Comic-Con Trailers: The Best of the Best, Ranked
Hot Toys has revealed its second series of Avengers: Age of Ultron Artist Mix figures, designed by Touma, which includes The Vision and Iron Man Mark XLV.
The 13-centimeter-tall bobbleheads are joined by Thor, Iron Legion and the Incredible Hulk (who towers over the others at 14.5 centimeters). The deluxe set includes an exclusive gray Rampaging Hulk.
Superheroes sprang from the era of pulp icons like The Phantom and Doc Savage, and now cartoonist Chris Schweizer has some of today’s most popular costumed characters back to their roots.
In a project undertaken just for fun, the creator of The Crogan Adventures imagined some of the Avengers and X-Men as they might’ve appeared in the 1920s and 1930s in a series called “Marvel Pulp.”
In the buildup to Avengers: Age of Ultron, Hot Toys has been wowing fans by revealing one movie-accurate collectible figure after another, from Captain America and Ultron Prime to the Incredible Hulk and War Machine. However, the company has been holding back one at least one character, whose introduction in the Marvel Studios sequel is eagerly anticipated: The Vision, as played by Paul Bettany.
This morning, however, Hot Toys unveiled a tantalizing teaser:
All 13 characters have been revealed for The Marvel Experience interactive tour, and at least a couple may surprise you.
As depicted in the above image, debuted by Yahoo, the usual suspects — Spider-Man, Iron Man, Captain America, Thor and the Incredible Hulk — will be joined by Wolverine, Black Widow, Nick Fury, Maria Hill, The Vision, She-Hulk, Iron Fist and Black Panther.
“This is the only place you’ll see them together, and we’re proud of that,” Rick Licht, CEO of tour producer Hero Ventures, is quoted as saying. That’s in part because the film rights to Wolverine and Spider-Man are held by Fox and Sony, respectively.
Hello and welcome to What Are You Reading?, our weekly look at the comics, books and whatever else we’ve been checking out lately. Today we are joined by guest Evan Young, an “influential pioneer” of digital literature and creator of the digital graphic novel The Carrier. He’s currently raising funds for his next project, The Last West, via Kickstarter, so head over there and check it out.
To see what Evan and the Robot 6 team have been reading, click below.
As I said a while back, comics seems to be having an increasing influence on fine art and illustration. One aspect of this is fine art fetishizing the iconography of comics. You may already have seen the work of the photorealist Glennray Tutor, and his still lifes of toys and fireworks often positioned around comic art, like the above shot of some marbles illuminating a romance comic. Tutor is using comic art as a signifier of pure Americana, as American as the vinyl Donald Ducks or bottles of hot sauce he also takes as subject matter.
It’s hard not to see his influence upon the painter Matthew Bone. Bone isn’t a photorealist, and he utilizes the artifacts of nerd culture in a similar way to a very different end. His work literally fetishizes comics and toys: a semi-nude woman writhing on a bed of old Marvel comics; a pair of erotically charged models salivating over a Gundam toy; a nude in a Darth Vader helmet clutching handfuls of Storm Trooper action figures to her breasts; another mock-fellating a Gamorean guard toy. The bio on his website claims “by utilizing the conventions of pop culture, and it’s willingness to embrace the artifice as the sincere, Matthew is able to create a re-envisioned modern mythology.” That’s quite a claim for what a less sympathetic critic might just call an inappropriate fixation upon the pop cultural iconography of his youth mixing with a retrogressive view of female sexuality — NSFW examples below. Also below: Michael Latimer, the street art
swiper Lichtenstein, and Sam Spratt.