The Joker Archives - Robot 6 @ Comic Book Resources
Batman is celebrating his 75th birthday this year, which may come as a surprise. I mean, look at that smooth, handsome face, or what little of it is visible beneath his cowl. Look at those ripped muscles, or the way he runs across rooftops and beats up criminals — why, Batman doesn’t look a day over 35!
Now just as it did recently for Superman, DC Comics is releasing a pair of hefty, 400-page hardcover collections that serve as a sort of survey for how the character has been portrayed and functioned in the publisher’s comics line during since his first appearance. Batman: A Celebration of 75 Years and The Joker: A Celebration of 75 Years aren’t exactly the comics equivalents of greatest-hits albums, but they are nice starting points for newcomers and/or casual fans, offering quick, compelling overviews of the title characters through the decades.
The Batman volume, featuring Jim Lee’s rendition of the character from the 2003 storyline “Hush” on the dust jacket, must have been particularly challenging to assemble, given the thousands and thousands of pages of Batman comics, featuring dozens of different takes by scores of creators.
Doctor Doom has been living like a rock star since his creation in the early 1960s, and now artist Rocky Davies has given the Latverian dictator the album cover to match. In a new series of illustrations, Davies has depicted familiar comic villains Doctor Doom, the Joker and Shredder in the the style of 1980s album covers.
Longtime DC Comics readers will undoubtedly recall Composite Superman, the green-skinned Silver Age villain who, dressed in a costume that was past Superman’s and part Batman’s, possessed the powers of the Man of Steel as well as those of the Legion of Super-Heroes. But how about Composite Aquaman? Or Composite Harley Quinn?
While they don’t come with superhuman abilities (as far as we know), Funko’s newly announced line of DC Comics Vinyl Cubed 2.5-inch magnetic figures that allows collectors to mix and match body parts of their favorite heroes and villains. The head of The Joker on Bizarro’s body? Sure. Robin with Harley Quinn’s arms? If you want.
Viewers are taken inside the fractured mind of Harley Quinn in Red Queen, a dark and stylish fan film that depicts a confrontation between the fan-favorite character, her original personality and a Joker stand-in.
Directed by Salim Tighnavard from a script by Kerryn Williams, Dan Maher and Sheridyn Fisher, who stars also as Harley, the short is billed as “Episode One,” which suggests we should expect more installments.
I’m simultaneously fascinated and terrified by this incredible medieval-style Joker leather armor crafted by Prince Armory to unnerve attendees at the next Renaissance faire. It’s composed of: “Jester’s Helmet with Joker Mask, Breastplate, Drama Face Pauldrons, Breastplate, Jester’s War Skirt, Cuisses/Knees/Greaves, Articulated Jester Shoe Sabatons.”
No price is listed, but I’ll go out on a limb and say it’ll set you back a lot.
As if recent renewed debate about its ending weren’t enough to demonstrate that, after 25 years, Batman: The Killing Joke can still spur discussion, now new original artwork has surfaced indicating the scene depicting the torture of Barbara Gordon was initially far more graphic and sexualized.
A photo of the inked page (below, definitely NSFW) was tweeted Sunday by Bill Hynes, a former employee of Gosh! Comics in London, revealing a naked and bleeding Barbara among the montage of images shown to her father James Gordon. In the published comic, by Alan Moore and Brian Bolland, that shot is replaced by a close-up of Barbara’s face.
Bolland confirmed the artwork’s authenticity, writing on his blog, “Here’s a page I drew for Killing Joke. I drew what was in the script. That’s my job. I was asked to tone it down a bit. I don’t know how the person who posted it got this image.”
Sue of DC Women Kicking Ass notes, “This isn’t some thumbnail sketch. This is a final inked page. At least someone at DC had some sense to kill it. Because really, how can you claim a book doesn’t sexualize violence when you have stuff like that in print?”
Indeed, whether the Joker raped Barbara Gordon has been long debated, with some readers insisting the violence was physical and not necessarily sexual. This page now may cast the scene, and the already-controversial comic, in a slightly different light.
Twenty-five years after the release Batman: The Killing Joke, we’re still debating the end of Alan Moore and Brian Bolland’s 1988 one-shot. But in “The Deal,” a new fan comic written by Gerardo Preciado and illustrated Daniel Bayliss, there’s nothing ambiguous about the final showdown between the Dark Knight and his arch-nemesis The Joker.
The 14-page story is bloody and brutal — we’re talking Se7en territory, “What’s in the box?” all — but it brings the nearly 75-year-old logical and disturbing, yet oddly touching, conclusion. See a beautiful work-safe page below, and read the entire comic here.
Avengers: Endless Wartime (Marvel Entertainment): Marvel’s new line of original graphic novels — note the “Marvel OGN” logo on the spine — is off to a pretty strong start with this continuity-light Warren Ellis-written, Mike McKone-drawn story of an Avengers squad facing a new form of semi-sentient weapon evolved from a generation-old attempt to marry Nazi science with Norse magic.
That’s a good conflict for an Avengers comic, as the team includes a Nazi-fighting hero and a Norse god, and, better still, both Captain America and Thor were tied to the this new weapon’s origin.
Ellis does his usual fine job of mixing current science, speculative next-level science, elements of our zeitgeist and corporate superheroes with something that feels appropriate, cool and like the writer has something to say. Additionally, he has a pretty decent handle on the characters, and does a relatively good job of singling out particular voices (this is the first time in a long time that I’ve read an Avengers comic where everyone didn’t talk like Brian Michael Bendis).
Cap, Thor, Iron Man, Wolverine, Captain Marvel, Black Widow and Hawkeye, who reflects Matt Fraction’s version, are a bit of a rag-tag group, but they seem to be assembled primarily for their military backgrounds. “Do you know, I just realized I’m the only non-soldier in the room,” Tony Stark says at one point, and Captain Marvel sneers back, “That’s right, Tony. You’re just an ex-arms manufacturer in a metal death suit.”
According to the Waterville, Maine, Morning Sentinel, police arrested the Clown Prince of Crime early Sunday morning after he allegedly lost control of his 2002 Buick Regal and drove off the road, striking multiple trees and a rock.
Sixty-four-year-old Dennis Lalime of Pittsfield, Maine, who told police he was returning from a Halloween party, was subsequently charged with operating under the influence. Although the Pittsfield Police Department uncovered The Joker’s true identity, as you can see from his booking photo, the Somerset County Jail permitted him the
indignity dignity of retaining most of his makeup.
Commissioner James Gordon had no comment on the arrest. Repeated calls to Dr. Harleen Frances Quinzel went unanswered.
Actor Troy Baker (Final Fantasy XIII, BioShock Infinite) has some enormous shoes to fill as he steps into the role of The Joker — a character voiced for the past two decades by Mark Hamill — in the upcoming Batman: Arkham Origins. If there were any remaining doubts as to whether Baker could embody the Clown Prince of Crime, they were likely erased during the video game’s New York Comic Con panel, where Baker performed The Joker’s monologue from Batman: The Killing Joke, to the roaring approval of a cheering crowd.
Watch the video below. Batman: Arkham Origins will be released Oct. 25.
I love the word “gestation.” All those different hard and soft sounds to roll around your mouth; affricates, fricatives, sibilants, glottal stops, all there in one meaning-pregnant (in all senses) word. There’s a standard table of units critics use for the gestation period of a work of art. Did it take as long to complete as the average Scott Walker LP? Or, for something a little bit longer, it’s a James Joyce’s Finnegan’s Wake.
This movie took two years to complete, which is quite a modest timescale by my increasingly geological sense of chronology, although it’s just a record of one man completing one painting. That said, that one man is Simon Bisley, and that one painting is a mural-sized image of The Joker, so the resultant combination is indeed worthy of epic status (the running time for the movie stretches to about 10 minutes short of two hours, with the action alternating between real-time and time-lapse sequences).
While the big news to come out of Kevin Smith’s new “Fatman on Batman” interview with Grant Morrison is the new title for his long-teased Wonder Woman graphic novel, the most interesting part of the discussion may be when the subject turns to Batman: The Killing Joke.
The influential 1988 one-shot, by Alan Moore and Brian Bolland, is perhaps best remembered for The Joker’s shooting of Barbara Gordon, leaving the once and future Batgirl paraplegic. But after listening to Morrison’s interpretation of the book’s ending, Smith realizes the impact of The Killing Joke is far greater: “Alan Moore secretly wrote the last Batman story.”
Smoking Alien Productions has debuted the rough cut of Joker Rising, a fan film billed as “the dark and gritty story of the early days of the Joker and how he became what we know him as today.”
Clocking in at about 1 hour and 20 minutes, the film draws inspiration from director Christopher Nolan’s Batman trilogy, recasting familiar Gotham City villains like Killer Croc, The Penguin and The Riddler in a crime drama that’s light on costumes and masks. The filmmakers say they’re considering using Joker Rising as the foundation for a “Gotham crime trilogy,” with other members of the Dark Knight’s rogues gallery receiving the same dark treatment.
Comics| Brian Brown, president of the National Organization for Marriage, expressed dismay about the backlash to DC Comics hiring sci-fi author, and outspoken gay-rights opponent, Orson Scott Card to write Adventures of Superman. Card is a board member of the organization, which works against the legalization of same-sex marriage. “This is completely un-American and it needs to be stopped,” Brown said. “Simply because we stand up for traditional marriage, some people feel like it’s OK to target us for intimidation and punishment.” NOM last year launched boycotts of Starbucks and General Mills because of their support of same-sex marriage initiatives. [The Huffington Post]
Retailing | Gabi Shepherd, owner of Olympic Cards and Comics in Lacey, Washington, talks about the importance of courting teenagers, who are often not welcome in other retail stores: “I have found that if I am going to make this the community center that I want to make it then the kids are a big part of that. It makes them feel good when they come in and someone knows who they are. It’s important. It’s respect.” [ThurstonTalk]
James Daily and Ryan Davidson intend to prove, beyond a shadow of a doubt, that every subject, even one as dry and forbidding as the law, is more fun when you add superheroes. Exhibit A: The Law of Superheroes, their new book based on their blog Law and the Multiverse, which seeks to do for their area of expertise what James Kakalios’ 2006 book The Physics of Superheroes did for his.
I lack a black robe and a gavel, so I’m not certain exactly how authoritative my judgment on this particular case can be, but I think the pair did a rather admirable job. I can’t say in good conscience that their book is a rollicking, can’t-put-it-down read — even with superheroes, it’s still a book about the law and other, um, legal stuff — but it’s certainly interesting, and, for those of us coming at it as longtime comics fans, it presents new ways of thinking about classic characters and their weekly adventures.
The book’s 13 chapters are divided into rather broad subjects like constitutional law, criminal law, international law and so forth, and breaks the subject down further with various articles falling under each chapter’s subject, pulling examples from comic books (and a few movies based on comic books, particularly the Christopher Nolan-directed Batman movies, Iron Man and the Spider-Man movies).
So, for example, the chapter on constitutional law contains articles on mutant rights, superpowers and the Second Amendment, forcible removal of superpowers, the death penalty as it might apply to immortal or nigh-invulnerable characters, and so on. It’s discussion of the law that mainly drives the book’s construction; where the superheroes come in is when it’s time to apply that law to the Marvel and DC universes (as well as the Ultimate universe and movie universes and so on). Copious footnotes are provided to direct an interested reader back to particular comics stories or particular laws and court rulings.