Thrillbent Archives - Robot 6 @ Comic Book Resources
Legal | A 54-year-old man was sentenced this week in a Quebec court to 60 days in jail for watching pornographic anime featuring characters that appeared to be minors, a violation of Canadian law. A former private security guard, Regis Tremblay admitted he watched the cartoons several times in January 2012 out of “curiosity” while working at Canadian Force Base Valcartier, north of Quebec City. Investigators say they discovered 210 “hentai” files from a hard drive, and 501 “incriminating” web addresses from Tremblay’s browser history. Following his jail sentence, Tremblay will have to register as a sex offender. [Canoe]
Conventions | Richard Bruton notes that the Dublin International Comic Expo (DICE) has taken the unusual step of posting a link to its harassment policy at the top of its home page. “Having a quick look around it’s the only comic event/festival/expo/con site to feature it so prominently,” he writes. “Some make mention of their policies in FAQ or About sections, but as far as I know DICE is the first to do so this way.” He does take issue with one vaguely worded item in the policy, though: “In particular, exhibitors should not use sexualized images, activities, or other material.” [Forbidden Planet]
Comics | Writing for The Advocate, Jase Peeples takes note of the diversity of DC Comics’ extended Batman family — from Batwoman to Batwing to Barbara Gordon’s roommate Alysia Yeoh — and talks with writers Gail Simone, Grant Morrison, Marc Andreyko, Tom Taylor and Chip Kidd. “I would like to think that people can pick up books like Batman Incorporated or The Multiversity and see their own lives reflected,” Morrison says. “But I’d always caveat that with the need for us to see more diverse writers and artists, because that’s when I think the walls will really come down. As a straight [white guy from Scotland] I can only do so much, and I find even sometimes when you do this, you do get accused of tokenism or pandering. I don’t mind it. I can put up with that, but I’d rather see a genuine spread of writers and artists creating this material.” [Advocate.com]
Awards | Mimi Pond’s Over Easy has been recognized with a PEN Center USA Literary Award for Graphic Novel Outstanding Body of Work. Previous category winners are Gilbert Hernandez, Daniel Clowes, Joe Sacco and Matt Fraction. [PEN Center USA]
Publishing | Dark Horse is planning to beef up its lineup of children’s graphic novels, which already includes such successful titles as Avatar: The Last Airbender, Plants vs. Zombies and Itty Bitty Hellboy. Four new titles are slated for 2015: Rexodus, a story about dinosaurs from outer space, and three older properties, Rod Espinosa’s Courageous Princess, Samuel Teer and Hyeondo Park’s Veda: Assembly Required, and an adaptation of Roald Dahl’s The Return of the Gremlins. [Publishers Weekly]
Events | The driver who plowed through the crowd last month at the annual SDCC ZombieWalk: San Diego, injuring a 64-year-old passersby, has given an interview providing his version of the event, saying he had turned off the engine to wait for the parade to pass when participants began surrounding his car. The situation quickly escalated, he says, when a spectator sat on the hood and hit the windshield, shattering it, and another person opened the back door. “I got scared. That’s when I plowed my car through the crowd,” says the unidentified 48-year-old. “I had to do this to save my family because of the crowd. I couldn’t tell if the parade was done.” He adds, “I felt awful about it. I just couldn’t believe that I actually hit the old lady.” [iDeafNews, Times of San Diego]
Conventions | An advocate for the homeless claims San Diego police are harassing homeless people to keep them away from downtown during Comic-Con International. The mayor and police chief deny the accusation and say officers are simply doing outreach, but at least one homeless man has been given a “stay away” order. Comic-Con begins Wednesday with Preview Night. [ABC 10 News]
Digital comics | Following the news that the comics market was estimated at $850 million in 2013, of which $90 million was digital, George Gene Gustines looks at a couple of different digital models, including Thrillbent’s new subscription service and Panel Syndicate, Brian K. Vaughan and Marcos Martin’s name-your-own-price approach. [The New York Times]
Coinciding with the release today of the second chapter of Mark Waid and Barry Kitson’s Empire Volume 2, Thrillbent is making the first chapter available for free.
Originally published in 2000 through Image Comics, and later with DC Comics, Empire is set in a world a where the evil armored despot Golgoth has won, defeating all of its heroes. Volume 2, which launched May 28 after a 10-year hiatus, continues the saga of Golgoth, whose grip on Earth is as strong as ever.
Welcome to Best of 7, where we talk about “The best in comics from the last seven days” — which could be anything from an exciting piece of news to something great fans are doing to an awesome comic that came out. So let’s get to it…
Great characters and great stories don’t come out of nowhere. They have a beginning, and sometime the lives they led before they’re introduced are just as interesting as who they are when me meet them.
Movie effects artist-turned-cartoonist Tim Gibson has created a whole new world for himself with Moth City. Described as “Game of Thrones-y” but with kung fu and 1930s crime noir, the digital series has attracted much interest, as well as high praise from the likes of Mark Waid. And next week Gibson will release a one-shot prelude to Moth City titled The Reservoir, focused on the Deadwood-ian primary character Governor McGaw when he was nothing more an an entrepreneurial young buck in the Texas oil boom of the early 1900s.
You may know Christy Blanch from her recent investment, along with her partner Mark Waid, in Alter Ego Comics in Muncie, Indiana, her comics education work, or her collaboration with Chris Carr, Chee and Troy Peteri on the Thrillbent series The Damnation of Charlie Wormwood.
While the comic about a college professor in a dangerous partnership for the sake of his family is on hiatus, that’s about to end. Blanch and I discussed all three aspects of her busy career in this interview.
Tim O’Shea: Judging from the store’s Facebook page, it’s pursuing a great deal of community outreach. Are you seeing new faces shopping in the store as a result?
Christy Blanch: Mark, Jason [Pierce, the initial owner] and I are all about creating community. We want to give people a reason to come here to shop. We want them to feel like this is their clubhouse to come in and hang out, talk comics, and just be themselves. We are seeing lots of new faces. The old location was a nice store, but we really were hidden. Downtown we are very visible and we see new people every day which is a great feeling. I love it when I sell someone their first comic book especially if it is a series that I love. I always tell them I envy them because I would love to ‘forget’ the book and be able to read it for the first time again.
Political cartoonists | Michael Cavna looks into a report by the Cartoonists Rights Network International that Syrian cartoonist Akram Raslan was executed in July. Raslan was arrested last year by Syrian security forces and, together with a group of journalists, artists and other “intellectuals,” sentenced to life imprisonment. “Somehow, along the way to prison young 28-year-old Akram Raslan (and possibly others) was peeled off, taken out and executed,” the post said. “He is reported to be in a mass grave somewhere near Damascus.” However, CRNI’s Robert Russell told Cavna they have been unable to confirm the report, which came from a “reliable source” close to Raslan’s family. [Comic Riffs]
Conventions | Heidi MacDonald and Calvin Reid file a comprehensive con report on New York Comic Con, including a conversation with ReedPOP Global Vice President Lance Fensterman and a look at the panels and booths. [Publishers Weekly Comics World]
“I’m a big believer that if you buy a comic, you ought to own it. With Insufferable you pay what you will. The market will determine what it’s worth. My instincts are bearing it out. For every person who wants to take it for free, there are those who are willing to show support.
Going DRM-free moves the needle for us. I appreciate the fact that people are nervous about file sharing and piracy. I don’t share that feeling, but I appreciate that some people do. Share my stuff. I think of it this way: When you hear that people have downloaded your comic, appreciate that thousands are eager to hear what you have to say. The poetry club down the hall may not have the same problem. That’s a good problem to have. It’s the new economy. You must adapt.”
If you’re a fan of Tim Gibson‘s Moth City, you may have been introduced to the work on Gibson’s own site or through its serialization at Thrillbent. Fans of the digital platform are able to consume larger installments of the series in one sitting with comiXology Submit, where Moth City will wrap up its second season on Wednesday, with the digital release of Issue 4.
Set in 1930s China and featuring an interesting mix of characters, Moth City is what comiXology aptly describes as “a story about control — when we lose it, when we gain it, and when others hold it over us.”
To celebrate the release of Moth City #4, Gibson opened up about his murder-mystery series, and the creative process behind it. His storytelling and bio gave me a lot of ground to develop questions, particularly with great lines like, “When he’s not writing or drawing, he spends his time reading Elmore Leonard, Stephen King and Agatha Christie, and ogling the art of David Mazzucchelli.”
Tim O’Shea: The first issue opens with a quote from Lord Byron’s “On Leaving Newstead Abbey.” What prompted you to open with that?
Tim Gibson: Byron is this great figure of masculinity, a soldier and a poet. A romantic who had a very twisted love life. He’s a great parallel to the story’s self-imposed tyrant, Governor McCaw, a man who sees himself in a very idealised light. Newstead Abbey also touches on the failure and decay of a once-grand estate, which helps set up one of the main conflicts of the story, that of the Governor, and his daughter Glitter who lives a life so sheltered she may as well be a possession.
Plus, you know, if you’re going to do a comic with car chases, bio weapons, shoot outs, hurried romance and underground plots, you may as well put a bow tie on it.
Welcome to “Report Card,” our week-in-review feature. If “Cheat Sheet” is your guide to the week ahead, “Report Card” is typically a look back at the top news stories of the previous week, as well as a look at the Robot 6 team’s favorite comics that we read.
So find out what we thought about the final issue of It Girl & the Atomics, the latest Edison Rex and more.
Mark Waid’s Thrillbent, which hosts a variety of digital comics that can be read in a variety of different ways, is adding a new way to purchase titles: download-to-own. Starting today, readers can buy downloadable PDFs of Waid’s Insufferable, Art Balthazar and Franco Aureliani’s Aw Yeah Comics!, and other comics. Insufferable will be offered on a pay-what-you-like basis.
All the comics on Thrillbent are available to read for free in a web browser, and the site also offers free downloads, in CBZ format, of many comics, including Insufferable. The titles are also offered, at prices between 99 cents and $1.99 per issue, on comiXology.
So why charge for PDFs if the CBZs are free? Waid recently addressed that in a post on the Thrillbent blog. While the free CBZs are simple files containing the weekly installments, the PDFs will include “bigger chunks of story” as well as links to bonus web content, such as footnote and behind-the-scenes features, that will be created specifically for each comic. So basically, while both CBZs and PDFs are downloadable comics that live on your device, not in the cloud, the PDFs will have added features.
“I think it is not only unaffected by piracy, it benefits from pirating. You cannot stop pirating of comics. It’s like trying to push the tide back with a broom. You can either be angry about it, and resistant, and fight and clamp down harder, or you can find ways to make that tool work for you. With Thrillbent, we offered all our files free to download on a weekly basis, so you can read them free on the site and you can also download them for free, and that way, sure enough, we got to control the quality of the image, we got to make sure it was not out of focus or crappy or corrupted files or whatever, we got to make sure there was a placard at the end that says, hey, if you like this come to Thrillbent for more stuff, and that worked wonders for us. And I know that pumped up our traffic. That is not the answer for every publisher, but I will go to my grave not buying the baloney that every pirated comic was a lost sale.”
– Mark Waid, during the “Digital and Print” panel at Comic-Con International, when asked whether piracy poses a threat to the comics industry