The Joker Archives - Page 2 of 4 - Robot 6 @ Comic Book Resources
While the big news to come out of Kevin Smith’s new “Fatman on Batman” interview with Grant Morrison is the new title for his long-teased Wonder Woman graphic novel, the most interesting part of the discussion may be when the subject turns to Batman: The Killing Joke.
The influential 1988 one-shot, by Alan Moore and Brian Bolland, is perhaps best remembered for The Joker’s shooting of Barbara Gordon, leaving the once and future Batgirl paraplegic. But after listening to Morrison’s interpretation of the book’s ending, Smith realizes the impact of The Killing Joke is far greater: “Alan Moore secretly wrote the last Batman story.”
Smoking Alien Productions has debuted the rough cut of Joker Rising, a fan film billed as “the dark and gritty story of the early days of the Joker and how he became what we know him as today.”
Clocking in at about 1 hour and 20 minutes, the film draws inspiration from director Christopher Nolan’s Batman trilogy, recasting familiar Gotham City villains like Killer Croc, The Penguin and The Riddler in a crime drama that’s light on costumes and masks. The filmmakers say they’re considering using Joker Rising as the foundation for a “Gotham crime trilogy,” with other members of the Dark Knight’s rogues gallery receiving the same dark treatment.
Comics| Brian Brown, president of the National Organization for Marriage, expressed dismay about the backlash to DC Comics hiring sci-fi author, and outspoken gay-rights opponent, Orson Scott Card to write Adventures of Superman. Card is a board member of the organization, which works against the legalization of same-sex marriage. “This is completely un-American and it needs to be stopped,” Brown said. “Simply because we stand up for traditional marriage, some people feel like it’s OK to target us for intimidation and punishment.” NOM last year launched boycotts of Starbucks and General Mills because of their support of same-sex marriage initiatives. [The Huffington Post]
Retailing | Gabi Shepherd, owner of Olympic Cards and Comics in Lacey, Washington, talks about the importance of courting teenagers, who are often not welcome in other retail stores: “I have found that if I am going to make this the community center that I want to make it then the kids are a big part of that. It makes them feel good when they come in and someone knows who they are. It’s important. It’s respect.” [ThurstonTalk]
James Daily and Ryan Davidson intend to prove, beyond a shadow of a doubt, that every subject, even one as dry and forbidding as the law, is more fun when you add superheroes. Exhibit A: The Law of Superheroes, their new book based on their blog Law and the Multiverse, which seeks to do for their area of expertise what James Kakalios’ 2006 book The Physics of Superheroes did for his.
I lack a black robe and a gavel, so I’m not certain exactly how authoritative my judgment on this particular case can be, but I think the pair did a rather admirable job. I can’t say in good conscience that their book is a rollicking, can’t-put-it-down read — even with superheroes, it’s still a book about the law and other, um, legal stuff — but it’s certainly interesting, and, for those of us coming at it as longtime comics fans, it presents new ways of thinking about classic characters and their weekly adventures.
The book’s 13 chapters are divided into rather broad subjects like constitutional law, criminal law, international law and so forth, and breaks the subject down further with various articles falling under each chapter’s subject, pulling examples from comic books (and a few movies based on comic books, particularly the Christopher Nolan-directed Batman movies, Iron Man and the Spider-Man movies).
So, for example, the chapter on constitutional law contains articles on mutant rights, superpowers and the Second Amendment, forcible removal of superpowers, the death penalty as it might apply to immortal or nigh-invulnerable characters, and so on. It’s discussion of the law that mainly drives the book’s construction; where the superheroes come in is when it’s time to apply that law to the Marvel and DC universes (as well as the Ultimate universe and movie universes and so on). Copious footnotes are provided to direct an interested reader back to particular comics stories or particular laws and court rulings.
Scott Snyder was already one of DC Comics/Vertigo’s rising stars when he began writing Detective Comics two years ago. In fall 2011, as part of DC’s New 52, Snyder moved over to the main Batman title and began writing Swamp Thing as well. His Batman work has helped put the title on a number of best-of-2012 lists, Swamp Thing is in the midst of the “Rotworld” crossover, and his collaboration with Jim Lee on a new Superman title will begin in 2013. American Vampire is going on hiatus for most of the year, but that will help him and artist Sean Murphy debut The Wake. I spoke with Snyder on Dec. 13, just after Batman #15 was published.
Thanks to Scott for his time, and to DC’s Alex Segura and Pamela Mullin for making the interview possible.
Tom Bondurant: I don’t know about the preliminaries [but] I will say that one phrase that kept coming to mind when I was thinking about interviewing you was that line from Ghostbusters: “How is Elvis, and have you seen him lately?”
Scott Snyder: [laughs] Thanks! Well, I’m a huge Elvis fan, so that really starts the day off right, hearing that.
Last week’s solicitation roundup included the prediction that “Death of the Family” would kill young Damian Wayne. As most of you know, Damian is supposed to be about 11 years old, was raised by the League of Assassins, and has served (for the past “year or so” of comic-book time) as the latest Robin, the Boy Wonder. The solicitations were strangely silent concerning him, and thanks to the peculiarities of comic-book deaths, I figured he could take it.
That was last Thursday.
Since last Friday, I have rolled around that morbid prediction in my head, along with countless other real-world doomsday scenarios and nightmare moments. I am a fantastically lucky individual, and that is not meant as any kind of boast. I mean it simply to say that nothing remotely horrible has happened to me — no broken bones, no extended hospital stays, no natural disasters; and certainly nothing as devastating as my child’s death.
Awards | Were women underrepresented in the first British Comic Awards? With three women and 13 men on the shortlist, some argue they were; Laura Sneddon follows the discussion, including those making that claim and those who responded. [The New Statesman]
Best of the year | Paste magazine lists its 10 best comics of the year, including Hawkeye, Saga and Building Stories. [Paste]
Best of the year | Rachel Cooke focuses on British graphic novels, although a few outsiders creep in as well, for her list of the best graphic novels of 2012. [The Guardian]
Digital comics | The top-selling digital comic may not be what you think: Rich Johnston reports that Ape Entertainment’s game comic Temple Run is the top paid book app in the iTunes store (it was No. 2 this morning). He also reveals that Ape Entertainment has sold a million copies of its digital Pocket God comic. [Bleeding Cool]
Publishing | Jen Vaughn and friends pay a visit to the offices of MAD magazine. [Flog]
Conventions | Corinna Kirsh files a report, with plenty of pictures, on last weekend’s Brooklyn Comics and Graphics Festival. [L Magazine]
Conventions | Organizers of Tokyo’s Comic Market (aka Comiket), the world’s largest self-published comic book fair, have received a threat letter, leading them to consider their options for the planned Dec. 29-31 event. The preparations committee said it has been in contact with local police and the Tokyo Big Sight, where the semiannual convention is held. The incident follows a series of threat letters containing powdered and liquid substances sent in the past month to more than 20 locations linked to Kuroko’s Basketball creator Tadatoshi Fujimaki. About 560,000 attended Comic Market 82 over its three days in August (that’s turnstile attendance, not unique visitors). [Anime News Network]
Creators | Patrick Rosenkranz catches us up on S. Clay Wilson, who suffered a massive brain injury in 2008 (the cause isn’t clear) and is still recovering. “Wilson’s favorite word is still ‘No!’ He used to be a motor mouth but now he’s mostly monosyllabic. After a long life dedicated to being the baddest boy in comix, he’s become a grand old man, but he’s no longer in his right mind. He used to be able to out-talk, out-booze, out-cuss, out-draw, and outrage almost anyone but he doesn’t drink, smoke, snort or draw dirty pictures any more. He doesn’t walk much either and seldom leaves the house, and only in a wheelchair.” [The Comics Journal]
German artist Uwe De Witt draws mainstream comics characters in an expressionistic but commercial style. He’s clearly a fan of the comics from the schools of Ben Templesmith, Bill Sienkiewicz and Simon Bisley. As well as publishing new images of Spawn every Monday, he regularly posts pastiches of old album art with comic book characters inserted into them. Some work better than others, when the original cover image and character choice make sense together, or as a visual pun: other times it’s just drawing bloomin’ X-Force for its own sake, really. But when it works, it really works. More examples below. (via Dangerous Minds)
Apparently, 2000AD group editor Matt Smith has nixed this Judge Dredd cover by Jason Latour. The specter of Frank Miller’s ill-fated cover commission was apparently raised. This must remain a sore subject with Tharg. Personally, I like this image, and can’t see anything wrong with it, but then, I’ve berated Smith for playing it safe with his art choices before and probably will again. More problematic work below — Steve Rude takes a controversial gig; Gary Erskine risks a stay in the Tower for treason; Graeme Neil Reid illustrates the most violent, foulmouthed superheroes of them all; Jim Woodring takes my theme’s title and makes it concrete, and more. And as usual, you may reckon some of this material is NSFW.
Here’s a Halloween treat: Feast your eyes on this amazing pumpkin sculpture of The Joker by ace pumpkin carver Andy Bergholtz. It took him eight hours to do, and Yahoo has a short video of the creation process (below). DC Comics commissioned the pumpkin as part of its Super-Villains Month, which also included an invitation for fans to vote for the ultimate super-villain team; The Joker was the runaway winner.
As written by Scott Snyder, penciled by Greg Capullo and inked by Jonathan Glapion, the lead story in Batman Vol. 2 #13 is a terrific kickoff to the latest Batman event. “Death of the Family,” the Joker-centric crossover running through the Batman line for the next few months, will eventually involve seven more ongoing series — including Batgirl and Batman and Robin, which we’ll discuss later — but this opening chapter by itself shows me that Snyder, Capullo and company intend to kick out all the stops when it comes to the Clown Prince of Crime.
Naturally, SPOILERS FOLLOW for this week’s Bat-books.
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Comics | Ahead of Joe Quesada’s appearance tonight on ABC’s Jimmy Kimmel Live, and the debut Wednesday of Uncanny Avengers, Marvel unpacks its Marvel NOW! initiative for the national press. “This ain’t a reboot, we’re simply hitting the refresh button. ‘Marvel NOW!’ simply offers a line-wide entry-point into the Marvel Universe that you’re already reading about,” Editor-in-Chief Axel Alonso says. Tom Brevoort, senior vice president of publishing, calls it “a game of musical chairs” for creators, who will be switched around to make things interesting. [The Associated Press]
Creators | Writer Gail Simone discusses the coming battle between Batgirl and Knightfall in Batgirl #13, as well as the impending return of The Joker: “The Joker is really the Elvis of comic-book villains. There’s no one with his primal star power, there’s no one else anywhere who has sent more chills up the spines of readers, because there genuinely is something terrifying about him.” [USA Today]
Publishing | IDW Publishing CEO Ted Adams discusses the company’s new IDW Limited program, which will produce small print runs of deluxe editions that will be marketed direct to the consumer. How small? The print run for the Blue Label edition of Teenage Mutant Ninja Turtles, Vol. 1 Deluxe Limited Edition will be 10 copies. “The only fair thing to do is to give the fans direct access on a first come first served basis,” he said. “We’re putting an incredible emphasis on quality, and that directly affects the quantity of books IDW Limited can produce. We’re designing new covers, building custom cases and paying the artists to do hand drawn sketch work to go with these books. The reality is that that’s all very expensive and unfortunately it makes it difficult for us to offer this line at the deep discount needed for traditional retail distribution.” [ICv2]
Libraries | Following the firestorm sparked last month when a youth library in Stockholm briefly removed Tintin comics because of their racial caricatures of Africans and Arabs, a survey finds that 10 percent of Swedish libraries have removed or restricted Herge’s books due to “racist content.” [The Local]