It’s been, oh, about six months since the last “fake geek girls” flare-up, but no matter when the next argument erupts, WeLoveFine.com has you covered.
Showcased in the T-shirt collection curated by writer Kelly Sue DeConnick are two designs made especially for (in her words) “Male-Type-Guy-Dudes.”
“Look. Here’s the deal: you’re not fooling anyone. We know you’re not Geek Girls. (Your unsightly stubble and Adam’s apples give you away.),” DeConnick writes. “It’s okay. We understand. Being a Geek Girl is a pretty fabulous thing. We get it and love you for your aspiration. But the thing is, you’re not a Geek Girl … because you’re a guy. So quit pretending and learn to love yourself for who you are.”
Halo 8 Entertainment has released a trailer for Ghostface Killah’s Twelve Reasons to Die, the upcoming comic series from the rapper and his fellow Wu-Tang Clan member RZA, who’s serving as producer.
Debuting May 29 from Black Mask Studios, following the release of the album by the same name, Twelve Reasons to Die blends horror and crime for “a brutal tale of gangsters, betrayal and one vengeful soul hunting the 12 most powerful crimelords in the world.”
What’s impressive, though, is the lineup of cover and interior artists: Tim Seeley (Revival, Hack/Slash), Paolo Rivera (Daredevil), Francesco Francavilla (Black Beetle, Detective Comics), Ramon Perez (Tale of Sand), Ben Templesmith (30 Days Of Night), Riley Rossmo (Bedlam), Garry Brown (The Massive), Jim Mahfood (Tank Girl), Kyle Strahm (Haunt), Toby Cypress (Blue Estate), Tyler Crook (B.P.R.D.), Joe Infurnari (Mush!), Breno Tamura (Pigs), Nate Powell (Swallow Me Whole), Gus Storms (Space Creep), Chris Mitten (30 Days of Night) and Ron Wimberly (Prince of Cats).
Twelve Reasons to Die was co-created by Ghostface Killer and Adrian Younge, and written by Matthew Rosenberg and Patrick Kindlon.
In March there will be two great-sounding new gallery shows focusing on comics and comic art, both on the West Coast, but about 1,000 miles apart for anyone fancying a road trip along Highway 101. At the Secret Headquarters comic shop in Los Angeles, there’ll be “Lazer Lips and Glass Helmets,” featuring the retro-futuristic art of Toby Cypress and Ming Doyle, while at East Pike Street in Seattle, the Ltd. art gallery will be running “Mint Condition #2,” the now-annual show timed to coincide with the Emerald City Comicon.
A little rooting around and you can find some fine examples of work from the two shows, both look well worth visiting. Images below are via Ltd gallery’s Facebook page, their Twitter account, and the Secret Headquarter’s Facebook events page.
As someone who subscribes to the theory that there can never be enough Toby Cypress art in the world, and expect you feel the same, so here’s some good news. Cypress’ workblog/webcomic Kursk, on hiatus/unfinished since July 2011, has shown flickering signs of life. This artwork was created as an incentive print to contributors to the KaBOOMbox Kickstarter, and comes with the threat “Kursk returning 2013 … to destroy everything”. Looking forward to the end of the world has never before seemed so … sensible.
It’s time once again for our monthly trip through Previews looking for cool, new comics.
Wait a minute … “monthly”?
It’s true that we haven’t taken a What Looks Good tour in a few months, but the feature is back with an all-new approach that we hope will be more varied and useful than the old format. Instead of Michael and Graeme just commenting on everything that catches our attention in the catalog, we’ve invited Chrises Mautner and Arrant to join us in each picking the five new comics we’re most looking forward to. What we’ll end up with is a Top 20 (or so; there may be some overlap) of the best new comics coming out each month.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
1) Love and Rockets New Stories #5 by Gilbert and Jaime Hernandez (Fantagraphics) — How do you possibly top the triumphant storytelling feat that was “The Love Bunglers”? I dunno, but Jaime Hernandez is certainly going to give it the old college try, this time shifting the focus onto the vivacious “Frogmouth” character. Gilbert, meanwhile, brings back some of his classic Palomar characters, so yeah, this is pretty much a “must own” for me.
2) Skippy Vol. 1: Complete Dailies 1925-1927 by Percy Crosby (IDW) — Percy Crosby’s Skippy might well be the great forgotten comic strip of the 20th century. Extremely popular in its day, and a huge influence on such luminaries as Charles Schulz, the strip has largely been forgotten and the name conjures up little more than images of peanut butter. IDW’s effort to reacquaint folks with this strip might change that — the few snippets I’ve read suggest this is real lost gem.
3) The Voyeurs by Gabrielle Bell (Uncivilized Books) — Tom Kaczynski’s small-press publishing company drops its first major, “big book” release with this memoir from the always-excellent Gabrielle Bell. Collecting work from her series Lucky (and, I think, some of her recent minis), the book chronicles a turbulent five year period as she travels around the world. Should be great.
4) Godzilla: The Half Century War by James Stokoe (IDW) — I usually stay as far away from licensed books as possible, but there is one simple reason I’m including this comic in my top five: James Stokoe. Stokoe’s Orc Stain has quickly become one of my favorite serialized comics, and his obsession with detailing every inch of the page combined with his ability to incorporate significant manga storytelling tropes in his work convince me he can do a solid job chronicling the adventures of the big green lizard that spits radioactive fire.
5) Barbara by Osamu Tezuka (Digital Manga) — Speaking of manga, here’s one of the more noteworthy Kickstarter projects of recent years: Digital Manga’s attempt to bring the master’s saga of a famous author and the homeless, beautiful woman he takes in and assumes to be his literal muse. This is well regarded in many Tezuka fan circles as one of the cartoonist’s better adult stories, and I’m glad to see Digital willing to take a chance on bringing more Tezuka to the West. I’ll definitely be buying this. I should also note that Vertical will also be offering some Tezuka this month, namely a new edition of Adolph (originally published by Viz in the ’90s), here titled Message to Adolph but well worth checking out regardless of the title.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item. We’re coming a little late today due to a power outage in my neck of the woods — due to a blackout, not because I spent the money for the electric bill on Flashpoint or Fear Itself tie-ins.
If I had $15, my first pick off the shelf would be Vengeance #1 (Marvel, $3.99); I love Joe Casey, and especially when he’s given a long leash and room to play in a big universe. Seeing Nick Dragotta drawing this is an added bonus. Next up would be comics’ dueling summer blockbusters, Flashpoint #3 (DC, $3.99) and Fear Itself #4 (Marvel, $3.99). After that, I’d get the excellent Flashpoint: Batman, Knight of Vengeance #2 (DC, $2.99); when Azzarello is on the ball he’s great to read, and this seems to be that.
Phenomenal artist Toby Cypress has been letting his independent spirit flow these past few years; last year the Joe Kubert-graduate announced he was self-published his graphic novel Rodd Racer, and now the artist is branching out with his first webcomic: Kursk.
Set in a dystopian future Earth with the world’s most dangerous man, Kursk is a chance for the world-at-large to see this unique talent that until now has been hard to come by.On his blog, Cypress says that Kursk is “an experimental project for me, that I produce on my free time. Instead of watching TV, or playing videogames…or dating *sigh”.
Cypress is perhaps best known for his work with Brian Wood on the graphic novel The Tourist, but he’s also worked far and wide on things as diverse as Uncanny X-Men, Predator, an issue of Batman/Nightwing, and work in Popgun Vol. 1 and Swallow Book Four.