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On Saturday, Greenville, South Carolina, retailer Richards Comics & Collectables hosted an all-ages ComicFest featuring a range of guests, including Andy Runton, Van Jensen, J. Chris Campbell, Gregbo Watson, Duane Ballenger and Tracy Yardley. Judging from the Halloween Costume Contest photos, the event drew a fair number of children.
He’s written sentient living planets, talking wooden puppets and the Fastest Man Alive, but The Leg: Or, the Remarkable Return of the Disembodied Limb of Santa Anna may feature Van Jensen’s strangest protagonist yet.
Jensen teamed up with artist Jose Pimienta to tell the tale of, yes, the leg of Antonio López de Santa Anna, the famous Mexican general and president who fought for Mexican independence from Spain as well as against Texas rebels at the Alamo. He later lost his leg while fighting the French in the Pastry War.
And now the leg is back, in a graphic novel that Jensen and Pimienta hope to self-publish by raising funds through Kickstarter. They’re looking for $10,000 to bring story to print, while their $25,000 stretch goal would allow them to also release a Spanish-language edition.
I spoke with Jensen about the Kickstarter and his inspiration for this tale.
Next month will see the release of the final installment in Van Jensen‘s and Dusty Higgins‘ Pinocchio, Vampire Slayer series of books, Of Wood and Blood, Part Two. To mark this milestone as well as find out what creative projects he intends to pursue in the future, I cajoled longtime friend of the blog Jensen to do an interview. I was pleased to learn that while Pinocchio, Vampire Slayer is coming to a close, Joe Pimienta is illustrating Jensen’s upcoming graphic novel, The Leg. More immediately, Jensen will be busy this upcoming weekend in Atlanta–as he will be at Dragon*Con, so be sure to visit him if you are there.
Tim O’Shea: You’re ending Pinocchio on a high note, while the project seems to still be doing well. Why step away — and how hard was it to do?
Van Jensen: When Dusty and I were working on the first volume, I came up with this notion of how to explain where Pinocchio came from (the original story has him as a sentient piece of wood that is carved into a puppet, not a puppet that’s magically brought to life) and tie that into the origin of the vampires. We realized it would make a perfect contained storyline; the question was always whether the book would sell enough for us to explore the whole story.