X-POSITION: Nicieza Body-Slides From "Age of Apocalypse" to "Deadpool & Cable"
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
The release of a new issue of Brian K. Vaughan and Marcos Martin’s excellent and, given recent news, timely The Private Eye is always enough to warrant a “Best of 7″ post. But the icing on the cake is that Vaughan revealed some sales data last week for the series thus far — and business has been good for the talented team.
Marcos Martin grew up reading American superhero comics imported to his native Spain, and for the first 13 years of his career, he lived, breathed and drew those heroes in titles like Batgirl: Year One, Doctor Strange: The Oath, The Amazing Spider-Man and Daredevil. But now he’s moved on, devoting himself primarily to creator-owned comics with a reach beyond the direct market. The first sign of that is The Private Eye, the digital comic he created with celebrated writer Brian K. Vaughan about the price of privacy in a futuristic world.
Both Martin and Vaughan have talked with CBR about their project, so for this installment of “Conversing on Comics” I reached deeper into the artist’s work, looking for his influences and his choices. The interview, conducted in late April via Skype, pulls back the curtain on Martin, an ambitious but private professional who’s looking to entertain not just the ardent comic book fan but also more mainstream readers interested in fiction and fables.
If, like me, you’re a big fan of The Private Eye, the digital comic by Brian K. Vaughan and Marcos Martin, you may be pleased to learn Panel Syndicate has opened a store where you can buy prints from the acclaimed sci-fi mystery set in a world where privacy is at a premium.
So now you can get 17.7-inch by 12.6-inch prints of Martin and colorist Muntsa Vicente’s covers for issues 1 and 4, or pages from Issue 1; there’s also a limited-edition black-and-white print. They’re $20 each, plus $10 shipping (except for that last one, which will set you back $50).
Here’s a great early Christmas present — the fifth issue of Brian K. Vaughan, Marcos Martin and Muntsa Vicente’s The Private Eye is now available for purchase on the Panel Syndicate website. Like previous issues, you can name your own price.
The science fiction detective story is set in an Internet-less future where everyone wears a mask to protect their privacy and stars an unlicensed journalist, who is drawn into a mystery. The story is planned for “10 issues total; an old-school ‘maxiseries!'”
Check out a preview below.
It’s been more than three months since we last saw a new installment of The Private Eye, the name-your-own-price digital comic by Brian K. Vaughan, Marcos Martin and Muntsa Vicente, but now the wait is over with the release of the fourth issue on Panel Syndicate.
Planned for “around 10 issues total,” The Private Eye is a sci-fi detective story set in a not-too-distant future where surveillance is so prevalent, and privacy so sacred, that everyone possesses a secret identity. Against that backdrop, the protagonist — an unlicensed journalist, akin to a private investigator — is drawn into a mysterious plot.
You can check out a preview of the 30-page fourth issue below.
Although it appears we’ll have to wait a while longer for the fourth issue of The Private Eye, the acclaimed digital comic by Brian K. Vaughan, Marcos Martin and Muntsa Vincente, Panel Syndicate is making the interim a little easier to endure with the release of The Making of The Private Eye, an 85-page “inside look at the creation of the digital comic.”
As with The Private Eye, readers are asked to name their own price for this special issue, which includes such behind-the-scenes content as Vaughan’s original pitch, Martin’s character designs and email exchanges between the creators. You can get a sneak peek below.
Digital comics | Financial-services company The Motley Fool touches upon how digital has helped to boost the comics industry, rather than undermine print sales as some predicted it would. “Digital has not to anyone’s observation pirated the sales of comics. It looks like just the opposite,” writer and charts-watcher John Jackson Miller tells the website. And then, because it’s The Motley Fool, the story veers off into what investors can learn from digital comics — specifically, “three forces [that] conspired to transform digital from a threat into a catalyst”: quality, format and access. [The Motley Fool]
Creators | Brian K. Vaughan talks about producing the CBS sci-fi thriller Under the Dome and writing Saga as well as his digital comic The Private Eye. His take on Saga: “I definitely wanted to write about the experience of fatherhood and parenthood while also recognizing that’s extremely boring for most people. How do you talk about these mundane topics in an exciting way? Hopefully setting this story in a wacky sci-fi fantasy universe has given us room to tell this story with some visual spectacle and just Fiona Staples being awesome.” [USA Today]
“I think the digital distribution revolution is maybe the best thing that’s ever happened to mainstream comics. I really miss the days when you could find a comics spinner rack in every drug store, but now anyone who owns a mobile device can have their own personal spinner rack, and it’s always stocked with every issue imaginable. I don’t know if creators at other companies are privy to exactly how many digital copies their books are selling these days, but the statements Fiona and I get from Image are pretty staggering. I realize that’s not true for every book, but the day when many titles start selling more digital copies than print copies is not years away, it’s months away.”
– Brian K. Vaughan, discussing digital comics in a new interview with Comic Book Resources about Saga and The Private Eye
More than seven weeks after the second issue debuted, Brian K. Vaughan and Marcos Martin continue their name-your-own-price digital comic with the release of The Private Eye #3.
A detective story that centers on timely issues of privacy and surveillance, The Private Eye is set in a not-too-distant future, where everybody in the United States has a secret identity: “Our protagonist is a member of the paparazzi, outlaw private investigators who dig up the kind of personal dirt no longer readily available through search engines. It’s a mystery with lots of masks, but no superpowers.”
Creators | Stan Lee, characterized by CNN as “the Godfather of comic book heroes,” is modest about his own achievements in a new interview: “If my publisher hadn’t said ‘let’s do superhero stories’ I’d probably still be doing A Kid Called Outlaw, The Two Gun Kid or Millie the Model or whatever I was doing at the time.” He reflects on the increased female audience for comics and discusses some new projects, including a new superhero, The Annihilator, created specifically for a Chinese audience. [CNN]
Comics| Chris Huntington reflects on the importance of Miles Morales for children of color, like his son: “… To see Spider-Man pulling his mask over a tiny brown chin – to see a boy with short curly hair sticking to the ceiling of his bedroom— well, something happened. Dagim has been Spider-Man for two Halloweens in a row. He takes a bath with his Spider-Man and a toy killer whale. He has Spider-Man toothpaste and a Spider-Man toothbrush. If Spider-Man offered medical coverage, I think he would want that, too. My son somehow understands that there is a Peter Parker Spider-Man, who is vaguely grown-up and my age, and a younger Spider-Man, closer to his age. That’s just how Dagim likes it. He even understands that Peter Parker — like Superman, like Batman – wasn’t raised by his birth parents. The best superheroes were all adopted like him.” [The New York Times]
Retailing | Naruto topped the May BookScan chart of graphic novels sold in bookstores, followed by two volumes of The Walking Dead, the latest volume of Sailor Moon, and Yen Press’ latest Twilight adaptation New Moon. Just three volumes total of The Walking Dead made the Top 20 (down from eight last month), and as usual, DC and Marvel got clobbered: DC had three titles on the list (two volumes of Court of Owls and Watchmen) while Marvel had one (Hawkeye), and none was above No. 15. Or to put it another way: Vol. 14 of Dance in the Vampire Bund, a high-numbered volume in a fairly niche manga series, placed higher than every Big Two book on BookScan last month. [ICv2]
Creators | With the second issue of their digital-only comic The Private Eye recently released, writer Brian K. Vaughan and artist Marcos Martin talk about their story, why they decided to do it digitally, and what the response has been so far. [The Verge]
About a month and a half after the debut of The Private Eye, the name-your-own-price digital comic from Brian K. Vaughan and Marcos Martin, the duo is back with the second issue of the futuristic detective story.
In case you’re a little late to the game, The Private Eye is set in 2076, “when everyone in the United States has a secret identity. Our protagonist is a member of the paparazzi, outlaw private investigators who dig up the kind of personal dirt no longer readily available through search engines. It’s a mystery with lots of masks, but no superpowers.”
The 32-page second issue is now available on the Panel Syndicate website. As “name-your-own-price” suggests, you can pay whatever you choose, although the Vaughan and Marcos think 99 cents is fair (the writer says $3 seemed to be the most common payment for the first issue).
Hard to believe, but this month marks four years since I first interviewed artist Peter Krause about his return to comics. More immediately, today marks the return of Mark Waid and Peter Krause’s Insufferable at Thrillbent 2.0 with a new arc, “On the Road.” Through Thrillbent 2.0, Insuffereable: On The Road is free to view and download or embed — there are plenty of ways to enjoy the somewhat reconciled father-son team of Nocturnus and Galahad (seemingly led by the smarter than both of them, Meg). In addition, there are bundled editions of the first Insufferable arc (with extras) for sale at comiXology.com.
Tim O’Shea: How did Mark Waid convince you to try working in a then-relatively new medium like digital comics on Insufferable?
Peter Krause: The main attraction was that I’d get to keep working with Mark. I really valued the time we’d spent on Irredeemable for BOOM! I stepped away from that book because of time constraints — I was doing non-comics work that was making it harder to bring an “A” game to Irredeemable.
“I’m delighted to say that many more people paid us than didn’t. Those who opted to pay something paid at least 99 cents, and I don’t think too many people paid more than $5. Three bucks, the cost of most new paper comics, seemed to be a common payment.”
– writer Brian K. Vaughan, revealing to The New York Times the lowest and highest amounts paid for the first issue of The Private Eye, his digital collaboration with Marcos Martin and Muntsa Vicente. Readers were encouraged to name their own price, with 99 cents as the recommended amount.
In “By the Numbers,” ROBOT 6 takes a look back at the events of the past five days … in numbers.
With Thursday’s announcement that Neil Gaiman is returning to the Marvel Universe and bringing with him Angela, the character at the center of his eight-year legal battle with Todd McFarlane, we’re left to wonder about the whereabouts of Marvelman. We also look at the surprise departures at DC Comics, and what the right price is when you name your own.