Awards | Graphic novels for the first time have made the shortlist for the Costa Book Awards (formerly the Whitbread Awards): Mary and Bryan Talbot’s Dotter of Her Father’s Eyes in the Biography category, and Days of the Bagnold Summer by Joff Winterhart in the Novel category. [The Guardian]
Passings | Indian politician and former editorial cartoonist Bal Thackeray has died at the age of 86; Thackeray was in the news most recently supporting fellow cartoonist Aseem Trivedi, who was jailed briefly on charges of sedition. [The Comics Reporter]
Awards | The Australian Cartoonists Association has bestowed their highest honor, the Gold Stanley Award, on David Pope, cartoonist for The Canberra Times. [The Canberra Times]
Several months back when I had the opportunity to interview Gabriel Hardman, there was one aspect of our discussion that I hoped I’d get to explore more, as the chance presented itself. That aspect was the Hardman’s potential collaboration on future projects with his wife, writer Corinna Sara Bechko. So, lo and behold, once the first issue of Bechko and Hardman’s Betrayal of the Planet of the Apes (BOOM! Studios) hit the stands, I convinced the creative team of Bechko and Hardman to do an email interview. In addition to the five-page preview of issue 2 that BOOM! Studios provided to CBR, it also was kind enough to give Robot 6 previews of pages 6 and 7 from the upcoming issue (which is coming out this Wednesday, December 7). To learn more about the creators’ approach on this project, please be sure to also read CBR’s August interview with them.
Tim O’Shea: Recently Corinna, you wrote: “Spending the last several months immersed in Apes has been a bit of a dream come true for both Gabriel and me.” What is it about full Ape immersion (so to speak) that’s so enjoyable for both of you?
Corinna Sara Bechko: I’ve always been drawn to post-apocalyptic fiction, and this is no exception. We’re both big fans and feel so lucky to contribute a little corner to the Apes universe. Plus, the folks at BOOM! and FOX have been an absolute joy to work with.
Gabriel Hardman: And it’s just fun to spend time inventing an original story that still fits neatly into an established world that we have a lot of affection for. I’ve always been frustrated with licensed books that can’t capture the feel of the original material. Immersing yourself in that world is necessary to make it authentic both in the writing and the art. Obviously when writing we’re trying hard not to directly contradict the established Apes continuity. When drawing the book, I think about it like I’m directing and production designing a lost Apes sequel. I’m not going to draw a prop that is out of place on that set.