Diana Nock’s The Intrepid Girlbot is set in a world without dialogue. There are no word balloons, and thus no interaction with other characters in a traditional sense. There are some sound effects: Robots ping and clang, animals snarl and growl. But there is no talking. It’s the webcomic version of a silent movie, with a vaguely sepia-toned color palette to match.
There’s hardly any emotional cues as well. Buster Keaton and Charlie Chaplin could, at least, convey the enormity of their shenanigans through a double take or a shocked expression, completed with bugged eyes. The Girlbot, on the other hand, has a permanent look affixed on her face: the blank “o_o” emoticon. She is, after all, a mechanical person. She’s not the only one either. Other robots have faces that smile and are more pleasant. And yet, these robots are creepier than the Girlbot, mainly because their expressions refuse to change as well. They go about their daze with a smile on their face, even when there’s danger. Deep down, their emotions are a mystery behind a painted facade, like the creepy, unblinking doll head that we glimpse from time to time.