The Biggest Superhero Films That Didn't Happen, Part 2
Comic Books, Film
Here in Memphis this week, September finally turned the corner into fall. High temperatures are mostly in the 70s, the air is getting crisper, and the sky is turning a paler blue. Unlike July or August, when October and November seem far in the future, a nice September makes December that much easier to imagine.
In September you start to settle into the routine which will take you through the winter — and that’s apparently true as well for the New 52 superhero books. Let’s get on with it, shall we?
MOVERS AND SHAKERS
Ivan Reis and Joe Prado head to Justice League with December’s Issue 15, and I for one am happy. Although I like Jim Lee fine, I think Reis is better-suited to big, multiple-character action. It’s hard for me to explain the distinction, so consider this: How would “Sinestro Corps” or Blackest Night have looked if Lee had drawn them? Reis manages crowds quite well, and Justice League should be crowded.
Also, while I’ve been rather down on Justice League of late, the expanded roster (teased over a year ago) and the Atlantis-centered storyline make me optimistic that the book is … well, doing what I’d like it to do, which is being a showcase for, and gateway to, the larger superhero universe. So, well done, solicitation!
The Quality Companion is a great book for lovers of comics history. It starts out with nine comics featuring heroes such as The Ray, Phantom Lady and The Human Bomb, with art by Jack Cole, Lou Fine and other comics luminaries, and then there is a detailed account of the history of the company. You may not have heard of Quality Comics (I hadn’t), but it was one of the early comics publishers and the original home of Jack Cole’s Plastic Man. Many of Quality’s characters were eventually absorbed by DC. The book is well-written and detailed, and the comics in the front are at once cheesy and fascinating.
TwoMorrows makes the book, and most of its other titles, available in two formats, a hardcover print book and a digital version. The digital book is a PDF, which means it can be downloaded and read on any device, without any concern about the distributor disappearing and taking it with them. That also means it could be easily pirated, and there’s a note in the front of the book telling people that if they downloaded it for free, they did so illegally. “Go ahead and read this digital issue, and see what you think,” the note continues. “If you enjoy it enough to keep it, please do the right thing and go to our site and purchase a legal download of this issue …” This makes so much sense that I don’t know why everyone else doesn’t do it.
It seems as if TwoMorrows has found a digital/print balance that works, at least for this type of book. The print edition is priced at $31.95 (marked down to $27.16 at the moment), and if you spring for it, you get the digital edition free. That’s quite a reasonable price for a book like this. Even better, the digital edition is priced at only $10.95. The print edition will obviously appeal to collector, but for someone like me, who wants to read the book and have it as a reference, the digital edition is a great deal, especially with no DRM.