Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
Publishing | Comics archivist and publisher Rachel Richey will launch a Kickstarter campaign in September to fund a collection of Johnny Canuck comics. Created by Leo Bachie and published from 1941 to 1946 by Dime Comics, the character was a super-patriotic hero who once fought Hitler mano-a-mano. Richey was behind last year’s successful Kickstarter to revive another uniquely Canadian character, Nelvana of the North. [Global News]
Digital comics | Todd Allen chats with the Madefire folks about branching out to Windows 8; they launched a free five-issue Transformers motion comics on Windows 8 just last week. Madefire is also available on iOS and via DeviantArt. [Publishers Weekly]
Welcome to Best of 7, where we talk about “The best in comics from the last seven days” — which could be anything from an exciting piece of news to something great fans are doing to an awesome comic that came out. So let’s get to it …
Business | Bitstrips co-founder and CEO Jacob “Ba” Blackstock, whose DIY avatar and comic strip app exploded in 2013, reflects on the lessons of the year, and sketches out the Toronto company’s goals for 2014. Unsurprisingly, those include finding more uses for its comics and, y’know, making money (earlier this month, Bitstrips confirmed a $3 million injection of venture capital, which will go toward more engineers, artists and designers). [Entrepreneur]
Creators | Tom Spurgeon interviews Nate Powell about his work on March, the graphic novel memoir of Rep. John Lewis’ experiences in the civil rights movement, and one of the most acclaimed books of the year. [The Comics Reporter]
With just a week until the start of New York Comic Con, Dark Horse has announced its convention-exclusive comic books and merchandise. All items will be available at the publisher’s booth (#1636).
New York Comic Con will be held Oct. 10-13 at the Jacob Javitz Center in Manhattan.
Publishing | Although there’s been no official announcement beyond an Amazon listing, Fantagraphics is set to publish a Don Rosa Library line, beginning next summer with the 248-page hardcover Uncle Scrooge and Donald Duck: “The Son of the Sun.” That was the title of the cartoonist’s first Scrooge McDuck comic, released in 1987. [The Comics Reporter]
Creators | Writer and editor J.W. Rinzler talks about adapting George Lucas’ initial draft of the Star Wars screenplay into the Dark Horse comic The Star Wars: “This is not something you could film. Here’s a giant city and then here’s a giant vista filled with huge spacecraft. (Lucas) was doing his blue sky version of what he wanted to do. He knew this was not going to be filmable.” [The Associated Press]
USA Today has premiered the trailer for The Star Wars, the upcoming Dark Horse miniseries based on George Lucas’ rough draft for his 1977 blockbuster. Announced in April at WonderCon, the project is written by LucasBooks Executive Editor J.W. Rinzler and drawn by Mike Mayhew.
Lucas’ original 1974 version, called The Star Wars, featured elements that found their way, in substantially altered form, into ground-breaking movie franchise: “lazer swords,” Jedi Annikin Starkiller, General Luke Skywalker, an alien Han Solo, and evil Sith Knights.
“You can teach a college course on how he got from that story to his first Star Wars film,” Rinzler tells the newspaper. “Francis Ford Coppola read the rough draft and thought it was pretty good. He wasn’t really sure why George was changing it.”
The eight-issue miniseries debuts Sept. 4.
Gather ‘round, kiddos, because we begin with another tale of Gen-X adolescence!
From 1977 through 1986, I grew from a snot-nosed third-grade punk into a snot-nosed (I had allergies) high-school senior, accompanied along the way by at least one big-budget sci-fi/fantasy movie milestone.* Specifically, right in the middle of the run were three sequels by which every self-respecting fan swears: The Empire Strikes Back (1980), Superman II (released in the United States in 1981) and Star Trek II: The Wrath of Khan (1982). Each built on its predecessor using darker elements and/or more “mature” themes, because each had the sequel’s luxury of an established setting.
For Young Tom, though, the cumulative effect of these three movies was mind-expanding, if not mind-blowing. I’m not talking about Empire’s Big Reveal (echoed coincidentally in Khan) or the unsettling sight of a powerless Clark Kent. Instead, each catapulted the fevered suppositions of a junior-high imagination to higher levels of awareness. I went into the theater each time wondering will this be as good? and came out giddy at how much better each one was.
So what’s this have to do with comics? Read on …
Whether WonderCon stays in Anaheim is still up in the air, but no doubt it’s already becoming a favorite event for Southern California. Year Two already appears exponentially more successful than last year, when WonderCon first took up residence in Disney Town.
Three-day badges and badges for Friday and Saturday sold out early, when last year you could easily do a walk-up on any day. The fast acceptance of WonderCon is at least in part due to those burned out on Comic-Con International or frustrated at the five-second sellout looking for a local alternative. It’s not just a good substitute, it’s a great convention. It also had the first big comics announcements of the year to kick off convention season. Looking through coverage here at Comic Book Resources and beyond, there were plenty of things that ranged from boring to intriguing to exciting, but three stood head and shoulders above the rest because of their potential to appeal to larger audiences.
With comics sales on the rise, these publishing moves not only do their part in boosting momentum but in helping the gradual shift of social perception of the comics form. Comics like these always excite me because it’s a reminder of the unique reach comics can have in grabbing people’s attention when the right pieces are in place. More and more these days, there are comics for anyone and when innovative thinking is applied as it is here, they stand a better chance in reaching people that don’t make it a habit of seeking out comics. Of course, comics have long had a problem getting these kinds of things right, so as we’ll see there are challenges, but the potential is exciting.
In what Lucasfilm and Dark Horse call “the biggest event in the history of Star Wars comics,” the publisher revealed over the weekend at WonderCon it will adapt George Lucas’ rough-draft original screenplay for the 1977 blockbuster.
Debuting in September, the eight-issue miniseries will be written by LucasBooks Executive Editor J.W. Rinzler and drawn by Mike Mayhew.
Lucas’ original version, called The Star Wars, featured elements that found their way, in substantially altered form, into ground-breaking movie franchise: “lazer swords,” Jedi Annikin Starkiller, General Luke Skywalker, an alien Han Solo, and evil Sith Knights.
“I’m not sure where I first read about The Star Wars—it was years and years ago — but the idea of Luke Skywalker being an older Jedi General, and Han Solo being a six-foot-tall lizard, turned my Star Wars fan brain on its side,” longtime Star Wars editor Randy Stradley said in a statement. “I always assumed this would be one of those stories that would be ‘lost to history,’ so getting to work on bringing it to life is kinda like a dream come true.”