REPORT: Steven Spielberg’s DreamWorks to Leave Disney
Alternative Comics, the publisher of alternative comics, is back in business, with two big releases of note this month: Failure, a collection of Karl Stevens’ remarkably illustrated comic strips from the Boston Phoenix, and Alternative Comics #4, the latest installment of its showcase anthology (the first three issues were released as Free Comic Book Day giveaways, with the third issue shipping way back in 2005).
The new iteration isn’t free (in fact, it’s a $5.99, 48-page book), and it’s not coming out on Free Comic Book Day, but it is bigger, newer and perhaps even improved. To find that out, we’ll have to take a closer look at this book, edited by Marc Arsenault and featuring a lovely cover by Mike Bertino.
Here then, are a few words about every single story in Alternative Comics #4:
“Talent Goes In” by Sam Alden
This is a four-panel, inside-front-cover strip by Alden, which amounts to little more than a picture poem. It’s not terribly profound or even substantial but that’s okay, it’s only the inside front cover. Alden has a better strip later in the book.
Hot off the heels of his graphic novel The Understanding Monster, Theo Ellsworth and his publisher Secret Acres will release the eighth issue of Ellsworth’s ongoing one-man anthology series, Capacity. The issue will debut May 11 at the Toronto Comics Art Festival, and will be in comic stores in June. You can read the full press release, as well as see a three-page preview of the comic, below. And yes, Virginia, Part 2 of The Understanding Monster is also expected for 2013.
“Hey Izadore! I’ve just realized that you have microscopic tribes of violent spore lords living on the surface of one of your eyeballs! One eye is at war with the other and both sides have been using your brain as a nightmare particle factory and fueling their attack vehicles with your blood! What are you going to do?”
What are you going to do indeed? So goes a sample of dialogue from Theo Ellsworth’s latest book, The Understanding Monster, the first volume in a projected three-book series. As the above excerpt might suggest, this is a trippy, almost hallucinatory comic, given to frequent bouts of digression. There’s a temptation to call it psychedelic, although that seems too limiting. Suffice it to say that that it’s an experience utterly unlike any other comic that’s out right now.
Comics | Scottish publisher DC Thomson has asked Dundee City Council to rename a street in the city’s west end to honor the Bash Street Kids, stars of the long-running comic strip in The Beano. An unnamed street adjacent to 142/144 West Marketgait would be called Bash Street as part of the celebration of the magazine’s 75th anniversary. [LocalGov]
Retailing | North Hollywood will get a new comics shop on Nov. 10, when Blastoff Comics opens its doors. Owner Jud Meyers seems to think it is an essential part of a hip neighborhood: “They want restaurants, they want bars, they want supermarkets, they want gyms. What didn’t they have? They don’t have a comic book store, every neighborhood has got to have a comic book store.” The opening will feature an assortment of comics guests, including Mark Waid, Greg Hurwitz, and Jim Kreuger, whose The High Cost of Happily Ever After will premiere at the event. [Patch.com]
Creators | Former 2000AD artist Brett Ewins has been freed on bail after a judge reduced his charge to assult. Ewins, who has been diagnosed with paranoid schizophrenia, was accused of stabbing a police officer in a January altercation that left the 56-year-old artist hospitalized in serious condition. Because Ewins has already served nine months, part of it in a hospital (where he was in a coma), it’s unlikely he’ll have to go back behind bars. [Sex, Drugs, & Comic Books]
Creators | Syrian cartoonist Ali Farzat, who escaped to Kuwait after the Syrian security police beat him and broke his hands, is now living in Egypt and continuing to draw cartoons supporting the Syrian revolution. “Fear has been defeated in Syria when the people marched 19 months ago against tyranny,” he said. “I began to directly draw people in power including Assad and his government officials, to break the barrier of fear, that chronic fear that Syrians suffered from for 50 years.” [Reuters]