SPIDER-MANDATE: The Lowe-down on "Secret Wars," Tie-Ins and Stacey Lee
Legal | DragonCon co-founder Ed Kramer, who hasn’t been associated with the show since 2000, has been brought back to the Gwinnett County Jail and booked on child molestation charges that date back to August 2000. The 51-year-old Kramer was released on bond after his initial arrest following accusations that he sexually abused three boys, and has avoided jail and court for more than a decade because of his health problems, although he was under house arrest for a while. He was arrested again in Connecticut in 2011 for violating the conditions of his bond after he was allegedly found alone in a hotel room with a 14-year-old boy. Atlanta Magazine ran a lengthy expose on Kramer last year. [The Atlanta Journal-Constitution]
Conventions | Japan’s Comic Market (aka Comiket), the world’s largest convention dedicated to self-published comics, stands to lose about $117,900 because of a decision to bar artist groups (“circles”) dedicated to the manga Kuroko’s Basketball following a threat letter. Organizers are refunding entrance fees to about 900 Kuroko’s Basketball circles that registered for the Dec. 29-31 event, and must help pay for increased security in cooperation with local police and the Tokyo Big Sight complex. Since October, letters containing powdered and liquid substances have been sent to more than 20 locations linked to Kuroko’s Basketball creator Tadatoshi Fujimaki. At least six Kuroko’s Basketball doujinshi events have been canceled. [Anime News Network]
Thirty-six questions. Six answers. One random number generator. Welcome to Robot Roulette, where creators roll the virtual dice and answer our questions about their lives, careers, interests and more.
Today Faith Erin Hicks steps up to the wheel. You know her from such works as Friends with Boys, Brain Camp, The Adventures of Superhero Girl, Zombies Calling and The War at Ellesmere, as well as the upcoming The Last of Us and Nothing Can Possibly Go Wrong. Check out her website for more information.
Now let’s get to it …
Moulsinart S.A., the company established to promote and protect the works of Hergé, has signed a deal for Diamond Comic Distributors to exclusively distribute The Adventures of Tintin merchandise in specialty stores in North America and the Philippines.
The announcement is characterized as “a key step in Moulinsart’s first ongoing and comprehensive program of Tintin collectibles, comics, and limited availability products in North America.” A primary goal of the initiative is to expand the sales and brand awareness of Tintin in North America.
Hergé’s beloved series, which chronicles the adventures of a globe-trotting young Belgian reporter and his faithful dog Snowy, has been been translated into more than 50 languages and sold more than 200 million copies worldwide. Although the books have experienced limited popularity in the United States, Steven Spielberg’s 2011 motion-capture film adaptation raised awareness of the character.
Tintin merchandise has been listed in Diamond’s Previews catalog since June, and will be spotlighted in dedicated pages.
“Although many U.S. fans became aware of Tintin with the Steven Spielberg/Peter Jackson film released in 2011, the international Adventures of Tintin have been known worldwide for many years,” John Parker, Diamond’s vice president of business development, said in a statement. “We at Diamond are ecstatic to be involved in the expanded introduction of Tintin’s stories and awesome collectible and novelty products to the thousands of stores in our network.”
News of the Moulsinart deal comes just a week after Diamond announced it had inked a deal with Tezuka Productions to distribute Osamu Tezuka comics, toys and other products outside of Japan.
Legal | A Belgian court of appeals has ruled that Tintin in the Congo is not racist and stated that the book has “gentle and candid humour.” The ruling came in a case brought in 2007 by Bienvenu Mbutu Mondondo, an immigrant from the Congo, and the Belgian Council of Black Associations. Although Herge himself expressed regret in later life for the book, which includes numerous depictions of black characters as stupid and inferior, the court did not support the plaintiffs’ claim that “The negative stereotypes portrayed in this book are still read by a significant number of children. They have an impact on their behaviour.” [Sky News]
Comics | Johan Palme talks to Nathan Hamelberg of The Betweenship Group about the continuing controversy over a Swedish library’s decision to re-shelve some Tintin comics because of racist caricatures and colonialist attitudes. The books were put back following an uproar, but the move has sparked a larger conversation, and it even has its own hashtag, #tintingate. [The Guardian]
Conventions | Heidi MacDonald and the Publishers Weekly team (including Robot 6 contributor Brigid Alverson) post a comprehensive report on New York Comic Con, including debuts, new-title announcements, and a quick look at logistics. [Publishers Weekly Comics World]
Conventions | Dave Smith looks at one of the most vexing problems of New York Comic Con: the lack of decent wireless access, a situation troubling exhibitors and media alike. [International Business Times]
In a comment thread on The Comics Journal website, Fantagraphics Co-Publisher Kim Thompson revealed the company will publish an early work by Tintin creator Herge (a.k.a. Georges Remi) titled Peppy and Virginny in Lapinoland.
Also known as Popol Out West, and called Popol et Virginie au pays de Lapinos in French, the book follows the adventures of “a couple of haberdashers who journeyed to the Wild West in search of new clientele, accompanied by their trusty horse Bluebell — where they ran into savage Indian tribes, evil bandits, and much more,” according to the PR details. As far as I can tell, it’s Herge’s only long-form funny animal series, with the lead characters drawn as bears and the Native Americans depicted as rabbits with feathers for ears.
Originally published in 1934, the book is one of several lesser-known and short-lived series that Herge did before giving his artistic life over to Tintin completely (and includes the Quick and Flupke and Jo, Zette and Jocko series).
The 56-page book, which costs $16.99, will be in stores July 2013. It will be part of Fantagraphics ongoing all-ages Eurocomics line, which includes such titles as The Littlest Pirate King and Murder By High Tide.
In other, unrelated Herge news, the comment thread also calls attention to this book, yet to find a publisher, which apparently suggests that Herge and Tchang, the model for the Chang character in The Blue Lotus, had an affair. Bleeding Cool has not-at-all sexy previews of the book here.
Publishing | IDW Publishing CEO Ted Adams discusses the company’s new IDW Limited program, which will produce small print runs of deluxe editions that will be marketed direct to the consumer. How small? The print run for the Blue Label edition of Teenage Mutant Ninja Turtles, Vol. 1 Deluxe Limited Edition will be 10 copies. “The only fair thing to do is to give the fans direct access on a first come first served basis,” he said. “We’re putting an incredible emphasis on quality, and that directly affects the quantity of books IDW Limited can produce. We’re designing new covers, building custom cases and paying the artists to do hand drawn sketch work to go with these books. The reality is that that’s all very expensive and unfortunately it makes it difficult for us to offer this line at the deep discount needed for traditional retail distribution.” [ICv2]
Libraries | Following the firestorm sparked last month when a youth library in Stockholm briefly removed Tintin comics because of their racial caricatures of Africans and Arabs, a survey finds that 10 percent of Swedish libraries have removed or restricted Herge’s books due to “racist content.” [The Local]
A youth library in Stockholm pulled Tintin comics from its shelves on the grounds that the racial caricatures of Africans and Arabs are not suitable for children before quickly backpedaling after the removal triggered a media firestorm in Sweden.
“I wanted to highlight an opinion piece about issues of discrimination, but realize now that it’s wrong to ban books,” explained Behrang Miri, the Kulturhuset library’s youth director.
Although the articles don’t specify which Tintin books were pulled, it’s safe to say the primary culprit was Tintin in the Congo, published in 1930, in which the Belgian creator Herge depicted Africans in crudely stereotyped ways. The book has come under heavy criticism in the United States and in Europe, and several attempts have been made, some successful, to remove it from libraries and bookstores (in February, a Belgian court rejected a five-year-old bid to ban the book).
So it’s something of a surprise to learn that Tintin is actually quite popular in the Congo, with locally made statues of the characters and mockups of the covers selling briskly to European tourists. While the director of the national museum objects to the proliferation of Tintinabilia, preferring to focus on the rich native heritage of the country, artisan Auguy Kakese, who makes and sells Tintin figures for a living is more sanguine:
One of the clearcut hits from the first wave of Monkeybrain Comics digital line is Paul Tobin and Colleen Coover‘s Bandette, a great mixture of Tintin and Nancy Drew-type adventure. Today marks the release of Issue 2 — for the great price of 99 cents — where (as you can see by the preview CBR ran yesterday) Bandette foils a bank robbery in her own unique way.
To help get people as riled as I am for today’s release, I recently barraged Coover and Tobin with a series of questions. As a longtime fan of Tobin’s run on Marvel Adventures: Spider-Man, it pleased me immensely that Tobin is building somewhat upon the Blonde Phantom/Chat substories/genre he explored in the former series. I also appreciate a turn of phrase that Tobin used (“zest for life”) in discussing the new digital collaboration with Coover. I think zest for life is a quality that fuels Coover’s art.
In addition to the digital Issue 2 coming out today, on Saturday Coover will be at the Jet City Comic Show in Seattle. My thanks to Coover and Tobin for their time.
Organizations | Jillian Kirby, the 16-year-old granddaughter of Jack Kirby, makes a pitch for Kirby4Heroes, a campaign to encourage donations to The Hero Initiative on Aug. 28, which would have been the legendary creator’s 95th birthday. [Los Angeles Times]
Comics | Roger Rautio, who’s spearheading an effort to establish a physical Comic Book Hall of Fame, said he’s received responses from officials in four cities — Chicago, Cleveland, New York City and San Jose — and he may meet with a Chicago city council member as early as next month. [North Country Now]
Creators | Cartoonist Reinhard Kleist discusses his graphic novel The Boxer, the true story of Polish Jew Harry Haft, who had to fight other prisoners at Auschwitz for the entertainment of the Nazi soldiers. [Deutsche Welle]
Hello and welcome to Shelf Porn, where we give fans the opportunity to show us their collections, both big and small. Today’s submission comes from artist and collector Jens Lund in Denmark, who sent in photos of his shelves, statues and art studio.
If you’d like to see more Shelf Porn, I can’t do it without you–so send your pictures and write-up to email@example.com. Let’s make it happen!
And now here’s Jens …
Legal | Human Rights Watch reports on the lawsuit filed by Malaysian cartoonist Zunar after he was arrested and his books seized by authorities. The court ruled that while the arrest, on grounds of sedition and publishing without a license, was lawful, the government’s continued possession of his materials was not. Zunar was never formally charged — a judge threw the arrest out after authorities could not point to any actual seditious material in his book, Cartoon-O-Rama — and therefore, the court ruled, the government had no right to continue to hold the books and must return them and pay him damages to boot. [Human Rights Watch, via The Daily Cartoonist]
Legal | Rich Johnston reports that copies of Howard Chaykin’s super-erotic Black Kiss 2 have been held at the border by U.K. customs. Diamond Comic Distributors is in talks with customs officials and hopes to get the books into the country next week. [Bleeding Cool]
Les McClaine (Middleman, The Tick, that incredibly awesome Batman poster) has a webcomic called Jonny Crossbones about the adventures of a skeleton-suited mechanic and the niece of a wealthy adventurer. They hunt pirate treasure in the first story and you should read it, but that’s not what this is about. It’s about these outstanding Tintin-esque covers that McClaine created to go on the wall of one of the characters in his comic. The character is Father Muzzey, companion to the aforementioned wealthy adventurer, and the covers depict the duo fighting Egyptian sewer-monsters, hunting Nosferatu and having their own version of a Nancy Drew adventure … with sledgehammers.
I’d read any of these, but the fact of the matter is that Johnny Crossbones is already very Hergé-like itself. Okay, maybe this post is about how you should go read that.
Auctions | Todd McFarlane’s original cover art for The Amazing Spider-Man #328 sold at auction Thursday for $657,250, shattering the record for a single piece of American comics art set last year by a splash page from The Dark Knight Returns #3 ($448,125). However, the price falls well short of the $1.6 million shell out last month for the original cover art for Tintin in America. A 9.8 graded copy of X-Men #1 was also sold by Heritage Auctions for $492,937.50, more than twice the previous record for that comic. [ICv2]
Publishing | Lily Rothman takes a look at iVerse’s newly announced comics-only crowdfunding platform Comics Accelerator, which will allow immediate delivery of digital rewards in a more sophisticated format than an e-mailed PDF and cap its share of the take at $2,500. As Laura Morley of Womanthology points out, it can go both ways: Being on Kickstarter, a trusted platform with wide visibility, helped boost the project, but on the other hand, “Any site that’s able to take advantage of the fact that comics online already work as a big community, as a place where people talk to their friends and promote things they’re interested in, is likely to do well.” [Time]