Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
J.L. Bell, who knows a lot more about this topic than me, has a great post about Sean McKeever’s varying accounts of writing DC’s Teen Titans. McKeever was responsible for scripting the comic, but the plot was dictated by editors, who have control over continuity. Here’s McKeever talking to Newsarama about writing Teen Titans in 2008, when he was still on the title:
I know people throw around the term “editorial mandate” like it’s some great horror, but I was actually really grateful for everything they had in place for me. Titans [of] Tomorrow was a story that I really wanted to revisit, and it was also really nice to have a premise thrown at me that I could dive into, so that while I was working on that, I could think a little more on my long-term plans for the book.
Here’s McKeever talking to Titans Tower earlier this month, after leaving DC for Marvel, about co-writing the Deathtrap crossover with Marv Wolfman following Judd Winick’s departure from the companion Titans series:
Last week, being full of Christmas cheer made me look back on DC’s 2010 a little more fondly than I might have otherwise.
While I take none of that back — goodwill is never truly wasted — this week isn’t Christmas, and I’m remembering some of the more awkward moments from the year about to pass. After all, 2010 had its share of shock-value deaths and ill-advised changes in direction, and today I want to talk about the biggest ones.
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Probably DC’s most reviled comics of 2010 were the JLA miniseries Cry For Justice and its followup, Rise Of Arsenal. Admittedly, it’s hard for me to talk about Rise because I didn’t read the series itself, just the Justice League issue which tied into it. However, the Internet covered the miniseries’ excesses so thoroughly I feel like I’ve already read it — or at least gotten the experience of reading it.