Tim Seeley Archives - Page 2 of 3 - Robot 6 @ Comic Book Resources
Creators | Following last week’s news that Stan Lee has canceled his sold-out Thursday engagement at a Toledo library event due to “a very serious circumstance,” Wizard World has announced the 89-year-old writer won’t be appearing as scheduled at this weekend’s Ohio Comic Con in Columbus. Responding to a blog post titled, “Is Stan Lee OK?” the administrator of the Stan Lee’s Comikaze Facebook page wrote, “It sucks Stan had to cancel [the Toledo event], but you know the man doesn’t just do conventions. he puts in a hard days work creating. Its really sad that the Toledo Blade had to go spread nonsense. If you want to be up to date on stan then follow us, cuz he kinda owns our company. Its sad that a some blogs are scaring fans. not really nice.” [The Beat]
Creators | Artist Molly Crabapple, who was arrested Sept. 17 in New York City during a protests marking the one-year anniversary of Occupy Wall Street, writes about the experience and her involvement with the movement. [CNN.com]
Hello and welcome to another edition of What Are You Reading? Our guest today is writer and artist Jimmy Palmiotti, who you know from All-Star Western, Monolith, Phantom Lady, Unknown Soldier, Creator-Owned Heroes, Queen Crab and countless more.
To see what Jimmy and the Robot 6 crew have been reading, click below.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
While the offerings on show at my local comic store this week won’t compare with those available at Comic-Con International, if I had $15 this week, I’d pick up Sean Murphy’s Punk Rock Jesus #1 (DC/Vertigo, $2.99), the new Bloodshot #1 (Valiant, $3.99) and the final issue of the enjoyable Kirby: Genesis #8 (Dynamite, $3.99); the first for the art alone (I know very little about the story, but Murphy’s art is always worth checking out), the second for the high concept, and the third for the payoff that I know is coming from Kurt Busiek, Alex Ross and Jack Herbert’s resuscitation of the King’s concepts after following the series thus far.
That said, if I only had $30, I’d put both Punk Rock Jesus and Bloodshot back on the racks for another week, and add Darwyn Cooke’s new Parker adaptation, Richard Stark’s Parker: The Score (IDW, $24.99) to my pile, instead. Cooke’s Parker books are consistently must-buys, and I can’t see why this one would be any different.
Conventions | Heidi MacDonald reports that the organizers of San Diego Comic Con are tightening up on badges with measures that include matching the name on the badge to the user’s ID to prevent counterfeiting and illegal resale. Amusingly, you don’t have to go too far down the comment thread to see someone blaming Twilight fans. [The Beat]
Legal | Canadian artist Craig Wilson didn’t make it to this weekend’s Phoenix Comicon because U.S. Customs and Border Protection turned him away, saying he needed a work permit to sell comics at his Artist Alley table. Not only that, Wilson was also thumb printed and his car was searched. He said the customs agents even sent a notice to the other border crossings in case he tried to enter the country somewhere else. “I’m paying my own table at the con, hotel, meals, drinks …” Wilson said. “I was going to inject close to $2000.00 dollars into the very economy I was supposedly threatening.” [boardguy]
Hello and welcome to What Are You Reading? Today our special guest is Tim Seeley, whose work you may know from Hack/Slash, Bloodstrike, Witchblade, Colt Noble, the upcoming Ex Sanguine and Revival, and much more.
To see what Tim has been reading lately, click below.
Publishers, creators, retailers and fans rolled into Chicago this weekend for the Chicago Comics and Entertainment Expo, or C2E2. While the convention officially kicked off Friday, the announcements started rolling out Thursday during the Diamond Retailer Summit. After going through Kiel Phegley’s lengthy report on CBR, I’ve pulled out a few tidbits that publishers shared with attending retailers:
• Dynamite Entertainment shared that the first issue of Garth Ennis and Aaron Campbell’s The Shadow, which comes out next week, will likely go to second print. Following their Vampirella and Pantha projects, they also plan to roll out more of the former Harris Publications characters they now own, and they said they plan to work again with Kevin Smith in the future, who they’ve worked with on Bionic Man and Green Hornet.
• Dark Horse Comics announced two Buffy the Vampire Slayer spinoff miniseries; one featuring Spike and one featuring Willow (Editor Scott Allie spoke more about them with CBR). In addition, legendary artist Russ Heath will draw some pages in an upcoming issue of Buffy. Dark Horse will launch a new Dragon Age series in August, following the online miniseries that’s been running on Dark Horse Digital. They also confirmed that Becky Cloonan will return to Conan after James Harren’s three issues, and they announced Ex Sanguine, a five-issue miniseries by Tim Seeley and Josh Emmons. Finally, The Goon will go monthly with issue #40.
The Emerald City Comicon wrapped up yesterday in Seattle, with plenty of announcements from attending publishers. Here’s a round-up of news from the show:
• Image Comics officially announced Revival by Tim Seeley ad Mike Norton, the title we teased all last week. Seeley described the book as “rural noir,” and it is set in his home state of Wisconsin: “Both Mike and I grew up in small towns, he in Tennessee, me in Wisconsin. We both hated the towns we were from as teenagers and young adults and got the hell out,” Seeley told CBR. “But, now that we’re both older, we can look on those towns with more understanding and affection. Central Wisconsin is a really interesting place. It’s like concentrated America. It has all of the strengths and all of the weaknesses. All of the good stuff, and all of the conflicts on a more intimate scale. We thought it’d be the perfect setting for our story of a cop charged with policing the dead.”
• James Stokoe will write and draw Godzilla: Half Century War, which arrives from IDW in August. The miniseries is set in a different continuity than the Godzilla ongoing series by Duane Swierczyski and Simon Gane.
• Writer Christos Gage will team with artist Jorge Lucas for Sunset, an original graphic novel from Top Cow’s Minotaur Press. The story revolves around a retired Vegas mob enforcer.
Our final teaser this week for Tim Seeley and Mike Norton’s new comic from Image Comics isn’t so much a teaser–their new title, Revival, will come out in July, and as noted above, it apparently isn’t an undead/zombie title. More details about the project will be revealed later today on Comic Book Resources and at the Emerald City Comicon.
To answer Rob’s question from earlier in this week: Yes, the Greenbay Packers only hope of winning the Super Bowl is to stack their team with undead players.
We’ll have one final teaser tomorrow for Tim Seeley and Mike Norton’s new comic from Image; check out the previous teasers from Monday, Tuesday, Wednesday and Thursday for more small-town newspaper fun.
Continuing a week of teasers for a new project by Tim Seeley and Mike Norton, Image Comics sent over the above personal ad. Looking for love with autopsy scars must be tough. This one follows the teasers I posted Monday, Tuesday and Wednesday, which you can check out to see the theme that’s developing.
Look for the new comic in July, and for another teaser tomorrow.
I’m not sure what the opposite of an obituary is, but Arlene Dittman is “drawing new breath” in the new project by Tim Seeley and Mike Norton. Her announcement follows the previous teasers I posted Monday and Tuesday. Look for the new comic in July, and for another teaser tomorrow.
Image Comics sent another teaser today, following the advertisement for “gently used coffins” from Monday. Today’s teaser offers the services of someone with a very unique skillset and reveals the creative team for this particular project. Come back tomorrow for another one.
When the announcement broke that Rob Liefeld and Image Comics were reviving the Extreme Studios titles, I was pretty excited, and not because I was a huge fan of the imprint back in the day. In fact, the only Extreme titles I can remember buying and reading were the first few issues of Youngblood. The whole Image Comics phenomenon hit around a time that my interest in superheroes was waning, as I started to shift more to things like Sandman. So as they left Marvel’s biggest superhero books, gradually I did, too, at least for a little while. And I didn’t replace them with these new books from the hot young company formed by seven rebels who decided to forge their own path. No, I was on to Neil Gaiman and Jeff Smith and Hellblazer and Sin City and other things.
I do remember the Image thing as being a huge phenomenon, though. I remember my friend Mike showing me the CNN segment he had recorded about the birth of Image Comics, about how all these guys who made X-Men, Spider-Man, etc. such hot titles had decided to do the unthinkable and form their own company. I remember seeing Liefeld on Dennis Miller, the Levi’s 501 ads, the long lines at the Dallas Fantasy Fair for a bunch of artists who weren’t even the original seven, but still commanded an enthusiastic crowd … I remember being at the comic book store flipping through a copy of some random title when two kids and their mom came in looking for the Bloodstrike “Rub the Blood” cover. They came in, bought their weekly allowance’s worth of Image books, and taped them all up in bags with the hopes, I guess, that they’d be worth something some day. “Aren’t you going to read them?” I asked. They just looked at me. “They don’t read their comics,” their mom said proudly. Ah, the 1990s.
When the 2012 Free Comic Book Day line-up was announced, some folks mistakenly assumed that gold-level offering, DC Comics: The New 52 Special Edition would simply be a reprint of previously published material. As revealed on The Source today, that’s not the case.
The comic will feature “art by legendary illustrator Jim Lee and other top talents” and will “include a new story by New York Times bestselling writer Geoff Johns.” In addition, the book will also include previews of DC’s second wave of New 52 titles, including Batman Incorporated, Dial H, Earth 2, G.I. Combat, The Ravagers and Worlds’ Finest. They also say to stay tuned for “more surprises to come.”
In addition, the Free Comic Book Day site also has more information and a preview from Image 20, the 20th anniversary anthology of “six, all-new original stories promoting upcoming Image Comics titles.” Two of the titles will be Revival by Tim Seeley and Mike Norton, which you can preview on the site, as well as G-Man by Chris Giarrusso. The other stories will be announced at a later date.
The FCBD site also has previews from several other FCBD titles, including Oni’s Yo Gabba Gabba and Bad Medicine titles, and Viz’s Voltron Force, among others, so head over there if you want to check them out early.
Update: Apparently I misread the initial post and thought Jim Lee was drawing the new Geoff Johns story, but based on Brian Hibbs’ response in the comments section below, that may or may not be the case. I’ve updated the post above.
This year marks the 20th anniversary of Image Comics, the company formed by a group of artists who left the security of work-for-hire comics to create and own their own comics. It’s been 20 years of ups and downs, but one thing that has remained consistent is a focus on creator-owned work.
With 2011 in the history books and their big anniversary kicking off with the first Image Expo, a new ad campaign and high-profile series by big-name creators like Brian K. Vaughan, Ed Brubaker, Sean Phillips, Jonathan Hickman, Nick Spencer and many more, I thought it was a good time to chat with Publisher Eric Stephenson about the state of the company, the year that was, their upcoming plans and anything else he was willing to talk about. My thanks to Eric for taking the time to answer my questions.
JK Parkin: Thanks for agreeing to do this interview, Eric. Incidentally, another feature we’re running as a part of our anniversary bash is one where we asked various comic industry folks about what they’re looking forward to in 2012. I got one back yesterday where the answer was basically “everything from Image Comics.” I find that interesting, because there’s a lot of diversity in Image’s line and although I think you guys probably publish something for every kind of taste, I wouldn’t think that every title would appeal to every comic reader. And yet I also find myself checking out at least the first issue of everything you guys have done lately. So from your perspective, what’s the unifying factor (or factors) right now among your titles, if there is one?
Stephenson: I think the main thing is that we’re moving forward and creating new things. We’re not content to just recycle the same old ideas month in and month out and then market it all as brand new. If this was another publisher, we’d be debuting our latest spin-off of The Walking Dead in March, but instead, we’re launching a new series by Brian K. Vaughan and Fiona Staples, a new series by Jonathan Hickman and Nick Pitarra, a new series by Joe Keatinge and Andre Szymanowicz, and so on. For 20 years, Image has put its faith in creative people, and it’s the power of their imagination that links all our titles together, now more than ever.