Axel-In-Charge: Navigating the "Civil War II" Landscape, Bringing DMC to Marvel
Creators | Following the appearance of the Infinity Gauntlet in Thor and the cameo by Thanos in The Avengers, Marvel appears poised to expand the cosmic elements of its cinematic universe with The Guardians of the Galaxy. While some fans eagerly await a movie announcement next week at Comic-Con International, Thanos creator Jim Starlin (who had to buy his own tickets to Thor and The Avengers) may be laying the groundwork for a legal challenge: Heidi MacDonald points out that Starlin has posted an early drawing of the Mad Titan on his Facebook page, writing, “This is probably one of the first concept drawings of Thanos I ever did, long before I started working at Marvel. Jack Kirby’s Metron is clearly the more dominant influence in this character’s look. Not Darkseid. Both D and T started off much smaller than they eventually became. This was one of the drawings I had in my portfolio when I was hired by Marvel. It was later inked by Rich Buckler.” [The Beat]
Comics | Tim Marchman, author of that much-discussed Wall Street Journal article, is at it again, this time interviewing Watchmen editor Len Wein about his work on Before Watchmen, and including the interventions of DC Comics Publicity Manager Pamela Mullin as part of the story. Between the embargo on the comic and Mullin doing her job, it sounds like the most interesting parts of the interview never made it into the final product. [The Daily Beast]
Last month, Tim Marchman let loose with a scathing article in The Wall Street Journal criticizing the superhero-comics industry that was the talk of the internet for a couple of days and kicked up a few Twitterstorms, most notably with writer J. Michael Straczynski. But then people pretty much moved on.
The thing is, Marchman was supposed to be writing a review of Christopher Irving and Seth Kushner’s book Leaping Tall Buildings, a collection of interviews with, and photographs of, famous comics creators. You can get a taste of their work on their Graphic NYC blog, and as one who has been following them for a while, I can tell you, it’s awesome.
Although Marchman’s article appeared in the Bookshelf section of the Journal, he mentioned the book only in passing — and while his comments were positive, he billed Irving as the editor, not the writer, and skipped Kushner altogether. Now Kushner has posted a response to the piece, titled Who Reviews the Reviewer? at the Trip City site. Actually, Kushner says straight out that he isn’t reviewing the reviewer, but he does have some things to say about the article:
“The first issues of Before Watchmen will be published next month. Among the writers working on it is former He-Man scripter J. Michael Straczynski, who once penned a comic in which Spider-Man sold his marriage to the devil. (This is the rough equivalent of having Z-movie director Uwe Boll film a studio-funded prequel to Martin Scorsese’s Taxi Driver.)”
– Tim Marchman, in a broadside to the superhero-comics industry that began as a nominal review for The Wall Street Journal of Leaping Tall Buildings. Straczynski wasn’t the only comics creator targeted, however: Marchman also took aim at Brian Michael Bendis, Joe Quesada, Grant Morrison and Dan DiDio, characterizing them as “the men most responsible for the failure of the big publishers to take advantage of the public’s obvious fascination with men in capes.”
“Your behavior was dickish. I became a better writer after He-Man. You will always be a dick.”
– J. Michael Straczynski, issuing his “final word” in the ensuing Twitter exchange with Marchman that began with JMS confronting the reviewer on “a cheap shot.” “You had to go back to 1984 to insult me? Really?” Straczynski wrote. “And [‘One More Day’] was Marvel’s decision not my call.”