Alden Ehrenreich Cast as the Young Han Solo for the 2018 "Star Wars" Anthology Film
Well, maybe not always, but for now at least you can swing by the new restaurant and bar in New York City’s East Village inspired by the 1988 film and other works by Tim Burton.
Amid the success of Batman ’66, Joe Quinones and Kate Leth had hoped to revisit another fondly remembered era from the Dark Knight’s on-screen past in Batman ’89. Alas, DC Comics passed on their miniseries pitch.
However, Quinones has shared some details and proof-of-concept art from the proposal that will undoubtedly make fans of the Tim Burton films sigh over what might’ve been — including a depiction of Billy Dee Williams as Two-Face.
Filmmaker Tim Burton’s style is nothing if not distinctive, recognizable in both look and tone across works ranging from Beetlejuice to The Nightmare Before Christmas to Frankenweenie. Now one fan has channeled that unmistakable signature for a series of posters that images what beloved Disney animated films might look like had they been directed by Burton.
Perhaps no comic book setting provokes as much thought, or as much reinterpretation, as Gotham, which not only gave birth to Batman and his incomparable rogues gallery, but also numerous musings on the ever-changing nature of the fictional city.
The latest is Nerdwriter’s wonderful video essay “The Evolution of Batman’s Gotham City,” which traces the setting’s many interpretations over the past 75 years, from its earliest appearances in DC Comics titles and its redefining interpretation in Tim Burton’s Batman films to its near-destruction in “No Man’s Land” and its more grounded depiction in Christopher Nolan’s Dark Knight trilogy.
Everyone undoubtedly has a favorite Batmobile, whether it’s the one from the 1966 television series, the Tumbler from the Christopher Nolan movies or any of the numerous comic book incarnations (I’m fond of the one created by Frank Quitely for Batman and Robin #1). However, there’s something undeniably special about the Batmobile designed by Anton Furst for Tim Burton’s Batman. It’s probably those glorious wings.
Whatever the case, it continues to inspire more than 25 years later, as we can see with this incredible custom motorcycle trike created by Game Over Cycles in Lubaczów, Poland. It even has a seat for Robin.
That state-of-the-art iPhone 6 you stood in line for is practically the size of a small car, so it might as well be a stylish car. Say, the Tim Burton-era Batmobile?
For $50, you can by a case that not only protects your smartphone but also transforms it into a detailed replica of Michael Keaton’s sweet, sweet ride, complete with LED lighting … and a projector that actually casts the Bat-Signal! As Gizmodo points out, a little utility belt covers the phone’s home button, while pop-out front wheels give access to its camera lens.
Don’t think of it as something that makes your bulky iPhone 6 even bulkier; think of it as a conversation starter! “Excuse me, I think that Bat-Signal is for me …”
So much time, money and creative effort is spent to bring comic-book superheroes to moving-picture life that it’s almost backward to contemplate how those adapted environments could be translated back into comics form. Thanks to technology, live-action and animated adaptations are finding new ways to convince viewers they’re seeing powers and abilities far beyond those of mortal men.
And yet, these adaptations only go so far. Movies trade spectacle for (relative) brevity, offering two-plus hours of adventure every two to three years. The reverse is true for television, which is more prolific but often less earth-shattering. Both have to deal with practical considerations such as running time, actor availability, and the streamlining of complicated backstories. Thus, to borrow a phrase from politics, adaptations are often exercises in “the art of the possible.” By comparison, comics have much fewer limitations.
Therefore, comics versions of those adaptations must necessarily limit themselves, even if they only choose to work within some of those real-world limitations. Sometimes this is as simple as telling stories set within the adaptation’s version of continuity. However, sometimes comics are the most practical way to “continue” a well-liked adaptation, and thereby perpetuate its visual and tonal appeal.
Stoopid Buddy Stoodios — the minds behind Robot Chicken — and L Studio recently debuted Friendship All-Stars of Friendship, a series of stop-motion animated web shorts that brings together two celebrities who could be friends for a hilarious parody combination (for example, NPR’s Ira Glass and Garrison Keillor, or director Guillermo del Toro and his longtime collaborator Ron Perlman). However, the web series took it to the next level in its most recent episode, as it united parody versions of all the actors who have played Batman on the big screen — Michael Keaton, Val Kilmer, George Clooney and Christian Bale — for a massively ridiculous Bat-sleepover.
The short features a cameo from Tim Button (a stuffed facsimile of director Tim Burton), but regrettably Ben Affleck was not on the invitation list for the sleepover. Maybe after the Man of Steel sequel comes out, he’ll get a chance to play pranks on Val Kilmer, too.
You may recall that in January, Metalocalypse and Venture Bros. director Jon Schepp launched a Kickstarter campaign to fund a documentary about Superman Lives, the abandoned Tim Burton film that would’ve starred Nicolas Cage as the Man of Steel, Chris Rock as Jimmy Olsen, Tim Allen as Brainiac. Well, that drive surpassed its $98,000 goal, and now The Death of ‘Superman Lives’: What Happened? has a teaser trailer.
And it’s very teaser-ish, with a lot of quick shots of websites that covered the campaign (including ROBOT 6), production art from the abandoned film, and glimpses of new interviews with the likes of Mark Waid and Grant Morrison — and all tied together by somewhat-haunting audio and video from a March Q&A in which Cage talks about the Kickstarter.
Better still, the trailer promises The Death of ‘Superman Lives’: What Happened? will arrive in summer 2014, which means by this time next year, we could know the full story behind what could have been “the weirdest Superman movie ever made.”
Over the past decade or so, Superman Lives has achieved almost mythical status, a movie project so delightfully terrible that there’s no way it could possibly be true. Nicolas Cage as the Man of Steel, Chris Rock as Jimmy Olsen, Tim Allen as Brainiac — that’s the stuff of fever dreams.
However, Tim Burton’s nightmarish vision for the Last Son of Krypton almost became a reality, with roles cast, costumes created and Pittsburgh selected to double for Metropolis. And then in 1998, to the relief of many, Warner Bros. pulled the plug. But why, exactly?
Butcher Billy, the Brazilian artist sometimes known as Bily Mariano da Luz, is turning into something of a Robot 6 favorite. His latest project posted at Behance is “Batman: The Nolan X Burton Experiment,” smashing together Tim Burton’s 1989 Batman and Christopher Nolan’s Dark Knight trilogy to sometimes humorous, often illuminating, effect. By placing their differing elements in proximity, these images reveal both what was good and what failed from these two adaptations. (Such as, hey Tim, you cast Lando Calrissian as Harvey Dent, then do absolutely nothing of consequence with the character in either of your films? What was that all about?)
As Bily writes: “But are they really that different? How much of all that is really classic and timeless and how much is pure recycling to modern times? Are those elements cool enough to stand even if taken from their own environments? How those concepts would work if they were mixed into one another?”
MTV.com has pictures from the Tim Burton Museum Of Modern Art Exhibition going on in New York, which includes artwork the director created for his Batman movies and his never-made take on Superman. You can also read their related article here.