of the San Diego convention:
• During its annual “Cup O’ Joe” panel, Marvel teased post-Avengers Vs. X-Men plans that include: A+X, described as “the opposite of [AvX: VS],” by such creators as Jeph Loeb, Dan Slott, Dale Keown and Ron Garney; Avengers Vs. X-Men: Consequences, a five-issue miniseries written by Kieron Gillen that addresses the effects of the summer crossover; Marvel NOW! Point One, featuring Nick Fury Jr.; and an October one-shot called Avengers Vs. X-Men: Babies, by Skottie Young.
• After initially dismissing Kickstarter as a potential source of money for the stalled Goon animated movie, creator Eric Powell teased he plans to launch a campaign on the crowd-funding website.
Although The Goon creator Eric Powell had previously dismissed the notion of using Kickstarter to fund the stalled CG-animated adaptation of the comic, noting the project’s budget is $45 million, he’s now caved to public pressure.
Taking to Twitter this morning from his booth at Comic-Con International, Powell wrote, “Ok, everybody that’s been yelling at me for us to do a Kickstarter for the Goon film,” and included the above photo of a flier bearing the headline, “Let’s Kickstart This Fuckin’ Film!” and information on how to be notified when the campaign launches.
Produced by Blur Studio and David Fincher from a script by Powell, The Goon film stars Paul Giamatti and Clancy Brown as the voices of the Goon and Franky. Although announced in 2008, the project has been slow moving as the producers searched for financial backers. “The Goon is in the exact same position it’s been in for the past couple of years,” Powell said in January. “Prepping the design and script while searching for funding.”
More recently, he explained the delay to Comic Book Resources, saying, “It’s just the combination of finding the right people, the people who understand it and get it and don’t want Goon to have a singing, talking dog and coming up with the right budget. They’re still plugging away, they’re still talking to people — it’s not dead by any means. But it’s just a waiting game, it’s finding the right people.”
However, more than a year ago we got a look at test footage, which you can see below.
Publishers, creators, retailers and fans rolled into Chicago this weekend for the Chicago Comics and Entertainment Expo, or C2E2. While the convention officially kicked off Friday, the announcements started rolling out Thursday during the Diamond Retailer Summit. After going through Kiel Phegley’s lengthy report on CBR, I’ve pulled out a few tidbits that publishers shared with attending retailers:
• Dynamite Entertainment shared that the first issue of Garth Ennis and Aaron Campbell’s The Shadow, which comes out next week, will likely go to second print. Following their Vampirella and Pantha projects, they also plan to roll out more of the former Harris Publications characters they now own, and they said they plan to work again with Kevin Smith in the future, who they’ve worked with on Bionic Man and Green Hornet.
• Dark Horse Comics announced two Buffy the Vampire Slayer spinoff miniseries; one featuring Spike and one featuring Willow (Editor Scott Allie spoke more about them with CBR). In addition, legendary artist Russ Heath will draw some pages in an upcoming issue of Buffy. Dark Horse will launch a new Dragon Age series in August, following the online miniseries that’s been running on Dark Horse Digital. They also confirmed that Becky Cloonan will return to Conan after James Harren’s three issues, and they announced Ex Sanguine, a five-issue miniseries by Tim Seeley and Josh Emmons. Finally, The Goon will go monthly with issue #40.
Comics | Calling Tintin a “Catholic hero,” the Vatican newspaper L’Osservatore Romano took strong exception to the decision by U.K. publisher Egmont to sell the controversial Tintin in the Congo with a protective band around it — or, as the paper says, “wrapped up like a pornographic magazine and consigned to the adults-only section” of bookstores because of its portrayal of racial stereotypes. If you’re going to do that, the editorial argues, why not ban Boy Scouts, which were founded by notorious eugenicist Anthony Baden-Powell? “But then, he was English,” the paper snidely concludes. [Agence France-Presse]
Digital | ComiXology confirmed Tuesday that the Comics by Comixology app will be available for Amazon’s Kindle Fire when it goes on sale next week. ComiXology CEO David Steinberger said the company is prepared for the smaller screen size the Fire has, compared to the iPad: “Ah, well we’re lucky there, because our Guided View reading technology was designed first for a very small device — the iPhone — long before tablets became the norm. A great comics reading experience is one of the core reasons we’re so successful, and it translates great to all devices, from small to large. The Comics by comiXology reading experience is the same on all platforms, so it’s going to be very familiar to our fans. You can toggle in and out of Guided View with a simple double-tap. The Fire has a great screen, and for those pages that have lettering a little too hard to read, Guided View is a fun way to get in there and see the details.” [Chicago Sun Times]