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Announced in June, the 296-page trade paperback collects The New York Four, the 2008 DC Comics/Minx graphic novel about four young women who move to New York City to attend New York University, and its 2010 sequel miniseries The New York Five.
Dark Horse will also collect the 12-issue Demo and its six-issue sequel, by Wood and Becky Cloonan, for release in April.
Brian Wood has unveiled Becky Cloonan’s new cover art for Dark Horse’s upcoming Demo omnibus, which will collect both volumes of their breakout series. As the writer notes, the art is an updated version of the cover for 2003’s Demo #1.
Dark Horse announced last week that it will publish the collection of Wood and Ryan Kelly’s 2008 graphic novel The New York Four and 2010 sequel The New York Five in November, followed by Demo in April. According to Wood, both will be “high-end softcovers,” with plenty of extras, akin to Dark Horse’s 2012 collection of Channel Zero.
Dark Horse will publish omnibus editions of The New York Four and The New York Five, by Brian Wood and Ryan Kelly, and Demo, by Wood and Becky Cloonan. Editor Sierra Hahn told Publishers Weekly the acquisitions are part of the company’s ongoing commitment to the young-adult market.
Published in 2008 by DC Comics’ short-lived Minx imprint aimed at teen girls, The New York Four centers on four young women who move to New York City to attend New York University. A sequel miniseries, The New York Five, debuted in 2010 from DC’s Vertigo imprint.
Demo, released from November to 2003 to November 2004 by AiT/Planet Lar, was the breakout book for Wood and and Cloonan, who had previously collaborated on Channel Zero: Jennie One. The 12-issue series, which tells self-contained stories about young people with supernatural powers (well, mostly), was most recently collected in 2008 by Vertigo, which later published Wood and Cloonan’s sequel.
Since I began interviewing comics creators back in 2005, I’ve talked to Brian Wood more than two dozen times. When we first spoke, Channel Zero had just been collected by AiT-PlanetLar and he was working on his second creator-owned project, The Couriers. Since then he grew into one of the biggest names in independent comics before graduating to the offices of DC’s Vertigo imprint, where he’s entered the mainstream with works like DMZ, Northlanders and his return to Demo. He recently completed writing his first work on company-owned characters in almost a decade, reviving Wildstorm’s Dv8 series. With DV8 and Demo v2 behind him and DMZ counting down to the final issues, Wood is redoubling his efforts on his Viking crime series Northlanders while getting ready for a new round of series — including one chronicling musicians that sounds like my new favorite comic.
Chris Arrant: Let’s start with an easy one – what are you working on today, Brian?
Brian Wood: Oh, I guess we’re starting off with me being lame and saying “its something I can’t talk about,” that’s yet to be announced. So let’s forget I said that and instead I’ll lie and say that today I started the first issue of the final year of DMZ. I’ll probably actually start on that tomorrow. I’ve also been on a real tear recently with coming up with new ideas and pitches, for some reason. I have that fear that all of us have at one point or another, which is the fear of not having another good idea ever again, the fear of not being able to create something to follow a current critical success. I mentioned DMZ in its final year. I also concluded Demo recently, and I finished writing DV8 many months back. A lot of stuff ending, and requiring a bunch of new stuff to replace it. A new “era” in my career, really, especially when it comes to doing something to follow DMZ. Anyway, after worrying too much I’ve enjoyed a real run of creativity, and have seven or eight mostly completed pitches just sitting here. Enough to last me a while.