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Film, Comic Books
Courtesy of Dark Horse Comics, we’re pleased to present a preview of the third collection of David Malki’s comic strip Wondermark. The strip appears online as well as in the print edition of The Onion.
Here’s a little more info on the quirky, funny strip:
It’s Wondermark time again! Come along for the ride as Dark Horse returns to David Malki’s silly, bizarre, and hilarious world that’s not quite present day, not quite the Victorian era, and not like anything else you’ve seen before. (Unless you’ve read the previous Wondermark books, of course!) This newest volume of the Eisner-nominated series contains over one hundred comic strips originally published in The Onion and on wondermark.com, plus many pages of additional material by creator David Malki. More than just webcomic collections, the Wondermark books have been praised for their magnificent design and loads of extra content for casual readers and superfans alike.
Check out the preview, which includes two exclusive pages, after the jump.
Earlier today, The A.V. Club, The Onion’s for-serious arts and criticism auxiliary unit, released its list of the Best Comics of the ’00s, featuring 25 comics/graphic novels and (separately) five reprint collections, ordered alphabetically. Now, it’s just one of many media outlets producing lists of this sort as the decade draws to a close — pretty soon, we’ll be able to come up with a “Best ‘Best Comics of the ’00s’ Lists” list — and disagreement with such exercises is to be expected. Indeed, it’s sort of the point. But I found The A.V. Club’s list problematic in ways that go beyond the usual “That book?No way!” and “Hey, you forgot about …” complaints.
So let’s start by getting those complaints out of the way, since they’re the most subjective. The list’s own introduction cites a quartet of comics that just missed the cut — Scott Pilgrim, Astro City, The Walking Dead and the work of Jaime and Gilbert Hernandez — and I could see reasonable cases being made for three of the four, not that I’d necessarily agree with them. Given the mainstream-accessible tenor of the list, I also think you can get enough of a sense of the standards being applied to argue for several obvious oversights: David B.’s Epileptic, Phoebe Gloeckner’s The Diary of a Teenage Girl and Joe Sacco’s Safe Area Gorazde, for example. Moreover, the titles selected for particular creators can leave you scratching your head: One! Hundred! Demons! instead of What It Is, the gag/parody-centric Acme Novelty Library oversized hardcover rather than Jimmy Corrigan, Rick Geary’s The Mystery of Mary Rogers instead of, well, any of Geary’s other old-time crime books. Finally, in some cases, I think the selected books are bettered by other, similar efforts: I’d have picked B.P.R.D. over The Goon for quirky horror-action, for example, or The Walking Dead over Y: The Last Man for lengthy post-apocalyptic serials, or Shortcomings over Box Office Poison for slice-of-life drama.