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[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Two sure signs the year is drawing to an end: It’s snowing in Massachusetts and the Best of the Year lists are starting to appear. Publishers Weekly released theirs yesterday, and there’s something interesting about it: Although there is a separate category for comics, several graphic novels are nominated in other categories as well.
This is by no means unprecedented—after all, Maus, one of the first graphic novels, won a Pulitzer Prize—but we seem to be seeing more of it. Roz Chast’s Can’t We Talk About Something More Pleasant? won the inaugural Kirkus Prize for Nonfiction. This is a prize with only three categories, yet two graphic novels made the final round (the other was Cece Bell’s El Deafo, which was a finalist in the Young Readers category). Gene Yang was a speaker at the National Book Festival gala in September, giving him a prominent platform to speak to general readers who might pick up a graphic novel, as opposed to die-hard fans of the medium, and it’s become more and more common for graphic novels to make the shortlists for general book awards.
Legal | The San Diego Police Department is asking anyone with video of the July 26 car accident during the annual SDCC ZombieWalk: San Diego to come forward. Police already have several videos of the incident, in which a driver plowed into the crowd, injuring at least three people, but they are hoping to get additional information. [Fox 5 News]
Legal | A Tokyo District Court judge sentenced Hirofumi Watanabe to four years and six months in prison for sending more than 400 threatening letters to venues connected with the manga Kuroko’s Basketball. The 35-year-old man admitted during his first day in court that he had sent the threatening letters, but he also refused to apologize or pay restitution and says he does not feel guilty. [Anime News Network]
A few of the short, scary stories in Emily Carroll’s Through the Woods evoke elements of classic fairy tales. Some are quite direct, like the young woman in the conclusion who dons a red hood and cape to walk through the wilderness, avoiding a wolf. Others are more indirect, like the possibly murderous, Bluebeard-like husband in “A Lady’s Hands Are Cold,” or simply in the patterns of repeating events, like what happens to the three sisters in “Our Neighbor’s House” or to the pairs of characters in “His Face All Red” and “My Friend Janna.”
However, there are two sharp and immediate differences between Carroll’s stories and the fairy tales they sometimes evoke.
First, Carroll’s stories are told in comics form, although more artfully constructed than what you might expect to find on the new racks each Wednesday (her book comes courtesy of a Simon and Schuster imprint, rather than a traditional comics publisher).
Second, they’re terrifying, some of them more H.P. Lovecraft or August Derleth than August Derleth or Wilhem and Jacob Grimm at their, well, grimmest. For example, the Little Red Riding Hood allusion in the conclusion, part of the set of stories that bookend the five gothic (in the traditional, literary sense) short stories that form the bulk of Carroll’s collection, ends with the wolf, if that’s really what it is, appearing in the dark outside the girl’s window.
Welcome to Best of 7, our new weekly wrap-up post here at Robot 6. Each Sunday we’ll talk about, as it says above, “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out on Wednesday.
So without further ado, let’s get to it …
Cartoonist Emily Carroll is a favorite at ROBOT 6, and now we’ have something from her to look forward to next year: her first standalone book.
In July McElderry Books (an imprint of Simon and Schuster) will release Through the Woods, a collection of previously released webcomics like the popular “His Face All Red” as well as unseen stories Carroll has been working on. This is poised to be a major entry into comics for Carroll, and will act as a precursor to several other new longer-format projects the Canadian artist has in the works.
Carroll got her start in webcomics, and has made notable appearances in anthologies as varied as DC’s The Unexpected and The Witching Hour, Dark Horse’s Creepy s well as the kid-friendly Flight spinoff Explorer. Professionally trained as an animator, Carroll does work for comics, animation, and even video games.
Here’s a look at the cover to Through The Woods, available July 2014. You can see a preview at Comics & Cola.