X-POSITION: "Extraordinary X-Men's" Lemire Plans the Fall of Kingdoms
Graphic novels | December’s Nielsen BookScan list of the Top 20 graphic novels sold through the book channels looks markedly different from previous months because it now includes nonfiction. That actually makes it a much more interesting chart, with Roz Chast’s memoir Can’t We Talk About Something More Pleasant? taking the top spot, followed by the first two volumes of The Walking Dead Compendium, the fourth volume of Saga and the Oatmeal book The Terrible and Wonderful Reasons Why I Run Long Distances (which is apparently classified as nonfiction) showing up at No. 5. The chart, which tracks books sold in retail bookstores, some mass market stores and Amazon, also included a couple of much-hyped December debuts, the first collected volume of Ms. Marvel and Richard McGuire’s Here. [ICv2]
Political cartoons | In the wake of the Charlie Hebdo shootings, Zeidy David revisits the case of Palestinian cartoonist Mohammad Saba’aneh, who was arrested in Israel and held without charges for several months before being given a five-month sentence and a fine for “contact with a hostile organization” — a Jordanian publisher with whom he had discussed a possible book. [Mint Press News]
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Two sure signs the year is drawing to an end: It’s snowing in Massachusetts and the Best of the Year lists are starting to appear. Publishers Weekly released theirs yesterday, and there’s something interesting about it: Although there is a separate category for comics, several graphic novels are nominated in other categories as well.
This is by no means unprecedented—after all, Maus, one of the first graphic novels, won a Pulitzer Prize—but we seem to be seeing more of it. Roz Chast’s Can’t We Talk About Something More Pleasant? won the inaugural Kirkus Prize for Nonfiction. This is a prize with only three categories, yet two graphic novels made the final round (the other was Cece Bell’s El Deafo, which was a finalist in the Young Readers category). Gene Yang was a speaker at the National Book Festival gala in September, giving him a prominent platform to speak to general readers who might pick up a graphic novel, as opposed to die-hard fans of the medium, and it’s become more and more common for graphic novels to make the shortlists for general book awards.
Conventions | With the 20th Small Press Expo kicking off Saturday in Bethesda, Maryland, The Washington Post’s Lori McCue singles out three of the show’s biggest draws: appearances by Jules Feiffer, Lynda Barry and Bob Mankoff. Meanwhile, Michael Cavna spotlights Fear, My Dear, the new release from convention guest Dean Haspiel. [The Washington Post]
Creators | As he prepared to head out to Small Press Expo, Farel Dalrymple paused for an audio interview about his newest book, The Wrenchies, which will debut at the show. [Comics Grinder]
Creators | Writer Tom Taylor teases what we can expect in his new Superior Iron Man series. [Previews World]
Comics | Writing for The Advocate, Jase Peeples takes note of the diversity of DC Comics’ extended Batman family — from Batwoman to Batwing to Barbara Gordon’s roommate Alysia Yeoh — and talks with writers Gail Simone, Grant Morrison, Marc Andreyko, Tom Taylor and Chip Kidd. “I would like to think that people can pick up books like Batman Incorporated or The Multiversity and see their own lives reflected,” Morrison says. “But I’d always caveat that with the need for us to see more diverse writers and artists, because that’s when I think the walls will really come down. As a straight [white guy from Scotland] I can only do so much, and I find even sometimes when you do this, you do get accused of tokenism or pandering. I don’t mind it. I can put up with that, but I’d rather see a genuine spread of writers and artists creating this material.” [Advocate.com]
This week brought the release of one of my most-anticipated graphic novels of the year — The Wrenchies, by Farel Dalrymple of Omega the Unknown, Pop Gun War, Prophet and It Will All Hurt fame. Available now from First Second, the book begins by telling the story of a demented future where a gang of children, The Wrenchies, battle the evil shadowsmen.
If you’d like to get a taste of what to expect from the book, Tor.com is now hosting a 10-page webcomic called “Remainder.” Created by Dalrymple, the story tells the tale of Leking Snipes, who has been transformed into a man with a gun … and the head of a bug. Go check it out.
Welcome to Best of 7, where we talk about, as it says above, “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out. So without further ado, let’s get to it …
It’s been a busy week for First Second: Following on its announcement of The Stratford Zoo, which features animals staging a production of Macbeth, the publisher has revealed two more graphic novels.
InRealLife, written by Corey Doctorow and illustrated by Jen Wang, is a story about the human side of gaming—specifically, the “gold farmers” who make real-world money from gaming. Based in part on the experiences of Doctorow’s wife, who was a high-level gamer in the 1990s, the book revolves around a teenager named Anda who’s recruited into a fictional multiplayer online game, Coarsegold, and ends up as a player in the game’s underground economy.
The graphic novel will explore attitudes about gaming and gamers, and, Doctorow says in an interview at Kotaku, there is a larger point:
When you contemplate the microscale phenomenon of a world-in-a-bottle like an MMO and the toy economy within it, it equips you with a graspable metaphor for understanding the macroscale world of monetary policy. In other words: thinking about gold farming is a gateway drug to thinking about money itself.