Axel-In-Charge: Navigating the "Civil War II" Landscape, Bringing DMC to Marvel
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d start out with Legend of Luther Strode #1 (Image, $3.50). I was behind the times on the first series, but now I will raise my fist to the air and decree “NO MORE!” (to the stunned silence of my local comic shop owner). Justin Jordan really brought a different take on this story, but for me the sizzle on this is Tradd Moore’s art. It reminds me of Sam Keith’s middle-period during his Marvel Comics Presents Wolverine run, and that’s nothing but a good thing. After that I’d get Stumptown #4 (Oni Press, $3.99). Some might compare Dex’s journey to that of Jessica Jones in Marvel’s Alias, but it’s anything but. Greg Rucka really knows how to make a story feel more than just mere fiction. My third pick this week would be Invincible #98 (Image, $2.99), seeing Mark Grayson get his powers back – just in time to be stomped into the ground, from the looks of it. Reading this series since the first issue, I’m noticing the colorist change more and more here; John Rauch definitely is a step removed from FCO Plascencia, and I’m still getting used to it. Kirkman and Ottley are delivering here so well that Domino’s should be jealous. (ba-dum CHING!) Last up in my Wednesday haul would be Avengers #1 (Marvel, $3.99). I’ve noticed in doing Food or Comics for as long as I have how I’ll routinely follow writers but when they manage to get an artist I particularly like I’ll fall over myself trying to get to it. Case in point, this book, with Jonathan Hickman joining forces with Jerome Opeña to kick off a new era for Marvel’s flagship book. I’m all for “Jonathan Hickman’s Avengers,” but I’m even more excited to see Opeña’s take on this.
Archie Comics launched the latest incarnation of Red Circle Comics as a digital app that combined comics from the 1930s to the 1980s, featuring early superheroes like The Shield and the Mighty Crusaders with new, digital-first comics starring a teen superhero team, the New Crusaders, composed of the children of those original characters.
Now, six months after the launch of the app, Archie is changing its strategy a bit to bring the digital comics in line with print. Instead of releasing The New Crusaders as a six-page digital comic once a week, followed by a print comic with the same material at the end of the month, the company will publish the complete comic digitally and in print on the same day. Archie is also moving its Lost Crusaders comics, which fill in the gaps in continuity between the old comics and the new ones, from a fifth-week to a monthly schedule.
Robot 6 talked exclusively to Paul Kaminski, executive director of editorial for Archie Comics and editor of The New Crusaders, about the changes and what lay behind them.
Robot 6: The Red Circle app is unlike anything in comics, so I’m guessing there has been a learning curve. Can you talk a bit about what parts of it are working and which ones still need a bit of work?
Paul Kaminiski: Red Circle is all about creating the ultimate comic book experience — and the subscription-based initiative was able to bring that experience to readers every week for the entire run of Rise of the Heroes. While the weekly six-page installments of New Crusaders were well-received, fans of the series and people looking to jump on let us know that complete issues, in both digital release and in print, were the way to go with New Crusaders! Now that the next step for the series is on the horizon (coming this spring!) we’ve got a unique opportunity to take what we learned, listen to the fans, and build on the app for the next series.
• Of course you can’t have Comic-Con without news about Comic-Con itself. CBR’s Kiel Phegley spoke with CCI’s David Glanzer about the show, while Ryan Ingram spoke with Scott Morse about the Tr!ckster satellite event. And it seems like every non-comics media outlet reports on the show in some form or fashion; here’s an article by The Christian Post about religion and the show, for example. And finally, Tuesday brought the tragic news that a con attendee camping out for today’s Twilight panel was killed in front of the convention center after being struck by a car.
• I’m not 100 percent sure if it qualifies as Comic-Con news, but since it was officially announced in the Entertainment Weekly Comic-Con issue, let’s just go with it. Marvel’s big news going into the Con is that they plan to relaunch several titles later this year as part of “Marvel NOW!” Their recently released solicitations reveal they plan to cancel nine titles in October, but of course you can expect many if not all of them to come back in some form or fashion as Marvel NOW! rolls out.
• Mike Mignola and Hellboy return this December in Hellboy in Hell, the first four-issue miniseries in a series of miniseries about the title character’s post-demise adventures.
Archie Comics announced the return of their Red Circle superhero characters last fall as part of a digital subscription service that features new stories by writer Ian Flynn and artist Ben Bates alongside an archive of older Mighty Crusaders material. Then in April, they told Comic Book Resources that those new digital stories would be collected into print comics, and we found out last week those comics will debut next month at Comic-Con International in San Diego.
So we’ve got digital-first comics, followed by print comics … what comes next? Yep, trade-waiters rejoice, Archie shared with Robot 6 today that a trade paperback collection of New Crusaders: Rise of the Heroes is coming in April 2013. Here’s the solicitation text:
Looking through the previews of Archie’s New Crusaders revival the other day, I had this odd reaction that took me a while to work through. My first impulse was a sense of … dissatisfaction, perhaps, that it looked too “cartoony” and aimed toward kids, which was immediately followed by its own backlash as I remembered, oh, that’s right: that’s what they’re supposed to be.
Conventions | The Angoulême International Comics Festival has announced the Official Selections for the 2012 festival, which will be held Jan. 26-29 in Angoulême, France. Eddie Campbell’s Alec, Craig Thompson’s Habibi and Daniel Clowes’ Mister Wonderful are among the almost 60 graphic novels on the list. [Angoulême]
Editorial cartoons | The Columbus Dispatch suspended political cartoonist Jeff Stahler after finding that his Monday cartoon was too similar to a New Yorker cartoon published in 2009. At The Daily Cartoonist, Alan Gardner posts several of Stahler’s cartoons alongside earlier pieces with similar punchlines. While one can debate whether Stahler lifted his ideas from the older cartoons, it’s obvious that he drew them in his own style, unlike David Simpson, who was recently accused of copying Jeff McNally’s cartoons. [Comic Riffs]
Crime | Several pieces of original artwork, among other items, were stolen from the car of AdHouse Publisher Chris Pitzer while he was in New York City last weekend for the Brooklyn Comics and Graphics Festival. Pitzer is offering a reward for any information leading to the recovery of the artwork. [AdHouse]
Comics | John Jackson Miller slices and dices the October numbers for the direct market, noting that overall dollar orders for comic books, trade paperbacks, and magazines topped $40 million for the first time since September 2009. Orders rose 6.9 percent over September, the first month of DC’s relaunch. “While that may sound counter-intuitive, it isn’t when you consider that all those first issues continued to have reorders selling through October,” Miller writes. “Retailers with an eye on the aftermarket may also have some sense that second issues are historically under-ordered — something which goes at least back to the experience of G.I. Joe: A Real American Hero #2 in the 1980s, which wound up being much more valuable than its first issue.” [The Comichron]
Passings | Tom Spurgeon reports that author Les Daniels has passed away. Daniels wrote horror fiction and nonfiction books on the comic industry, which include Comix: A History of the Comic Book in America, Marvel: Five Fabulous Decades of the World’s Greatest Comics and DC Comics: Sixty Years of the World’s Favorite Comic Book Heroes. [The Comics Reporter]
To absolutely no-one’s surprise, I keep circling around Archie Comics’ announcement of their revival of their Red Circle characters in something approaching a mix of confusion and awe. There’s something there that seems compelling, but I’m not quite sure if I can work out what it is, just yet. Instead, I’m just thinking in bullet points. Continue Reading »
Fans wondering about the fates of the Red Circle characters DC Comics once licensed from Archie Comics can wonder no more — in advance of this week’s New York Comic Con, Archie has announced plans to bring them back next spring.
The New Crusaders by writer Ian Flynn and artist Ben Bates, will be part of a Netflix-like online subscription service offered by Archie and iVerse Media, according to an article in the New York Times. The service will offer an original six-page story and access to an archive of past adventures. “It will be a nominal monthly charge with access to new comics and thousands and thousands of pages from the archive,” Jon Goldwater, the co-chief executive of Archie Comics Publications, told the Times.
The new stories will feature old enemies tracking down the now-retired heroes (who live in the aptly named suburb of Red Circle), leading The Shield to head up “the next generation” of the team. Archie last published adventures of the Red Circle characters in the mid-1980s; DC Comics licensed them from Archie for its short-lived Impact line in the 1990s, then tried to integrate them into the DC Universe a couple of years ago. And again, the titles were short-lived. DC co-publisher Dan Didio confirmed this summer that DC no longer had the license to publish stories about the characters.