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TV, Comic Books
Danica Novgorodoff’s The Undertaking of Lily Chen is a road story, a love story, and something completely different as well. Set in modern-day China, it follows the quest of Deshi, a young man whose parents blame him for his brother’s death, on a quest to find a ghost bride for his brother, the corpse of a young woman who will be buried with him and keep him company in the afterlife.
Deshi’s attempts to find a fresh corpse are a washout, and he ends up instead with the very much alive Lily Chen, who is only too happy to escape her hardscrabble existence — and has no idea what Deshi has in store for her.
Novgorodoff deftly mixes elements of traditional and modern-day China in her story, and she illustrates it with beautifully rendered watercolors. I had a chance to talk to her about it last weekend at MoCCA Arts Fest.
Brigid Alverson: How did the story evolve?
Danica Novgorodoff: I started writing it based on these two characters I had I my head, Deshi and Mr. Song, so it took me a while to find the right character for Lily. I knew there would be a girl. I had originally conceived of it as a kidnapping story, and it really didn’t work out the way I had written it because in that situation she was not a powerful character, and I didn’t like that. So I kind of rewrote the plot based on her character, based around who I wanted it to be. I also thought of it as a Western — in a classic Western, there’s a big shootout and everybody dies in the end. That’s how I first wrote it, with everyone dying in the end. It just wasn’t the story I wanted it to be. I don’t need a happy ending, I don’t necessarily need that, but I eventually realized that at the core of this story was a love story, not a death story. I didn’t think of it as a western, but I still felt the relationship between the two characters really came through. I rewrote the ending several times until I found the ending I thought worked out.
Comics | Tammy Oler considers the roles of Captain Marvel and Ms. Marvel within a growing movement to make superhero comics more diverse: “The devoted fans in the Carol Corps and Kamala Korps view themselves as part of a movement for a bigger and more diverse comic book universe, and it seems like publishers might finally be starting to pay attention. Both Ms. Marvel and the rebooted Captain Marvel are part of Marvel NOW!, an effort by the publisher to attract new readers by providing a lot of accessible places for new readers to jump on board with ongoing series. (DC Comics has done something similar with its New 52 initiative.) Marvel and DC have also taken some steps to address their lack of superhero diversity, in part by launching some new female solo titles, including Black Widow, She-Hulk, and Elektra. Of course, there’s a whole world of mainstream and indie publishers beyond Marvel and DC, but the big two still matter the most because they create the pantheon of superheroes that make it into movie theatres and onto the racks of Halloween costumes at Target.” [Slate.com]
Crime | Police in St. Charles, Missouri, have arrested 24-year-old Adam Radigan and charged him in the Monday-morning robbery of a comic store employee. The robbery occurred in the parking lot as the employee walked out of the Fantasy Shop with a bank bag that contained $26 in coins. The suspect allegedly indicated he had a gun and demanded the bag; after the employee handed it over, fled on foot. Nearby schools were briefly locked down after the incident. [The St. Louis Post-Dispatch, KDSK]
Comics | “Seattle and the Northwest have carved a lasting niche in the comics world by applying the same traits to cartoons that we apply to music — lo-fi, provocative and introspective. Our comics are often funny as in peculiar, not necessarily funny as in laugh-out-loud, our heroes bumbling rather than swashbuckling”: Tyrone Beason looks at Seattle’s thriving alt-comics scene, and talks with Peter Bagge, Ellen Forney, Tom Van Deusen and the organizers of the Short Run Comix and Arts Festival. [The Seattle Times]