The Walking Dead Archives - Page 2 of 12 - Robot 6 @ Comic Book Resources
Considering we established long ago that Soylent Green is — spoilers! — people, it should come as no real surprise that a new Walking Dead tribute beer contains brains, right? Goat brains, to specific.
All right, maybe it’s a little surprising.
On Sunday, Dock Street Brewing Co. in Philadelphia will debut Dock Street Walker, an American Pale Stout brewed with wheat, oats, flaked barley, organic cranberry and — wait for it, wait for it — smoked goat brains.
“In true walker fashion, don’t be surprised if its head doesn’t hang around forever,” the microbrewery jokes.
“Gourmet mushrooms and potentially hallucinogenic herbs are one thing, but smoked brains … really?” the Dock Street website reads. “Believe it or not, much of the world considers brain to be a true delicacy. Think Indiana Jones and the Temple of Doom, but not ridiculous. Many also believe that using every part of the animal not only increases and encourages sustainability, but also honors the animal’s life and death.”
The beer’s unveiling on Sunday coincides with the season finale of AMC’s The Walking Dead.
Conventions | Rob Salkowitz, who wrote a book about Comic-Con International, looks forward to this weekend’s sold-out Emerald City Comicon, and explains why it represents the convention of the future: “One reason ECCC is such an ideal place to talk about the future of comics is because the show itself looks like the future of comics–at least the one that I call ‘The Expanding Multiverse.’ Supportive of creators and celebrities alike, embracing the broadest conception of styles and subjects from indie work to mainstream superheroes, self-consciously diverse and inclusive in its conception of fandom, ECCC and shows like it represent a sustainable path forward for geek culture in an age of super-saturation and sensory overload.” Salkowitz will be a participant, not just a fan: He has developed a programming track on comics and digital culture that will feature a number of people (IDW’s Ted Adams, Monkeybrain’s Alison Baker) giving short presentations, similar to the format and spirit of TED Talks. [ICv2]
As grim as The Walking Dead has frequently gotten over the past decade, it turns out the hit series could’ve been a lot darker. A lot.
During a far-ranging Reddit AMA on Wednesday, creator Robert Kirkman was asked how the story changed from what he originally envisioned. “The story has evolved and continues to evolve,” he acknowledged. “Originally my idea was that they live in a high school for a while … that changed to a prison very early on. There were characters that were going to die very early on … but didn’t, and vice versa.”
The Walking Dead has walked at a brisk pace from comics to television to video games and more, and now an enterprising doll modder known as Peewee Parker is bringing the series’ deadliest zombie killer to Barbie.
Revealed in a series of photos replete with special effects, Parker has created a custom Barbie doll made to look like Michonne from The Walking Dead. The mod is based on the television version of the character (played by Danai Gurira) rather than the one from the comics, but Parker earns high marks for this detailed custom work.
AMC and Finnish developer Next Games are producing a mobile game based on The Walking Dead, the hit television adaptation of the bestselling comic series by Robert Kirkman, Tony Moore and Charlie Adlard.
The game is scheduled to launch in October to coincide with the Season 5 premiere of the TV series.
“Cowboys & Aliens was a completely manufactured myth of a comic book. They went in and sold the idea of Cowboys & Aliens based on a one-sheet of what they thought the cover of a comic book might be, then sold it as a movie, then created as a comic book. They backed in to the comic book part of it. The book itself isn’t actually very good. It’s worse than the movie.
I did another one like that — Hellbenders was an idea that J.T. Petty had, and he wrote it as a script. One of the producers got the idea to pitch it around as a comic book. As soon as something is a graphic novel or a comic book or has another life in a another medium, people sit up and take notice and are more willing to write the check.
I don’t know why that is — well, I think it’s obvious why that is: Because the traditional properties like Superman and Batman and the Marvel characters — Spider-Man and so on — they’re all money machines. So, people are trying to create that. [...] Everything is being optioned now to be turned into franchises because of the success of Walking Dead and a few that have made the transition. Mostly, people walk into a room and pitch a movie — and the first question if they don’t say it in the original pitch is, ‘Is this a graphic novel or comic?’ and of course you say, ‘Yes’.”
– actor Clancy Brown, who has a good deal of experience with comic-book adaptations, discussing Cowboys & Aliens Hollywood’s continued attraction to comics
VentureBeat reports that Jon Goldman, previously chairman and CEO of Foundation 9 Entertainment, will focus on emerging and new business, overseeing “the strategic direction for the company and [operating] businesses around games and live events.”
“Our collective goal is to build major enterprises surrounding the remarkable worlds that Robert creates within his comics all while remaining true to fans,” Goldman is quoted as saying.
The news comes just a week after Skybound announced that its “Walking Dead Escape” obstacle course, already popular at Comic-Con International and New York Comic Con, will launch a cross-country tour in April. The bestselling Walking Dead comic series has, of course, already spawned a hit television drama (with a spinoff in development), video games and numerous collectibles.
Launched in 2010, Skybound is an Image Comics imprint that serves as home to Kirkman’s titles, like The Walking Dead, Invincible, Thief of Thieves and the upcoming Outcast, as well as books from other creators — among them, Witch Doctor, Manifest Destiny and Dead Body Road.
Publishing | Retail news and analysis website ICv2 breaks down November’s comics sales to the direct market and finds year-to-date sales up 9.33 percent over last year, with an 11.09 percent increase in comics and 5.55 percent in graphic novels. Batman #25 topped the comics chart with more than 125,000 copies, followed at No. 2 by Harley Quinn #0 with about 114,000. In the graphic novel category, the latest volume of The Walking Dead led with about 25,000 copies sold in November. ICv2 also lists the top 300 comics and graphic novels for November. [ICv2]
Creators | Molly Crabapple talks to Art Spiegelman, and draws his portrait as well. [Vice]
Graphic novels | Five volumes of The Walking Dead made the November BookScan list of the Top 20 graphic novels sold in bookstores. As ICv2 points out, the fact that the first volume is still charting (at No. 13) bodes well for the series, as it means new readers are continuing to come in. The latest volume of Naruto took the No. 2 slot, and there were nine volumes of manga overall, including three volumes of Attack on Titan and the newest volume of Yotsuba&! There were five DC Comic titles on the list, as well as the latest volume of Dark Horse’s Avatar: The Last Airbender. Completely missing from the Top 20? Anything from Marvel. [ICv2]
Publishing | After three years at DC Entertainment, John Rood will step down on Jan. 1 as executive vice president of sales, marketing and business development. The position is being eliminated, with marketing and publicity to fall under the auspices of Amit Desai, senior vice president of franchise management. Sales, custom publishing and business development will again be overseen by Co-Publishers Dan DiDio and Jim Lee. [The Beat]
Gift Guides | Here’s a spin on the traditional gift guide: Ten things not to buy a comics fan. [Crave Online]
To help promote the fourth season of The Walking Dead, Fox Germany opted for an approach that’s a bit tongue-in-cheek — or, rather, finger in cheek.
Electronic billboards in select Berlin subway stations advertise what appears to be a makeup remover called “Good Night Cleansing Program,” and show a model demonstrating the product. But as pedestrians walk by, the image changes to reveal a zombie (below), accompanied by information about when and where to watch the hit comic-book adaptation.
The ad was created by German agency Saint Elmo’s, which was inspired by the realization that horror genre is as popular with women as it is with men.
As Creative Managing Director Dennis Pfisterer explained in a statement published by The Hollywood Reporter, “We drastically countered the outdated cliche that all horror fans are male by using a cliched image in the style of a beauty product ad, so that we could appeal above all to female horror fans, alongside male fans, with this concept of a ‘makeup removal program for good TV nights.’”
The campaign, which debuted earlier this month, ends Monday, but Fox Germany indicates it could expand beyond Berlin to other major cities in Germany, Austria and Switzerland.
Conventions | WonderCon organizers have announced that next year’s show, set for April 18-20, will again be held in Anaheim, California. This will be the third year for the event at that location, after having been uprooted from its longtime home at San Francisco’s Moscone Center first because of remodeling and now because of scheduling conflicts. [Los Angeles Times]
Publishing | Nick Barrucci, CEO and publisher of Dynamite Entertainment, looks back on 10 years in the business, and discusses some upcoming comics, including J. Michael Straczynski’s Twilight Zone and the new kids’ line Li’l Dynamites. [Previews World]
Graphic novels | Between them, Attack on Titan and The Walking Dead claimed nine of the 20 spots on BookScan’s October rundown of the top-selling graphic novels in bookstores. The first volume of Attack on Titan led another strong month for manga, which placed nine titles in the Top 20. New DC Comics books, rather than simply evergreen sellers, made an appearance, too, with the Batman: The Court of Owls mask and book set, the Joker: Death of the Family hardcover and the third Justice League hardcover landing in the Top 10. [ICv2]
Creators | Joe Sacco talks about his work, his collaboration with journalist Chris Hedges, and why he doesn’t portray himself with eyeballs. [Straight.com]
Despite what you may have heard, the real threat to America may not be illegal immigration, same-sex marriage or even Obamacare. No, it turns out that it’s Robert Kirkman & Co.
In an editorial on FoxNews.com, Dr. Manny Alvarez asks, “Is watching The Walking Dead seriously hurting American society?” Before anyone has a chance to consider the question, Fox News Channel’s senior medical contributor answers with a confident “Yes.” And with that solved, Alvarez is free to focus on other pressing concerns, like the nature of Batman and Robin’s relationship, or, y’know, the dangers of socialized medicine or something. Then again, maybe not.
After teasing the number last week in USA Today, Image Comics officially announced The Walking Dead #115 — the 10th-anniversary issue that kicks off the storyline “All Out War” — immediately sold out on the distributor level its day of release, shipping more than 352,000 copies to the direct market. That makes the issue the top comic of the year to date in specialty shops, beating the estimated 308,000 copies sold in February by Justice League of America #1.
The landmark 100th issue of the series, by Robert Kirkman, Charlie Adlard and Cliff Rathburn, was the top-selling comic in the direct market in 2012, setting set a new record for highest orders for a comic in a single month with an estimated 366,000 copies.
The official announcement on Tuesday of a new horror series by Robert Kirkman looks promising, but can it repeat the success of The Walking Dead? The co-creator of one of most successful comic books of the past decade has become one of the high-profile figures in the industry, so the new project (with artist Paul Azaceta) calls out for a closer look.
When his zombie comic debuted in 2003, Kirkman was primarily known for superhero comics, like the more traditional Invincible, which had launched only months earlier, or the parody Battle Pope. A black-and-white horror comic that had none of the Spider-Man-style lightheartedness of those early Invincible issues or the dark humor of Battle Pope was unexpected from the writer. Even his lesser-known work, like Tech Jacket, Brit, Superpatriot or (how’s this for obscure?) the Masters of the Universe: Icons of Evil one-shots and Space Ace, all typically fell somewhere within that spectrum, never getting too dark and sometimes heading into outright comedies. Of course, any writer worth his salt can do more than one genre or tone. The Walking Dead definitively stepped out of his known territory, immediately proving itself to be startlingly tense, dark and dead serious. And like 30 Days of Night the year before, it demonstrated once again that comics could do horror.
Word of mouth about the series soon spread, with sales of each issue improving during an industry-wide slump. It became a cult hit, and by the time the first collected edition was released, back issues were beginning to spike on the resale market. Each subsequent year, sales seemed to grow exponentially, until it became the perennial hit that it is today. Needless to say, this led to a television deal with AMC and the pop culture phenomenon that it’s become, which has helped accelerate a zombie craze.