INTERVIEW: Gail Simone Guides 'Blockbuster Update' of Red Sonja, Vampirella and Dejah Thoris
Conventions | More than 30,000 people descended upon the 24th annual Motor City Comic Con over the weekend, with attendees reportedly waiting for up to two hours just to get into the parking lot, and then another one to four hours to get in the doors of Novi, Michigan’s Suburban Collection Showplace. Comics legend Stan Lee and The Walking Dead star Norman Reedus apparently contributed to the long lines, but the site was also hosting two other events and undergoing construction of a hotel, leading to a parking shortage. According to The Oakland Press, some fans parked as much as a mile away; traffic was backed up for miles. For the first time, the convention offered advance tickets, allowing attendees to pay extra in exchange for not having to wait in line. However, because of a mess-up, even those who pre-ordered had to wait in line. Related: Lee talks to USA Today during the convention. [The Oakland Press]
Legal | A federal judge this week made final his Oct. 17 decision that the heirs of Superman co-creator Joe Shuster surrendered the ability to reclaim their 50-percent interest in the property in a 1992 agreement with DC Comics, triggering an almost-immediate appeal to the 9th Circuit by Shuster estate lawyer Marc Toberoff. Jeff Trexler delves into the legal strategy behind the attorney’s motion for final judgment. [The Hollywood Reporter]
Legal | Todd McFarlane has settled his lawsuit against former employee Al Simmons, who earlier this year released a book in which he claimed to be the inspiration for Spawn. McFarlane had accused Simmons of violating the terms of his employment pact and breaching his duty of loyalty. Settlement terms weren’t disclosed. [The Hollywood Reporter]
Trimming the tree, hanging the stockings, lighting the menorah, setting up the Nativity scene, watching National Lampoon’s Christmas Vacation and Scrooged back to back: The holidays are all about tradition. And two of the best comics websites around have holiday traditions of their own.
First up is Inkstuds, the comics interview podcast and radio broadcast hosted by Robin McConnell, and its annual Best of 2011 Critics Roundtable. This year McConnnell is joined by The Comics Journal‘s Tim Hodler, Joe McCulloch (aka Jog the Blog), and Robot 6’s own Matt Seneca for a truly enjoyable and insightful discussion of such titles as Big Questions, Prison Pit, Thickness, Paying For It, and Kramers Ergot 8, among many others. Radio turns out to be a terrific format for each participant, so much so that I was compulsively using every spare moment to finish the podcast — I even opened up my laptop in the passenger seat of my car and played it on the way to the drugstore. Give it a listen.
Meanwhile, Tom Spurgeon of The Comics Reporter has kicked off his much beloved by me Holiday Interview series. His inaugural interview with Art Spiegelman tackles his new book-cum-documentary MetaMaus, his stint as the Grand Prix winner of France’s massive Angoulême comic con, and his take on the legacy of the underground comix movement, while the series’ second interview examines the future of the small-press publisher Sparkplug after the death of its founder Dylan Williams with the company’s new triumvirate of Emily Nilsson, Virginia Paine, and Tom Neely. Spiegelman and Sparkplug are both vital institutions in their own ways, having put their money where their mouths are with respect to the kinds of comics they’d like to see in the world, and Spurgeon makes for a great interlocutor as they articulate their respective visions. Go and read.
The Comics Journal, a venerable, influential and controversial mainstay of comics journalism that had developed an air of the walking wounded in recent years, has radically revamped and relaunched its online presence. Its new editors are Dan Nadel and Tim Hodler, best known as the minds behind Comics Comics magazine and, in Nadel’s case, the art-comics publisher PictureBox Inc.
The print version of the Journal will continue to be helmed by founding editor and Fantagraphics co-publisher Gary Groth, acting in a more hands-on capacity as of the forthcoming Issue #301 than he has in years, by the sound of it. Kristy Valenti serves as editorial coordinator. Contributors to the new TCJ.com include Frank Santoro, Jeet Heer, Joe “Jog” McCulloch, Ken Parille, Ryan Holmberg, Rob Clough, Richard Gehr, R.C. Harvey, R. Fiore, Vanessa Davis, Bob Levin, Patrick Rosenkranz, Nicole Rudick, Dash Shaw, Jason T. Miles, Andrew Leland, Naomi Fry, Jesse Pearson, Tom De Haven, Shaenon Garrity, Matt Seneca, Tucker Stone and Hillary Chute. On a Robot 6-related note, my colleague Chris Mautner and I will also be contributing.
A look at the new site reveals a multifaceted approach, with reviews, columns, interviews, lengthy features and essays (the current lead feature is a look at the legacy of, and turmoil surrounding, Frank Frazetta by writer Bob Levin), an events calendar, selected highlights from the magazine’s archives, and more. The biggest news, perhaps, is that Hodler and Nadel plan to have literally the entire 300-issue Comics Journal archive scanned and posted online by the end of this year and made available in its entirety to the print magazine’s subscribers. Click here for Hodler and Nadel’s welcome letter, in which they explain some of the changes and reveal a bit of what’s ahead. (And click here for their farewell letter to Comics Comics.)
Want to exchange your money for rad things? Jim Rugg, Dash Shaw, Johnny Ryan and Frank Santoro are but a few of the cartoonists who are willing to take you up on that offer right now on behalf of a fundraiser for Comics Comics, the fine magazine-cum-blog of comics and criticism. Edited by Dan Nadel, Tim Hodler, and Frank Santoro and published by Nadel’s PictureBox Inc., the mag’s in the red, and it needs your help.
You can check out their eBay listings for original art from Rugg, Shaw, Santoro, and even Gasoline Alley‘s Frank King, or drop them a line and commission a portrait of yourself being “erotically violated” by Johnny Ryan. (The portrait’s by Johnny Ryan, not the erotic violation. Not necessarily, I mean.)
And if you’ve never checked out Comics Comics before, you can’t go wrong with the $10 three-issue Comics Comics Fun Pack. Where else can you find serious, stimulating writing on topics like Steve Gerber, Paper Rad, Guy Davis, Dick Ayers, Berserk and the Masters of American Comics exhibit, by everyone from top-notch critics like Tim Hodler, Joe McCulloch, and Jeet Heer to cartoonist-critics like Santoro and Shaw to guest stars like Peter Bagge, Kim Deitch, Brian Chippendale, and Mark Newgarden?
You can also purchase a hand-selected pack of five books from Santoro’s infamous back-issue bin, featuring some of the best indie and mainstream hidden gems of the ’80s, or snag a pair of deluxe art books from Led Zeppelin/Pink Floyd album artists Hipgnosis and the ’70s-tastic West Coast airbrush art scene for $25 total. I’m telling you, it’s tough to go wrong here. But act quickly, because a lot of these offers end within hours!
“Likable characters are for weak-minded narcissists.” So says Daniel Clowes, the author of the recently released Wilson — and given that the book and its irascible protagonist have proven about as divisive as the Lost finale, his tongue may be only partially in cheek. The titular character in Clowes’s novel is a self-described people person who’s constantly decrying the way culture and technology fragment and divide society, but he does this in the nastiest and most insulting way possible to everyone he knows, leaving him no better off than the IT workers, superhero-blockbuster fans and so on he lambastes. He’s a tough character to like.
But does that mean Wilson is a tough book to like? Isn’t there such a thing as an unlikable character you love to read about nonetheless? Tim Hodler of Comics Comics says no and yes, respectively. In a post on the book, Hodler argues that the response to Wilson, particularly the negative response, has centered far too much on Wilson’s unlikability, ignoring the way other art forms have showcased jerks for centuries to memorable effect:
Are you like LL Cool J in that you can’t live without your radio — but nor can you live without your comics? I know the feeling. That’s why I was so excited to be a part of the annual best-of episode of Inkstuds, the venerable comics podcast hosted by Robin McConnell. My fellow Robot 6-er Chris Mautner and I were joined by Comics Comics’ Tim Hodler to discuss Asterios Polyp, George Sprott, 20th Century Boys, Pluto, You Are There, You’ll Never Know, Multiforce, and The Photographer, and we even found the time to debate whether or not we’re in a comics Golden Age. Give it a listen!