EXCL. PREVIEW: Crystal Wrangles NuHumans in "All-New Inhumans" #1
Manga | Viz Media announced Friday it will publish a print edition of One-Punch Man, which managed to garner an Eisner nomination in its digital-only format. Zainab Akhtar provides some background on the book and reproduces a review by David Brothers. [Comics and Cola]
Conventions | Scott Eric Kaufman follows Devin Pike, one of the organizers of Dallas Comic Con, throughout the three-day event and gets a good look at what goes on behind the scenes: “As I witnessed these lines [of fans] snakes down corridors and spill into causeways, they began to seem like a physical manifestation of the passion fans have invested in these individuals and the iconic characters they’ve played, and it’s up to people like Devin to ensure that that passion is rewarded with an experience that is, if not equal to it, at least a reflection of it.” [Salon]
Virtually every year, there’s a high-concept Eisner nominee that utterly baffles me. In 2009, it was Speak No Evil, the undocumented-immigrant parable where a guy has a hole for a mouth, and last year, it was the weird Ant Comic. This year, it’s probably going to be Brian Fies’ The Last Mechanical Monster.
It’s based on Fleischer Studios’ 1941 animated Superman short “The Mechanical Monsters,” probably best known as the first time, in any medium, Clark Kent stepped into a phone booth to change clothes. The first few pages of Fies’ comic look like screen shots of the original cartoon. After that intro, the the story picks up 60-plus years later. We’re already in some strange territory: a fan fiction is now in Eisner Award consideration. Only … this isn’t fan fiction about Superman or Lois Lane; it’s about the villain.
We’re also informed that “The Mechanical Monsters” is in the public domain (a factoid that took me back to when I first watched the cartoon, on a VHS purchased for cheap at Woolworths that stopped functioning after two viewings). That gives the comic an added layer of trickiness, but maybe this is as legit an adaptation as, say, CBS’s Elementary.