EXCLUSIVE: Lemire, Ramos Launch "Extraordinary X-Men" Post-"Secret Wars"
Conventions | Yu-Gi-Oh! creator Kazuki Takahashi will be a guest in July at Comic-Con International. Yu-Gi-Oh! is a card-fighting manga that has inspired a number of anime and manga spinoffs as well as, logically enough, a card game. This is the second announcement in two weeks of a high-profile manga-ka coming to America, as Naruto creator Masashi Kishimoto will be a special guest in October at New York Comic Con. [Anime News Network]
Awards | Jillian and Mariko Tamaki’s This One Summer is the winner of the Lynd Ward Graphic Novel Prize, and Richard McGuire’s Here is the 2015 Honoree. [Pennsylvania Center for the Book]
Manga | Dragon Ball creator Akira Toriyama is writing a new series, to be illustrated by Video Girl Ai artist Masakazu Katsura. The series will run in Young Jump magazine in Japan. [Anime News Network]
Libraries | Jillian and Mariko Tamaki’s YA graphic novel This One Summer was the first graphic novel to be named a Caldecott Honor Book, but being a pioneer isn’t easy: Because the Caldecott Medal honors illustrators, most librarians think of Caldecott honor books as being for younger readers. Answering a complaint from a librarian, Pat Scales, former chair of the American Library Association’s Intellectual Freedom Committee, points out that the Caldecott Medal is awarded to books for readers up to age 14, and that This One Summer is generally regarded as an eighth grade book—so it qualifies, but it is an unusual case. [School Library Journal]
Welcome to Store Tour, ROBOT 6’s new weekly exploration of comics shops, and the people who run them. Think of it as the retailer version of Shelf Porn. Each Sunday we’ll feature a different store, and also get to know the person behind the register.
Today’s store is Escape Pod Comics, located at 302 Main St. in Huntington Village, New York, on the north shore of Long Island. We spoke with co-owner Menachem Luchins.
The nominees have been announced for this year’s Los Angeles Times Book Prizes, a list that, unsurprisingly, includes awards-season favorites Can’t We Talk About Something More Pleasant? by Roz Chast and This One Summer by Mariko Tamaki and Jillian Tamaki.
The five finalists in the graphic novel category are:
CeCe Bell’s graphic memoir El Deafo today earned a prestigious Newbery Honor for outstanding contribution to children’s literature, while Mariko Tamaki and Jillian Tamaki’s This One Summer became the first graphic novel to receive a Caldecott Honor and only the second to be recognized with a Printz Honor.
The awards were announced this morning by the American Library Association at its Midwinter Meeting in Chicago.
Publishing | Alex Abad-Santos examines how Marvel has created a mystique around its writers’ retreats, using the necessary secrecy to transform the planning meetings “into something fans are genuinely interested in.” The piece goes beyond that, however, touching upon recent accusations of sexism, and the inclusion of newly Marvel-exclusive writer G. Willow Wilson in this month’s retreat. [Vox]
Comics | Matt Cavna interviews Matt Bors, editor of The Nib, the comics section of the website The Medium, which has become the go-to site for journalism and commentary in comics form. [Comic Riffs]
Best of the year | The Publishers Weekly critics vote for the best graphic novels of the year; Jillian and Mariko Tamaki’s This One Summer tops the list, and there are plenty of interesting suggestions as books that got even one or two votes are included. [Publishers Weekly]
Awards | Jillian Tamaki has won the prestigious Governor General’s Literary Prize for children’s literature illustration for her work on This One Summer, a graphic novel collaboration with cousin Mariko Tamaki (who was nominated in the text category). Their first book, 2008’s Skim, was previously nominated in the text division, further demonstrating a separation of illustration and story that Jillian Tamaki finds “strange.” ““I think we are both creators of the book,” she tells the Edmonton Journal. “You can’t read a comic without either component, it won’t make sense. It’s something I will always be addressing when talking about the award. But I am completely flattered by the honor and will be sharing the prize with my cousin.” [Edmonton Journal, via The Comics Reporter]
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Two sure signs the year is drawing to an end: It’s snowing in Massachusetts and the Best of the Year lists are starting to appear. Publishers Weekly released theirs yesterday, and there’s something interesting about it: Although there is a separate category for comics, several graphic novels are nominated in other categories as well.
This is by no means unprecedented—after all, Maus, one of the first graphic novels, won a Pulitzer Prize—but we seem to be seeing more of it. Roz Chast’s Can’t We Talk About Something More Pleasant? won the inaugural Kirkus Prize for Nonfiction. This is a prize with only three categories, yet two graphic novels made the final round (the other was Cece Bell’s El Deafo, which was a finalist in the Young Readers category). Gene Yang was a speaker at the National Book Festival gala in September, giving him a prominent platform to speak to general readers who might pick up a graphic novel, as opposed to die-hard fans of the medium, and it’s become more and more common for graphic novels to make the shortlists for general book awards.
The Ignatz Awards were handed out Saturday night at Small Press Expo in a ceremony that culminated with a mock wedding in which Simon Hanselmann married Comics (represented by a stack of graphic novels and real-life creator Michael DeForge).
Named in honor of the brick-wielding mouse in George Herriman’s Krazy Kat strip, the festival prize recognizes achievement in comics and cartooning. Nominees are selected by a panel of five cartoonists, and then voted on by SPX attendees.
Politics | Framing the controversy as part of a larger political battle between South Carolina’s lawmakers and its public universities, The Washington Post wades into the ongoing saga surrounding the House of Representatives’ vote to reduce funding to two schools after they selected gay-themed books for their summer reading programs. The newspaper uses as its entry point the Monday performances in Charleston of Fun Home, the musical adaptation of the Alison Bechdel graphic novel that was chosen last summer by the College of Charleston, drawing the ire of a South Carolina Christian group and conservative lawmakers. The Post reports that several state legislators suggested they viewed the staging of the musical as “a deliberate provocation,” and will seek to cut even more funding in response. The South Carolina Senate has yet to vote on the state budget, which includes the cuts to the schools. [The Washington Post]